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famzine-shephard

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  • Famzine
Ort Land
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  • 24 S., 21x14,8 cm, keine weiteren Angaben vorhanden
    Drahtheftung
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  • The Family Museum ist ein Fotoprojekt mit Archivcharakter, mitbegrĂŒndet 2017 von Filmemacher Nigel Shephard und Redakteurin Rachael Moloney, Es entstand aus der Recherche fĂŒr das Buch "A History of Family Photography": Die Grundlage fĂŒr diese Recherche bildete Nigels Sammlung von rund 40.000 Original-Familienfotos britischer Amateure und 600 Fotoalben aus den aus den 1860er bis zu den Nullerjahren, die Nigel ĂŒber einen Zeitraum von 35 Jahren zusammengetragen hat.
    Durch das Teilen von mehr als eineinhalb Jahrhunderten von gefundenen Bildern und visuellen Geschichten ĂŒber das tĂ€gliche Leben und Erfahrungen ist The Family Museum eine einzigartige Ressource, die die Fantasie die Phantasie anregen und Menschen miteinander verbinden kann. Ausgehend von unserem Archiv wollen wir unser VerstĂ€ndnis von "Familie" erforschen, wie es in der volkstĂŒmlichen Fotografie zum Ausdruck kommt, und die Gelegenheit nutzen, die diese Sammlung fĂŒr weitere Forschungen ĂŒber die Geschichte und Praxis der Amateurfotografie bietet.
    Text mit Hilfe von DeepL ĂŒbersetzt.
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Malone Anthony (Marafioti Martin): For Everard Vol. 1-11, 2013 ab

marafioti-for-everard-1
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Malone Anthony (Marafioti Martin): For Everard Vol. 1-11, 2013 ab

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  • For Everard Vol. 1-11
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  • [12-16] S., 20,6x13,5 cm, Auflage: 100, signiert, 12 Teile. keine weiteren Angaben vorhanden
    11 Hefte, Schwarz-Weiß-Laserkopien, Drahtheftung, Aufkleber
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  • About the series:
    The For Everard zine series chronicles the 1977 fire at New York's Everard Baths, combining archival research with imagined narratives to re-focus attention to obscured histories. The series explores the media coverage of the subsequent investigation of the fire, and the lives of the nine men who perished. The zines bring together photographic images with primary news sources, as well as personal anecdotes collected from eyewitness testimonials.
    About the individual zines:
    For Everard, Vol. 1, 2013, ed. 100 (nr. 65)
    This zine chronicles the May 25, 1977 fire at New York's Everard Baths and the media coverage of the subsequent investigation.
    For Everard, Vol. 2 (Bloodbrothers), 2013, ed. 100 (Nr. 81)
    In the second volume of his series chronicling the 1977 fire at New York’s Everard Baths, Anthony Malone focuses on Bellevue Hospital’s blood drive for the victims of the great bathhouse tragedy. Malone draws parallels between the 1977 restrictions placed on gay men for donating blood to their “brothers” and current FDA guidelines that indefinitely defer donations from men who have had sex with men since 1977. This black and white photocopied zine (ed 100) juxtaposes archival images, news clippings, and just a touch of fantasy.
    For Everard, Vol. 3 (Remembering Jimmy), 2015, ed. 100 (Nr. 94)
    Volume 3 of the series, For Everard is dedicated to the memory of Jimmy Stuard, who died in the tragic fire at the Everard Baths in 1977. Stuard was a rising star in the disco music scene. He spun records first at Boston’s 1270 Club, and later at New York’s 12 West, where he inspired an entire generation of musical artists and DJs. In this particular volume, Anthony Malone assembles images and archival texts that serve as a tribute to the great Jimmy Stuard.
    For Everard, Vol. 4 (A Lovely Show), 2016, ed. 100 (Nr. 62)
    For Everard, Vol. 4 (A Lovely Show) is a tribute to Kenneth Hill, one of the nine men who died in the devastating fire at the Everard Baths in 1977. Kenn played a vital role in the East Village/Lower East side countercultural movement in the late ‘60s and 1970s. He was a hippie, a bar tender at Phebe’s (a watering hole and salon for the experimental theater community in the 1970s), one of the founders of the Old Reliable Theatre Tavern, House Manager at La Mama Experimental Theatre Club, and a photographer. This zine celebrates Kenneth Hill by collaging archival documents with personal artifacts and pictures of Kenn from meaningful moments in his life.
    For Everard, Vol. 5 (A Dearly Loved Man), 2017, ed. 100 (Nr. 95)
    For Everard, Vol. 5 (A Dearly Loved Man) assembles images and stories from the life of Ira Landau, a gifted and dedicated teacher who died in the tragic fire at the Everard Baths in 1977. Ira left behind a devoted family (his mother, brother, niece, and lover) and is still greatly missed by his loved ones. This zine is a tribute to the life and accomplishments of a remarkable man who served in the Peace Corps and committed himself to educating young minds both abroad (in the Middle East) and at home in the US. It contains family photos and personal images generously contributed by Ira’s niece.
    For Everard, Vol. 6 (Yosef’s Song), 2017, ed. 100 (Nr. 94)
    Volume 6 of the series For Everard celebrates the life of a remarkable musical prodigy, Yosef Synovec. This zine tells the story of a young man with great aspirations who emigrated to the United States from Czechoslovakia to study classical violin. In 1976, Holly Woodlawn overheard Synovec vocalizing as he was painting the bathroom of his East Village apartment, and determined on the spot that she had discovered an emerging star. As a singer, Synovec used his extreme vocal range to imitate the voice and persona of Peruvian diva Yma Sumac. He performed Sumac’s exotic musical numbers at several New York City cabarets and show venues. Sadly, on May 25, 1977, Yosef perished in the tragic fire at the Everard Baths.
    For Everard, Vol. 7 (Tony from the Bronx), 2017, ed. 100 (Nr. 86)
    This zine brings together images and stories from the life of Tony Calarco, one of the nine men who died in the fire at the Everard Baths in 1977. Tony was only 26 when he died. He lived with his parents and siblings in a modest house in the Bronx. He had recently graduated from college and was working as a social worker in New York city at the time of his death. Tony had aspirations to become a lawyer and was scheduled to begin law school in September of 1977. This zine celebrates Tony Calarco’s memory through photos of Tony, artifacts from his high school and college years, and recent photographs of his home and final resting place.
    For Everard, Vol. 8 (Looking for Amado), 2017, ed. 100 (Nr.84)
    Amado Alamo, a young man only 17 years old, lost his life in the fire at the Everard Baths in 1977. In Volume 8 of For Everard, Anthony Malone documents his search for the identity of the youngest victim of the Everard fire. The zine is an abstracted portrait of Alamo that assembles the few extant fragments of his story culled from newspaper articles and documentary sources glued together with the artist’s imagination.
    For Everard, Vol. 9 (Last Call), 2017, ed. 100 (Nr.72)
    Life was difficult for Hillman Wesley Adams. He was born in Jacksonville FL in 1938. His mother died just a few months after his birth, and by the age of nine, he found himself in an orphanage with his older brother. Fast forward 30 years: Hillman moved to NYC, struggled to make ends meet while working on and off as a bartender, and he met his lover, Ralph, with whom he shared a modest apartment in New Jersey. On May 25, 1977, Hillman died in the fire at the Everard Baths. Vol. 9 of For Everard is an assemblage of newspaper articles and vintage photos chronicling the life and untimely death of Hillman Wesley Adams.
    For Everard, Vol. 10 (In Memoriam: Patrick Nott), 2018, ed. 100 (Nr. 64)
    Volume 10 of For Everard memorializes the life of Patrick Nott, one of the nine men who died in the fire at the Everard Baths. Nott, a native of Wales with a passion for theater, literature, and music, pursued a successful career in hairdressing. He fell in love with his pen pal (a young woman from Brooklyn) and after their marriage, they moved to New York City, where Nott worked at the Vidal Sassoon Salon. This zine weaves together elements from his story (shared with the artist by Patrick Nott’s wife), with photographs, newspaper clippings, and artifacts. It acts as a humble tribute, an “In Memoriam” for this greatly loved man.
    For Everard, Vol. 11 (Thunderbird), 2019, ed. 100 (Nr. 79)
    Brian Duffy was an aspiring artist. In 1966 he was accepted to Pratt Institute of Art and although he declined admission to the school, he seized the opportunity to move to NYC and start a new life for himself. In the city, he worked hard at various retail jobs and tried to break into the theater, but everything changed when he met the love of his life, Bradley. The couple moved to a “quieter life” in Boston. They worked in restaurants in the Back Bay area and created a community for themselves amongst their chosen family of friends. Volume 11 of For Everard celebrates the brief life of Brian Duffy, a young man who died in the fire at the Everard Baths in 1977. This zine compiles photographs and stories shared with Malone by Brian’s sister and dear friend.
    The pseudonym "Anthony Malone" comes from a novel by Andrew Holleran (Dancer from the Dance). In this novel, Malone is the protagonist and at the end he disappears. Some of his friends believe that he may have committed suicide, others feel that he may have run away from New York, while some say that they saw him at the Everard Baths on the night of the fire. I imagine that Malone survived the fire and he is now making books and zines telling the story of the tragedy.
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  • Style & the Family Tunes Nr. 075 Oktober 2004
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  • keine weiteren Angaben vorhanden
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hunger-one

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  • Hunger Issue #1
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  • 512 S., 30x23 cm, keine weiteren Angaben vorhanden
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  • In dieser Nummer: Welsh actor Rhys Ifans and intriguing young songwriter Sky Ferreira took to the covers for
, the launch issue of The Hunger. Other highlights of the issue include Terence Stamp on why being shunned by the film industry as a young actor was a blessing in disguise, The Winstone family invite us to their family home for an old-fashioned knees up, Anna Friel grills her friend, folk star Fionn Regan, on what inspires him, and Erin O’Connor divulges why she is finally ready to express her often ignored femininity. For our fashion stories, we shot Kelis, Cheryl Cole, Holliday Grainger, Portia Freeman, Heidi Klum, Milla Jovovich, Giggs and DELS.
    Text von der Webseite
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psych-kg-253

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  • Psych.KG 253 - FLUXUS
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  • 33,0x33,0 cm, Auflage: 100, numeriert, keine weiteren Angaben vorhanden
    LP, beidseitig bedruckter Karton in transparenter HĂŒlle fest vernietet, grĂŒne one-side LP
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  • BeitrĂ€ge von:
    Ditterich von Euler-Donnersperg - Knurrhahn (erste Version)
    Wataru Kasahara (GROUP ThERRORPY:2004) - exploded roses
    FluxRus Gr. Belka & Strelka (Viktoria Barwenko/Svetlana Pesetskaya) - delusion
    Ludo Mich & Kommissar Hjuler und Frau - flowers are growing, people would cry
    Family Fodder - organ grinder
    Tim Berresheim & Jonathan Meese - for the duck (alternative version)
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  • Family Journal
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  • 12 S., 20x21 cm, keine weiteren Angaben vorhanden
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  • Loyal #7 The Hunt for your Family
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  • keine weiteren Angaben vorhanden
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  • VEC Audio Exchange 03 1/2 - Clear
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  • keine weiteren Angaben vorhanden
    Kompaktkassette
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  • Style & the Family Tunes Nr. 100 Januar Februar 2007
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  • 256 S., 28,5x21,5 cm, ISBN/ISSN 16149580
    mit beigelegtem Poster, JubilÀumsausgabe
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  • WAD / We are different #30
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  • 280 S., 30x23 cm, ISBN/ISSN 16295394
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WEB Link
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  • WAD / We are different #32 Al Dente Issue
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  • 306 S., 30x23 cm, ISBN/ISSN 16295394
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WEB Link
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motoyuki-family

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  • Family
Ort Land
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  • [20] S., 20x14 cm, Auflage: 200, 2 Stück. keine weiteren Angaben vorhanden
    Drahtheftung. Zusammen mit 4 Heften und zwei farbigen EinzelblÀttern in Transparentfolie, Risographie
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  • 100 pages by five zines
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  • Familienbande - Family Ties
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  • 132 S., 14,8x10 cm, keine weiteren Angaben vorhanden
    Wendebuch, Katalog 119 der Galerie
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  • Dampf - A Sauna's Family Magazine Issue 1
Ort Land
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  • 76 S., 34x24,5 cm, keine weiteren Angaben vorhanden
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  • Dampf - A Sauna's Family Magazine Issue 2
Ort Land
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  • 76 S., 34x24,5 cm, keine weiteren Angaben vorhanden
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wild wild family

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  • keep it in the family
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  • 16,5x24,5 cm, Auflage: 1.000, ISBN/ISSN 3926245468
    Hardcover
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Nachlass von Jockel Heenes
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brunnmeier-souvenirs-voles

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  • souvenirs volĂ©s
Ort Land
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  • [24] S., 21x14,7 cm, Auflage: 30, numeriert, signiert, keine weiteren Angaben vorhanden
    Drahtheftung, zwei verschiedene Papiere, in PergaminhĂŒlle
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  • 'say cheese', 'please laugh', 'show your smile' - this is what people usually say, when they take a private picture of their friends or family. These pictures normally remain in the private sphere of the photographer and are only shown to a selected audience. For this conceptual and experimental photo-series such private images have been forcefully appropriated: individual prints have been taken randomly from drug stores and photo developers, the pictures where selected and then set in relation to others. The negatives of these images were not taken. Unlike the concept of the objet trouvĂ©, where found objects and materials are the basis for creative work, the images used in this project are objets appropriĂ©s, they have been actively taken rather than found. They are documents of other peoples memories, memento mori of their existence, beautiful in their own right. By blurring and distorting them, the concept of remembering and forgetting, documentation and memory is questioned.
    Text von der Webseite
Erworben bei Mars
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roya-academy-cards-2014

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  • Radical Geometry / Discover the Now / Dennis Hopper / Family Studio / Anselm Kiefer
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  • 18 S., 21x14,8 cm, keine weiteren Angaben vorhanden
    5 Flyer zu Veranstaltungen im Haus, in Briefumschlag
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chapmans-the-rape-of

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  • The Rape of Creativity
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  • 44 S., 20,4x17,2 cm, ISBN/ISSN 1901352161
    hardcover, eingeklebtes Heft auf anderem Papier
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  • zur Ausstellung 12.04.2003 — 08.06.2003
    For their exhibition at Modern Art Oxford, the Chapmans present sculptures, paintings, drawings and a major new installation in the main Upper Gallery. The exhibition develops on the artists’ delight in cultural confusion and in challenging our assumptions about taste and meaning in art, explored most recently in The Chapman Family Collection, a faux-museographic display of hand-carved wooden fetish objects infected with the iconography of the global food outlet McDonalds.
    Text von der Webseite
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Erworben bei Campbell Books London
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tmrw-8

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  • tmrw #8 summer 14
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  • 82 S., 24,3x17,2 cm, keine weiteren Angaben vorhanden
    Broschur
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  • From what started as a music blog aimed at sharing the best music acts of ‘tomorrow’, nearly 3 years on, TMRW is not only a quarterly printed lifestyle magazine, but an industry-recognised brand and voice.
    As a fresh faced, naĂŻve 21 year old, Founding Director and Editor, Joe Brine was oblivious to the potential of what he had incepted. Having made the conscious step in to the world of print, Joe adopted a simple but effective design, which would give TMRW a niche and set the magazine apart from any other on the market. The attention to detail shows exactly this. The thicker paper stock and the smaller size made the quarterly print high quality and aesthetically pleasing, because of this the magazine is more sought after and such is looked after more by readers and shared around with friends and family. For any brand associated with TMRW it means that the reader is more inclined to notice and is more inclined to make a purchase.
    Text von der Webseite
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honory-schmid-private-institute
honory-schmid-private-institute
honory-schmid-private-institute

Honory Alexander / Schmid Joachim: The Private Institute of Contemporary Family Photography / The Institute for the Reprocessing of Used Photographs, 2001

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  • The Private Institute of Contemporary Family Photography / The Institute for the Reprocessing of Used Photographs
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  • 16 S., 21x21 cm, ISBN/ISSN 8387398403
    Drahtheftung
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polhuis-archiv-an-ordinary-family-album

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  • The L.P. Polhuis archive: an ordinary family album
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  • [64] S., 23x17 cm, ISBN/ISSN 9085460050
    Klappbroschur,
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  • Fotografien von Leo Polhuis, Vorwort von Martin Parr
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bananas-10

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  • Bananas - The Literary Newspaper No. 10 Family Issue
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  • 48 S., 43,5x29 cm, ISBN/ISSN 03083381
    BlÀtter lose ineinander gelegt, Cover zweifarbiger Druck, innen zum Teil mehrfarbig,
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  • Design Julian Rothenstein.
    Mit zwei Gedichten von Hans Magnus Enzensberger
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Erworben bei Moufflon Bookshop
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1995_joerg-immendorff

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  • The Rake`s family. Jörg Immendorff
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  • [104] S., 27x22,5 cm, numeriert, keine weiteren Angaben vorhanden
    Broschur, Softcover, Titelseite ist zum Ausklappen,
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  • Immendorf hat zu der Oper The Rake's Progress von Igor Strawinsky den BĂŒhnenraum, die KostĂŒme und das Plakat gestaltet. Dazu erschienen sind 11/+1 großformatige Lithografien entstanden
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sounds-of-silence-lp

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  • Sounds of Silence
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  • 31,5x32 cm, Auflage: 500, keine weiteren Angaben vorhanden
    Vinyl Schallplatte in Schuber, aufklappbar
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  • Sounds of Silence is an anthology of some of the most intriguing silent tracks in recording history and includes rare works. In their own quiet way, these silences speak volumes: they are performative, political, critical, abstract, poetic, cynical, technical, absurd
 They can be intended as a memorial or a joke, a special offer, or something entirely undefined. The carefully chosen silences of this anthology are intrinsically linked to the medium of reproduction itself and reveal it's nude materiality. They expose their medium in all its facets and imperfections, including the effect of time and wear.
    Text von Website
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kinmon-open-by-chance

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  • Open by Chance & Appointment
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  • 32 S., 20x12,5 cm, Auflage: 127, ISBN/ISSN 978-2-914291767
    Drahtheftung, Softcover, in farbigem Schutzumschlag, Visitenkarte eingelegt
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  • Open by Chance & Appointment est la formule affichĂ©e depuis quelques annĂ©es sur la vitrine de la librairie de Ben Kinmont, ouverte en 1998 et installĂ©e Ă  partir de 2003 Ă  SĂ©bastopol en Californie. Pour l’artiste, cette activitĂ© commerciale s'inscrit dans un projet artistique intitulĂ© "Sometimes a nicer sculpture is to be able to provide a living for your family" (Parfois, une sculpture est d’autant plus belle qu’elle permet Ă  ta famille de subsister) : "J’ai commencĂ© une activitĂ© commerciale d’antiquaire de livres anciens pour aider matĂ©riellement ma famille. L’Ɠuvre n’est pas l'entreprise elle-mĂȘme, mais sa contribution au coĂ»t de notre vie. Comme la librairie est spĂ©cialisĂ©e dans les livres sur l’alimentation et le vin avant 1840, elle offre aussi un plus large contexte dans lequel on peut considĂ©rer l’activitĂ© domestique comme signifiante. Jusqu’à prĂ©sent, ça a Ă©tĂ© un succĂšs."
    Text von der Webseite
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  • Sticky Family
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  • keine weiteren Angaben vorhanden
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  • Aus dem Booklyn-Archiv
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Erworben bei Booklyn
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signer-karpaten

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  • Karpaten - Carpathians
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  • 124 S., 16,4x23 cm, ISBN/ISSN 978-3-869304892
    Broschur
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  • Erschienen anlĂ€sslich der Ausstellung "Roman Signer - Straßenbilder und Super-8-Filme" im Aargauer Kunsthaus, 28.01.22.04.2012, herausgegeben von Peter Zimmermann und Madeleine Schuppli.
    This book presents photos taken by Roman Signer on a 2005 journey through the Carpathian Mountains, which took him to the Ukraine and Romania. The photographs evidence brief stops at the side of the road and present subjects that fall into two distinct catagories: home-grown fruits, vegetables and other produce for sale, carefully displayed on stools or small tables, and loving memorials of flowers, crosses and wreaths for deceased family members and friends who were road casualties.
    Text von der Webseite
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sheikh-moksha

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  • Moksha
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  • 282 S., 27x22,5 cm, ISBN/ISSN 3865211259
    Hardcover, fadengeheftet, mit Schutzumschlag
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  • Fazal Sheikh made his first trip to the holy Indian city of Vrindavan in 2003. Each year thousands of women make their way there to join the community of widows who spend their days in the temples, worshipping their god Krishna, and preparing for death. Over the next three years, Fazal Sheikh became accepted by the widows, who agreed to sit for their portraits and talked to him about their lives. Their stories revealed how powerless some of the women had been under the strictures of traditional Hindu law. They were victims of enforced marriage, physical violence, sexual abuse and neglect. Some had been evicted from the family home once their children were married. Others had left of their own accord. As Fazal Sheikh discovered, what the women find in Vrindavan is not just religious solace, but in the sisterhood of other widows they find companionship and support. In his portraits their faces are suffused with calm – in some cases they already seem to have reached a half-life, somewhere between this world and the next – and their religious faith, in many ways the source of their past troubles, finally brings them peace. This project was published as Moksha
    Text von Website
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kathleen-agua-pura

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  • Agua Pura - A month on the US/Mexico border
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  • 14,2x9 cm, keine weiteren Angaben vorhanden
    Drahtheftung, kleiner Umschlag mit gefalteter Grafik und Geruchsmuster, geklebt auf der letzten Seite,
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  • Every year thousands of peolpe from Central America cross the US/Mexico border on foot, pushed north by economic imperative, systematic violence and family ties. In September I took a month out of my life as a paramedic in the north of England to work with No More Deaths, a group providing humanitarian aid to people crossing the dessert.
    Text aus dem Heft
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Uniformmagazin-No7

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  • Uniformagazine No. 07
Verlag Jahr
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  • 32 S., 21,5x14,5 cm, Auflage: 500, ISBN/ISSN 20566301
    Drahtheftung
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  • Uniformbooks is an imprint for the visual and literary arts, cultural geography and history, music and bibliographic studies. The uniformity of the format and the expansive variety of the list and its subjects, is characteristic of our open approach to publishing. The printed quarterly Uniformagazine gathers contributions by the writers and artists that we work with, sometimes thematically, as well as slighter or singular content—click on animation for further details.
    Text von der Website
    Mit: "Vovite Leaves"-David Matless, "The Reader's Digest Family Encyclopedia of World History"-Kasper Pincis, "tap-root"-Simon Cutts, "A glance to the past"-Martha Hellion, "Condensations"-Nathan Walker, "Trago Mills, Newton Abbot"-Phil Smith, u.a
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mcdonald-unbound-artist-books-from-the-collection
mcdonald-unbound-artist-books-from-the-collection
mcdonald-unbound-artist-books-from-the-collection

McDonald Vicki, Hrsg.: Unbound - artists' books from the collection, 2006

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  • Unbound - artists' books from the collection
Ort Land
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Angaben
  • 2 S., 14,8x21 cm, keine weiteren Angaben vorhanden
    Mehrfach gefaltetes, doppelseitig bedrucktes Poster,
ZusatzInfos
  • AnlĂ€sslich der gleichnamigen Ausstellung der Talbot Family Treasures Wall in der State Library of Queensland, 25.11.2006-11.03.2007
Sprache
Stichwort / Schlagwort
Geschenk von
TitelNummer

tonnard-oceanus

Verfasser
Titel
  • Oceanus - A Tale of Sea
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • [106] S., 17,8x11,1 cm, keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • This is a pocket book, good for bringing along on a sea journey. This imagetext tries to evoke the feeling of a bewildered traveling. The words are awkwardly placed, and clearly out of their element. Still they continue on, going somewhere. The goddess whispers. The sea of the book is composed of two photographs I found in a family album lost in an archive. The text cuts through Samuel Butler’s translation of Homer’s Odyssey. The book received an honorable mention in the Photography Book Now competition of 2011.
    Text von der Website
Weitere
Personen
Sprache
Stichwort / Schlagwort
Erworben bei Elisabeth Tonnard
TitelNummer

manen-moonshine

Verfasser
Titel
  • Moonshine
Verlag Jahr
Medium

Technische
Angaben
  • [112] S., 23,2x24,3 cm, ISBN/ISSN 978-1-907946622
    Hardcover mit Siebdruck auf dem Cover.
ZusatzInfos
  • Spanning almost three decades, 'Moonshine' is a portrait of the American Appalachian folk, a mythologised region populated by ‘moonshiners’. Van Manen’s images are defined by a fierce intimacy with her subject, as the viewer teeters on the edge of the frame, perpetually trespassing on private moments: rollicking children practicing handstands on the couch. a kneeling daughter combing the hair of her grandmother.
    Van Manen first visited the region in 1985, to the Appalachian areas of Kentucky, Tennessee and West Virginia, returning periodically up until 2013 to visit mining families with whom she lived: the Boggs family with their ten red-haired sons. miners Mavis and Junior. The intergenerational images subtly trace the insidious changes undergone by Appalachia – the slow and steady demise of the mining industry, and the migration of inhabitants from ramshackle wooden cabins to the city, or urban trailer parks. Van Manen intermixes black-and-white images with later colour work – another register of time passing and the inevitability of change.
    Text von der Webseite.
Sprache
WEB Link
Erworben bei art book cologne
TitelNummer

barney-players

Verfasser
Titel
  • Players
Verlag Jahr
Medium

Technische
Angaben
  • 96 S., 22,8x30,4 cm, ISBN/ISSN 978-3-865219954
    Hardcover mit Schutzumschlag
ZusatzInfos
  • Since 1975, Tina Barney (*1945) has been producing large-scale photographs of family and friends. Her meticulous tableaux chronicle the complexity of interpersonal relationships. In Players, Tina Barney expands her subject matter to include fashion, performers, and actors, as well as her own circle of friends. Emboldened by the cacophony when photographing on stage, Barney has embraced a more casual aesthetic that is visually exhilarating. Editor and designer Chip Kidd has translated this excitement to the pages of this new book. And Michael Stipe has contributed his poetic vertigo.
    Text von der Webseite.
Weitere
Personen
Sprache
WEB Link
Erworben bei art book cologne
TitelNummer

koivu-the-walking-society

Verfasser
Titel
  • The Walking Society
Ort Land
Medium

Technische
Angaben
  • 406 S., 17,3x12 cm, ISBN/ISSN 978-3-037784792
    Klappbroschur.
ZusatzInfos
  • Retrospektive zu Camper-Schuhen, anlĂ€sslich des 40. FirmenjubilĂ€ums mit philosophischen, soziologischen, kulturhistorischen Perspektiven auf den Schuh.
    What is a “walking society”? A society that is in motion, that is setting out for somewhere. And what connects the individuals in this society with the ground they stand on? It’s their shoes of course. The focus here is on a very special shoe: the Camper shoe. It has gone through considerable changes since its early days, when it was cobbled together by Mallorcan peasants from a piece of car tire and a scrap of fabric. What remains is the philosophy embraced by the Spanish family business, that innovative shoes produced according to the highest standards should not only be comfortable but should also offer their wearers the greatest possible freedom of movement.
    The book tells the story of the Camper brand while at the same time unfurling a range of related themes, from the anatomy of the foot to the cultural history of the shoe. All of which leads to a visual exploration of our “walking society.”
    Text von der Webseite.
Sponsoren
Sprache
WEB Link
WEB Link
Erworben bei Camper MĂŒnchen
TitelNummer

38_maycec
38_maycec
38_maycec

Vonverhille / Maycec / Sayer Damien / Lenox AlizĂ©e: 75 g/mÂČ, 2017

Titel
  • 75 g/mÂČ
Ort Land
Medium

Technische
Angaben
  • 106 S., 21x14,8 cm, Auflage: Print on Demand, 2 Stück. keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • Schwarz-Weiß-Drucke, Nr 038 aus der Reihe 100for10.
    75 g/mÂČ started as a black and white photocopy exhibition. The project was initiated by Maycec, a photographer, self-publisher and graphic designer who draws inspiration from alternative culture and her personal life. She is co-founder of Vesselroom Project and Atelier29. The first 75 g/mÂČ exhibition took place in Berlin in 2014 with Maycec alongside Vonverhille and Damien Sayer whom both grew up in the suburbs of Paris. Vonverhille started in the graffiti scene in the 90s. He diversified his means of expression and explored photography and experimental electronic music. He now lives in Berlin where he founded Erratum galerie. Damien Sayer has photographed his family, friends and encounters over the course of five years. His small format pictures remain simple documentary pages, simple facts or portraits recorded on a sheet of paper. Alizee Lenox joined the exhibitions 75 g/m2 part II and part III. She is a poet DeepLy influenced by Pop Culture mostly because you cannot not be influenced by a soft machine that creates so many idols you can hate and worship at the same time. She is currently working on her first chapbook manuscript.
Sprache
WEB Link
WEB Link
Geschenk von
Erworben bei Melville Brand Design
TitelNummer

39_alessandro_apai
39_alessandro_apai
39_alessandro_apai

Apai Alessandro: Dear routine, 2017

Verfasser
Titel
  • Dear routine
Ort Land
Medium

Technische
Angaben
  • 106 S., 21x14,8 cm, Auflage: Print on Demand, 2 Stück. keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • Schwarz-Weiß-Drucke, Nr. 039 aus der Reihe 100for10.
    Alessandro Apai is a young freelance illustrator and graphic artist from Italy and current based in Barcelona. His works are inspired by perfectly normal everyday interactions and social experiences. His aim is to use the drawing’s practice like a vehicle to documents and interpret his daily observation of the world and to could translate whatever concept in images. He had work on commissioned projects for clients like the Guardian, Zeit Magazin, it’s Nice That and many others. He also use to work on personal projects like the weekly series “Relaxed Sunday with Family” started in 2014, that you can follow each Sunday.
Sprache
WEB Link
WEB Link
Geschenk von
Erworben bei Melville Brand Design
TitelNummer

88_yannick_weinert
88_yannick_weinert
88_yannick_weinert

Weinert Yannick: Crazy City, 2018

Verfasser
Titel
  • Crazy City
Ort Land
Medium

Technische
Angaben
  • 106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • Schwarz-Weiß-Drucke
    Born 2005, Yannick won his first art contest at the age of 2 in New Zealand. That’s where he lived until he moved to Munich, Germany with his family. Drawing is his passion. He illustrated a children’s book, published quite a few of his drawings in magazines and creates constantly. The preferred equipment he uses is a black fineliner. His Crazy City reflects a pessimistic German City. It should rise awareness of social miseries.
Sprache
WEB Link
WEB Link
Geschenk von
Erworben bei Melville Brand Design
TitelNummer

zug-no11

Verfasser
Titel
  • Zug Magazine #11 Family Ari Marcopoulos
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 86 S., 23,6x16,5 cm, Auflage: 1.000, keine weiteren Angaben vorhanden
    Klebebindung, Offsetdruck
Sprache
Stichwort / Schlagwort
WEB Link
Erworben bei Aaron Fabian
TitelNummer

konvolut-wien-flyer
konvolut-wien-flyer
konvolut-wien-flyer

Diverse Herausgeber: Flyer aus Wiener AusstellungshÀusern von 2020 - Konvolut, 2020

Titel
  • Flyer aus Wiener AusstellungshĂ€usern von 2020 - Konvolut
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • [80] S., 21x10 cm, 10 Teile. keine weiteren Angaben vorhanden
    Flyer aus Papier, gefaltet, Drahtheftung, Karte
ZusatzInfos
  • 1 Faltblatt zur "Family Matters" Ausstellung im Dom Museum Wien, 1 Faltblatt zur Ausstellung von Herbert Brandl im Belvedere21, 1 Faltblatt zur Ausstellung "Schow Off" im MAK, 1 Faltblatt zur Ausstellung "Thonet, das moderne Mösbeldesign" im MAK, 1 Faltblatt zum Ausstellungshaus Wiener Secession, 1 Heft zur Wiens Architektur "Vom Jugendstil bis zur Gegenwart", 1 Flyer "Europas beste Bauten" im Architekturzentrum Wien, 1 Faltblatt zur Ausstellung "WonhhĂ€user fĂŒr Kalifornien" von Richard Neutra im Wien Museum Musa, 1 Faltblatt zur Ausstellung "Photography is a language" von Alec Soth im Kunst Haus Wien, 1 Heft zur Ausstellungen von Verena Dengler, Michael E. Smith, Suellen Rocca in der secession
Sprache
Geschenk von
TitelNummer

punk

Verfasser
Titel
  • Punk lives! No. 11
Verlag Jahr
Medium

Technische
Angaben
  • [38] S., 29,7x21 cm, keine weiteren Angaben vorhanden
    Drahtheftung
ZusatzInfos
  • U.K. Punkmusikmagazine aus den 80ern.
Sprache
Geschenk von
TitelNummer

galan-vivre-la-vie

Verfasser
Titel
  • Viv(r)e la Vie!
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • [48] S., 32x22 cm, Auflage: 500, 5 Teile. ISBN/ISSN 9788461723997
    Klappumschlag, Fadenheftung. Buchlaufkarte eingelegt. Zwei Seiten sind aufklappbar. Vier Werbekarten zum Buch beiliegend.
ZusatzInfos
  • I have always thought that arriving to a certain age, we become invisible, towards ourselves and towards the rest of the people. The project Viv(r)e la vie! pays homage to those who decide not to become invisible, to those who continue to live “in the moment”. With curiosity, being the main character of their lives and surrounded by family or friends.
    Photographs of couples in profile before a wide coniferous landscape in three planes: landscape representing the power of vital force, of immortality.
    Couples of a certain age, people barely seen socially, but who have not stopped living life fully and whose close relation is photographed in the outing dances of their area. The photographs give visibility to people that, for a certain time, have lacked such visibility. This series, at the same time, documents the cultural diversity that exists between different cities and countries: Guadalajara, Spain; Philadelphia, USA; Pirkanmaa, Finland and Leyte, Philippines. This project would like to honor those that live life fully, those people that are reaching a mature age, but remain active.
    Text von der Website
Sprache
WEB Link
Erworben bei mĂșltiplos
TitelNummer

against-forgetting

Verfasser
Titel
  • Against forgetting
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • [32] S., 32x22 cm, Auflage: 100, keine weiteren Angaben vorhanden
    Drahtheftung
ZusatzInfos
  • "For the first thirteen years of my life I lived with my parents in the Auckland suburb of Mt Roskill. Our family home was a modest, two bedroom, flat roofed, weather-board house, which my father had built around 1940. The suburb is known for its volcanic peak, 110 metres in height, one of the many extinct volcanic cones that dot the Auckland isthmus. Mt Roskill has been referred to as the Bible Belt of Auckland with more churches per capita than any other New Zealand suburb. Now, after more years than I care to think about I've gone back to look at my past. Where I grew up. So much has changed. Other things, very little. Here are some photographs. Against forgetting." - Harvey Benge
Sprache
Stichwort / Schlagwort
WEB Link
Geschenk von
TitelNummer

love-parade-1996-pins
love-parade-1996-pins
love-parade-1996-pins

Roeingh Matthias / de Picciotto Danielle, Hrsg.: Love Parade 1996 We are one family, 1996

Titel
  • Love Parade 1996 We are one family
Ort Land
Verlag Jahr

Technische
Angaben
  • 3,7x3,7 cm, 2 Stück. keine weiteren Angaben vorhanden
    Pin, in transparenter KunststoffhĂŒlle
Sprache
Stichwort / Schlagwort
Geschenk von
TitelNummer

saltoun-richard--soltau--2020

Verfasser
Titel
  • Richard Saltoun January - June 2020
Verlag Jahr
Medium

Technische
Angaben
  • 44 S., 28x21 cm, signiert, keine weiteren Angaben vorhanden
    Katalog, drahtgeheftet, signiert mit einem Gruß v. Annegret Soltau auf Seite 6
ZusatzInfos
  • Katalog als Dokumentation der Ausstellungen der Londoner Galerie sowie ihrer Vertretungen von KĂŒnstlern auf Messen u. a. in Genf, Bologna, New York, Dublin - darunter auch Annegret Soltau mit der Einzelausstellung "spider" vor Ort in London, sowie in der Gruppenausstellung "family matters" im Dom Museum in Wien.
    Die Richard Saltoun Galerie wurde 2012 gegrĂŒndet mit einem Schwerpunkt auf Feminismus, Konzept und Performance.
Sprache
Geschenk von
TitelNummer

MĂŒller Peter: Und wenn es zum Krieg kommt, ..., 2014

mueller-und-wenn-es-zum-krieg-kommt
mueller-und-wenn-es-zum-krieg-kommt
mueller-und-wenn-es-zum-krieg-kommt

MĂŒller Peter: Und wenn es zum Krieg kommt, ..., 2014

Verfasser
Titel
  • Und wenn es zum Krieg kommt, ...
Ort Land

Technische
Angaben
  • 25x28 cm, 16 Teile. keine weiteren Angaben vorhanden
    TĂŒte mit Fladen aus Kunststoff Soldaten, Leporello Flyer 6x, Visitenkarte 1x, Hefte Drahtheftung 2x, Karten 4x, alles im bedrucktem Umschlag aus Packpapier. Hefte geklammert, Injektdruck, Vorderseite und RĂŒckseite bestempelt.
ZusatzInfos
  • Ganzer Titel: “Und wenn es zum Krieg kommt, ergibt sich eine FĂŒlle anderer Investitionsmöglichkeiten. Vielleicht brauchen wir den Krieg, um das Land endlich aus der Wirtschaftskrise zu fĂŒhren.“, „Aha nichts als Profit schlagen aus Tod und Zerstörung.“
    Umschlag enthĂ€lt „prevent sucide“ Karte, aufklappbare Karten mit Vergleichen zwischen Soldaten und Sportlern, betenden Soldaten, Wortspielen mit Essen und Sieg. Es enthĂ€lt auch Flyer ĂŒber Hilfe fĂŒr weibliche Veteranen "SERVING WOMEN WHO SERVED", Hilfe fĂŒr Familien von MilitĂ€rangehörigen "Military Family Clinic", Hilfe mit PTSD Kliniken, Hilfe bei Verletzungen aus dem Krieg, Bildung fĂŒr Veteranen. Weiter ist enthalten eine Karte die Veterane fĂŒr ein Projekt suchen, die im Irak oder Afghanistan waren, "Participate in research study for Iraq and Afghanistan veterans", eine "Veterans Crisis Line" Karte mit einer Telefonnummer, an die man sich wenden kann und einer Liste von Hinweisen, die darauf deuten suizidal zu sein, ein Heft mit dem Titel "Kunst und Krieg", welches Grafiken und Collagen enthĂ€lt ĂŒber den Krieg und die Menschen, die davon betroffen waren, ein weiteres Heft mit dem Titel "War is good business Invest your son. - Allen Ginsberg" enthĂ€lt Fotos, Vergleiche zwischen Zivilisten und Soldaten, Zitate und den psychischen Zustand der MĂ€nner, die gekĂ€mpft haben. Im Umschlag ist ferner enthalten eine KunststofftĂŒte mit einem Fladen aus Kunststoffsoldaten, die zusammen geschmolzen und auf eine quadratische grĂŒne Platte geklebt wurden.
Sprache
Geschenk von
TitelNummer

spex-2014-bild-1

Verfasser
Titel
  • spex - 2014 Nr. 351, 352, 353, 354, 355, 356, 357
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 28x23 cm, 7 Teile. keine weiteren Angaben vorhanden
    Klebebindung, Werbeanzeigen enthalten
ZusatzInfos
  • Magazin fĂŒr Pop-Kultur. 6 Ausgaben pro Jahr.
Sprache
WEB Link
Geschenk von
TitelNummer

dayanita-singh-lets-see-steidl

Verfasser
Titel
  • Lets see
Verlag Jahr
Medium

Technische
Angaben
  • 304 S., 19,7x15 cm, keine weiteren Angaben vorhanden
    Softcover, Fadenheftung
ZusatzInfos
  • Let's See ist ein Fotoroman ĂŒber Dayanita Singhs frĂŒheste Jahre als Fotografin, eine RĂŒckkehr in eine Zeit, in der sie sich noch nicht als Fotografin betrachtete, die forschende Erinnerung an "ein Auge, zu dem ich keinen Zugang mehr habe". Singh hat kĂŒrzlich 40 Jahre ihres Archivs durchforstet - 80 % davon bleiben ungesehen -, Scans ihrer Kontaktbögen gesichtet und war erstaunt ĂŒber die sanften und zĂ€rtlichen Bilder aus den 1980er und 90er Jahren, die sie inzwischen vergessen hatte: Mitbewohner, Freunde, mit denen sie zusammenlebte, Familie, Hochzeiten, Beerdigungen; PortrĂ€ts von sich selbst und denjenigen, die zu wichtigen Figuren in ihrem Leben werden sollten.
    Let’s See is a photo-novel of Dayanita Singh’s earliest years as a photographer, a return to a time when she did not yet consider herself a photographer, the probing remembrance of “an eye I no longer have access to.” Singh has recently poured through 40 years of her archive—80% of which remains unseen—exploring scans of her contact sheets and being amazed by the gentle and tender images from the 1980s and ’90s she had since forgotten—hostel roommates, friends with whom she lived, family, weddings, funerals; portraits of herself and those who would become important characters in her life.
    Text von Webseite
    Übersetzt mit Deepl
Sprache
WEB Link
Erworben bei Steidl
TitelNummer

pingo-calendar-2023
pingo-calendar-2023
pingo-calendar-2023

Hillen Luca: PINGO Issue 14 - family or friends wall calendar, 2023

Verfasser
Titel
  • PINGO Issue 14 - family or friends wall calendar
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 14 S., 14,8x21 cm, 2 Teile. keine weiteren Angaben vorhanden
    Ringheftung. In Versandtasche verpackt mit handschriftlicher Notiz.
ZusatzInfos
  • Ein Blatt mit je einem Foto pro Monat, ohne Tageskalendarium.
Sprache
Stichwort / Schlagwort
Geschenk von
TitelNummer

Verfasser
Titel
  • Family
Verlag Jahr
Medium

Technische
Angaben
  • keine weiteren Angaben vorhanden
Stichwort / Schlagwort
TitelNummer

lippard-books-by-artists-v1-n1
lippard-books-by-artists-v1-n1
lippard-books-by-artists-v1-n1

Lippard Lucy R., Hrsg.: Books by Artists, Vol. 1, No. 1, 1987

Verfasser
Titel
  • Books by Artists, Vol. 1, No. 1
Verlag Jahr

Technische
Angaben
  • 30 S., 22,8x15 cm, keine weiteren Angaben vorhanden
    Drahtheftung, in transparenter KunststoffhĂŒlle
ZusatzInfos
  • Introduction by Lucy Lippard. Essay: Post Photography by Gary Indiana. Cover Foto Laurie Simmons from Water Ballet, Family Colision
Sprache
Stichwort / Schlagwort
TitelNummer

Verfasser
Titel
  • Teenage Lust
Verlag Jahr
Medium

Technische
Angaben
  • 29,2x22,6 cm, Auflage: 1.000, keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • zweite Auflage. In 1983, Larry Clark self-published his second photo book, Teenage Lust. A survey of adolescent sexuality and a retrospective of Clark's work, the book consists of family portraits and photographs from his hometown of Tulsa and from his life in New York City. Clark’s photography for the book documents the lives of American youth: junkies, prostitutes, and thieves and suburbanites.
    Text von der Webseite
Sprache
TitelNummer

russell-budget-decadence

Titel
  • Budget Decadence
Medium

Technische
Angaben
  • [84] S., 21x14 cm, Auflage: 500, ISBN/ISSN 9780982055946
ZusatzInfos
  • Christopher Russell's small-novel, Budget Decadence, uses a non-event-based style of fiction to explore commodity as an aspect of Middle American psychology. The book looks back to the J.K. Huysmans novel, A Rebours, and unfolds the deep psychological malaise of the nuclear family based on the various characters' understanding of, and interaction with, the curated collection of common objects that comprise each character's identity.
    Text von der Webseite
Sprache
Stichwort / Schlagwort
Erworben bei mĂșltiplos
TitelNummer

graphic-design-now-in-production-2011

Verfasser
Titel
  • Graphic Design: Now in Production
Verlag Jahr
Medium

Technische
Angaben
  • 224 S., 30,5x23 cm, ISBN/ISSN 9780935640984
    Broschur mit Schutzumschlag
ZusatzInfos
  • Walker Art Center, Minneapolis: 22.10.2011-22.01.2012
    Cooper-Hewitt, National Design Museum, Governors Island, New York: 01.06.-03.09.2012
    Hammer Museum, Los Angeles: 30.09.2012-06.06.2013
    Southeastern Center for Contemporary Art, Winston-Salem, North Carolina: 11.2013-01.2014
Sprache
Stichwort / Schlagwort
Geschenk von
TitelNummer

foerster-hockey

Verfasser
Titel
  • Hockey
Verlag Jahr

Technische
Angaben
  • [16] S., 26,8x20 cm, keine weiteren Angaben vorhanden
    Drahtheftung, Offsetdruck auf Zeitungspapier. Im Set mit acht Heften von Ryan Foerster.
ZusatzInfos
  • The family of photographs collected in Foerster's original and appropriated images - hockey players, Rita Hayworth - meld together in an associative blend.
    Text von der printed-matter-Webseite.
Sprache
Stichwort / Schlagwort
WEB Link
WEB Link
Erworben bei Kunsthalle Wien
TitelNummer

heinecken_retro

Verfasser
Titel
  • Recto / Verso
Verlag Jahr
Medium

Technische
Angaben
  • [44] S., 36x28,5 cm, Auflage: 1.000, ISBN/ISSN 1590051742
    Hardcover, Fadenheftung, Leineneinband, Titel geprÀgt. ehem. Bibliotheksexemplar, Loyola Marymount University, siehe Etikett im Vorsatz und Aufdruck auf den Schnitt
ZusatzInfos
  • Recto, Verso is the latest attempt to grasp the magnitude of the monumental archive of photograms that Robert Heinecken created during the past 40 years. In this current sampling, comprised of work from his own archive, Heinecken offers a look back at the decade of the 1980s, where decadence and narcissism inhabit the same space as spirituality and family values. Though the patinas of these color photograms speak of that generation, their revelations are contemporary in their incisiveness. In looking at the history of the photogram, beginning with Henry Fox Talbot’s ‘photogenic drawings’ and Man Ray’s ‘Rayographs’, Heinecken must be viewed as its most rebellious practitioner – unflinching, enigmatic and alert. Robert Heinecken’s work has been widely exhibited in the United States, Europe and Asia, and is included in many major collections, including the Museum of Contemporary Art, Chicago. LA County Museum of Art. and the Center for Creative Photography, Tucson. Recto/Verso is printed in a first edition of 1,000 casebound copies, with an introduction by Rod Slemmons, Director of the Museum of Contemporary Photography, Chicago.
    Text von der Webseite
Weitere
Personen
Sprache
Stichwort / Schlagwort
Erworben bei Books from California
TitelNummer

abelardo-berlin-winter-pk

Titel
  • Berlin Winter - I found out about italo disco in Berlin
Verlag Jahr
Medium

Technische
Angaben
  • [8] S., 15,3x10,8 cm, keine weiteren Angaben vorhanden
    Postkarten durch Klebebindung zusammengebunden.
ZusatzInfos
  • Berlin Winter ist eine Serie von Collage-Notationen, die in Form eines touristischen Postkartenbuchs gedruckt wurden.
    Das Buch dient als Begleitmaterial der Ausstellung Shared Location (Family Portraits), die von 15.04.-03.06.2016 bei Booklyn zu sehen ist.
    Text von der Webseite, ĂŒbersetzt mithilfe von DeepL.
Weitere
Personen
Sprache
Stichwort / Schlagwort
WEB Link
Erworben bei Booklyn
TitelNummer

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