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032c Fanzine - Quarantäne!
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[40] S., 29,7x21 cm, keine weiteren Angaben vorhanden
Farblaserdruck, gefaltete Einzelblätter, mit Gummiband zusammengehalten. PDF-Download von der Webseite
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“We want you to GO INSIDE — your house, and your self. Everything is about interiors now: the interior of your home, your mind, your archive, your hard drive. Mine it all for insight and purpose.
Once that’s done, show off what you find – just because you’re alone doesn’t mean you can’t share from within. There is no such thing as “too much information” now; COVID-19 took out “TMI.” In fact, there is no more “enough” — enough data, enough circulation, enough fodder. Binge on it. Burn out on it. Document it. Post it. Build a website for it. Get turned on by it. Get freaked out by it. Open up your screens, talk about your dreams, slide into those DMs. Get dressed up to go absolutely nowhere. Never go out, but leave nothing “behind the scenes” – there is no “behind,” and no “in front of” either. There is only “now,” and it is Big and Flat. Closeness happens at a distance here, but dialogue has never been this intimate. Your private hygiene is a matter of public health, your personal cloister backdrops community debate. Dualities — east and west, north and south, us and them, out and in — melt into each other and coat the old world like lava, like an act of god. In the New Interior isolation is a commons, the self that inhabits it is a collective. Historical moments stack vertically and occur simultaneously, around the globe. Welcome to the novel sanctum sanctorum, the single-occupant House of We.
Text von der Webseite
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Two Hundred Alternative Facts about Mr T - Collected by Joachim Schmid
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[20] S., 14,8x10,5 cm, Auflage: 250, 2 Stück. keine weiteren Angaben vorhanden
Drahtheftung, Print on Demand
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The title says it all, two hundred little known alternative facts. Count them. They are painstakingly researched and they are true. The full truth about Mr T, all you need to know in this time of fake news and demagogy. This is a great brochure. It’s true. It’s one of the best brochures ever. This very special brochure is only available as long as Mr T is in office.
It's sold at the fantastic price of just € 3 per copy. And things get better: There is a special unlimited quantity discount – just € 25 for a bundle of 10 copies. Get them for your friends.
The day he resigns or gets impeached or assassinated or is replaced by another president, the remaining stock will be sent to hell. Until then a free copy of this great brochure will be included in every book order. And that is a fact.
Text von der Website.
am 08.02.2021 wurde die Restauflage des Heftes vom Autor, wie versprochen, geschreddert
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European-art.net - your link to the art world
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[4] S., 21x14,8 cm, 2 Stück. keine weiteren Angaben vorhanden
einmal gefaltet
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European-art.net connects different art archives and their digital databases. Widely ramified information (basic data, texts, images) on individuals, groups and institutions as well as details about exhibitions and literature can be obtained free of charge by means of a central search engine.
As a meta-database, european-art.net does not itself provide any data on artists and other related subjects but refers to the intrinsic data of its institutional partners. The highly professional profile of the partner institutions stands for the reliability of its contents.
Names, groups and institutions are listed alphabetically. You can either search per letter and get all the listed references to artists, groups and institutions, or you can type in a name (minimum 3 letters) and will get the references to the databases, where you can find more material. If you misspell the name or if the artist is listed with more than one name, you will find different entries.
Text von der Webseite
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
Broschur
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Schwarz-Weiß-Drucke
Jovana Reisinger is a filmmaker, writer, and artist who moves regularly between the worlds of journalism, fashion, literature, music, performance, theatre, and cinema. Her very first novel got published by Verbrecher Verlag, her fashionfilms get featured on i-D, INDIE and various international (fashionfilm-)festivals. Purchase „Donna Euro is poisoned by rich men in need“ and get access to www.donna100euro.de and watch 45 videos about love, hate, crime, fitness and shame and become part of the Donna Euro Celebration Society.
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14,8x10,6 cm, keine weiteren Angaben vorhanden
Drahtheftung, Programmheft
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Zur Veranstaltung 08.09.-09.10.2022 in München
VARIOUS OTHERS is the international format of the Munich art scene. Its most ambitious players—galleries, artist-run spaces, and institutions—invite you to get to know the city’s most important art venues in all their diversity. In collaboration with international partners, VARIOUS OTHERS offers artists, collectors, curators, gallery owners, and art enthusiasts from all over the world contemporary art of the highest quality and relevance.
With its splendid kick-off during the second weekend of September, VARIOUS OTHERS heralds the start of the fall art season and is a fixed event in the international art calendar. With its up-to-date, varied, and high-quality program of exhibitions and events, VARIOUS OTHERS promotes the visibility of Munich as a vibrant art city.
Through our partnership concept—galleries and artist-run spaces invite partners to jointly realize exhibitions—we strengthen international exchange and collaboration and share those values with our guests and partners. During four rich weeks, we invite our guests and friends to experience great sites of contemporary art in Munich and get to know the artists who work here—and thus discover new things. ...
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How To Get Comfortable In An Uncomfortable World
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19x13 cm, ISBN/ISSN 9783906134444
Drahtheftung
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Die Publikation wurde im Rahmen der gleichnamigen Ausstellung vom 19.05.-23.07.2022 veröffentlicht. Die Ausstellung umfasste neben Skulpturen und Drucken auch ein Selbstporträt des Künstlers als zerstückelter Torso.
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Vice Volume 06 Number 09 The where the hell are we and how are we gonna get out o here? Issue
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114 S., 27,4x21,3 cm, 2 Stück. keine weiteren Angaben vorhanden
Broschur, Softcover
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Lektionen in Kultur XVII: Jump in Prosa, Text and Run - Film Screening “GET LAMP” von Jason Scott und Live Skype-Konferenz mit dem Filmemacher
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2 S., keine weiteren Angaben vorhanden
Werbekarte, kaum lesbar, mit roter Kunststofffolie, Kabelbinder
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13x13 cm, keine weiteren Angaben vorhanden
naivsuper Nr 013, Musik-CD in Papphülle und transparenter Kunststoffhülle, cover art: Stephane Leonard
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recorded at the Electronic Church in 2007.
Saxophon recorded at the Electronic Church in 2007. No overdubs, no manipulations.
When we (naivsuper) met Antoine in november 2007 to record his saxophone drones we didn´t really know what to expect because Antoine´s drones are perfect in a live situation. We weren´t sure if we could capture the richness of his sound, his working with the accoustics of a room and the strange almost discomforting breathing noises he makes when circular breathing on a CD. We basically wanted to hear him moving in the room, we wanted to see with our ears.
For the recording we chose the Electronic Church in Berlin because we have seen him perform there earlier the same year and it was absolutely fantastic.
The day of the recording was an incredible cold day in Berlin and due to the fact that the Church has no heating we could see our breath and feel the unbelievable cold humidity of a groundfloor room that hasn´t been aired in some time crawling up our pants.
It took Antoine almost an hour to warm up the saxophone and to get a satisfying tone. When he was finally ready to record the first take he was already a little bit out of breath. After 5 minutes of circular breathing his nose and lung started to freeze. We then tried a few more times but after another hour we were all coughing and sneezing and the saxophone was frozen so that we decided to postpone this session.
When we listened to the material at home we discovered that there was almost everything we wanted. We recorded how Antoine is fighting the cold and the exhaustion. There is the room, the breathing and movement. There is sound - almost an evolution of sounds - they are born slowly, grow up and then slowly disappear or extinguish.
We highly recommend you to listen with headphones. A follow up to this great document is planned, too
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Get out of my lies - 18 Installationen der siebziger Jahre
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182 S., 29,3x24,5 cm, ISBN/ISSN 3928342711
Hardcover, zu einer Ausstellung im Museum Wiesbaden
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Text von Volker Rattemeyer
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corners - a zine about maths and art
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32 S., 23x11 cm, Auflage: 20, numeriert, signiert, keine weiteren Angaben vorhanden
Heft aus rosa Papier, signierter Karton, (vermutlich Linolschnitt auf) Japanpapier, alles zusammen in transparenter Kunststoffhülle
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Finally finished the first personal project of the year. It's a zine and print package about a pretend statistical analysis I did to kill some time in 2010. It's taken me a couple of years to get round to collecting all the raw material I collected into this 32 page zine. I limited the run to 20 and I tried to make it as nice as possible. I'm pleased with it. In some ways it's the most complex personal project I've made in the real world...
Text von der Webseite
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[40] S., 32x22 cm, 2 Stück. ISBN/ISSN 7629999015104
Drahtheftung. Verschiedene farbige Papiere. Eingelegt ein gefaltetes Poster
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The publication Spheres is the creative documentation of a close collaboration between an artist and the editor, graphic designer Philippe Karrer. Every issue is dedicated to a young artist and their work, in each case exploring character, surroundings, every-day life, inspirations and ideas using unconventional innovative formats so as to create a different, more visual approach and understanding of the artist and his or her work. The focus lies on what is important to the artist during the time period of working together for the publication, hereby capturing a certain essence of the artists work at the moment. Not only can the reader dive in to the artist‘s world, receiving li ttle personal snippets of the life in and around his or her art, but also (and perhaps even more importantly) — how the artist chooses to present things in the publication gives the reader an idea of his or her whole artistic sphere.
Melanie Bonajo explores the relationship of the individual to its surroundings in a commodified, globalised culture. In her work, she uncovers how our ideas of identity, genre, value and such structures formed by conventions are ever shift ing to feelings of uncertainty and instability. She approaches these issues by trying to newly create, to turn around overpowering views and conditions that are today so influenced by our consumer society and tries to get nearer to traits that are rooted in human nature.
Text von der Webseite
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23x18,5 cm, keine weiteren Angaben vorhanden
Drahtheftung, Pappumschlag, bestehend aus drei ausklappbaren Teilen, verschiedene Papiere, perforiert, metallverstärkte Ecken, in transparenter Kunststoffhülle, mit angebrachten Aufklebern
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"RRRUIDOSSS" is a handmade publication divided in three parts that wants to take in the noises that has been established like the most annoying, noxious including the ultrasonics and infrasonics. This damaging sounds, written in paper using onomatopoeias, are reduced and convert into harmless ones. In addition, this is a very special edition as you can unfold and streap through the micro holes! So you have the possibility to get three books in one or an unfold one.
Text von der Webseite
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Bible #3 - verknallt in Frau Schlieben - was soll ich nur tun?
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8 S., 7,2x10,4 cm, Auflage: 50, numeriert, keine weiteren Angaben vorhanden
Drahtheftung. Stempeldruck auf Umschlag, Fotokopien
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This Tijuana Bible by Dr. Paraphylia is about two art-students who get it on while trying to place a picture-frame at a wall for an exhibition.
Zweite Auflage
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96 S., 14.5x10 cm, keine weiteren Angaben vorhanden
Broschur, Wendebuch
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A palindrome book. Two research sessions made with Google “Search by Image”, started randomly and ending as they get to similar results as Matisse drawn by a child and bacteria picture taken with a microscope. Every result has been re-searched generating a chain/narration.
Text von Website
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we you - We Get The Word Out
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2 S., 15x10 cm, keine weiteren Angaben vorhanden
Postkarte
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Postkarte des CCMC, Nikosia
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2 S., 15x10 cm, keine weiteren Angaben vorhanden
Postkarte
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Werbepostkarte des CCMC, Nikosia
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2 S., 21x14,8 cm, keine weiteren Angaben vorhanden
Flyer,
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Flyer des CCMC, Nikosia: We help civil society communicate its messages to the public
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[8] S., 21x14,8 cm, keine weiteren Angaben vorhanden
Ein Blatt, mehrfach gefaltet,
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Prospekt des CCMC, Nikosia, über die Arbeit des Projektes
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33,0x33,0 cm, Auflage: 100, numeriert, keine weiteren Angaben vorhanden
LP, vorderseitig bedruckter Karton in transparenter Hülle fest vernietet, weiße one-side LP
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Beiträge von: C. Mehrl Bennett - you either get it or you don't. John M. Bennett - Forklint & 4 Poems. Jaan Patterson - Demonstrated Properties & Mechanics. ALBRECHT/d. & Kommissar Hjuler - ... fast ein Telefonat. David Dellafiora - Fluxus Is No Brand Name!
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ON SALE. Get to know your local supermarket
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[16] S., 10,5x7,5 cm, keine weiteren Angaben vorhanden
halbiertes A4-Blatt mit Leporello-Faltung, s-w Druck, im Falz eingeschnitten
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B.L.A.D. NO. 03 - FACES OF FECES
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[52] S., 13,5x9,5 cm, Auflage: 300, ISBN/ISSN 09620873
Drahtheftung, Rückseite mit Silberprägung, in transparenter Kunststoffhülle mit beigelegtem Blatt, Aufkleber
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Faces of Feces is the title of the third issue out. This time we will explore the fascinating and deep original work of Finland's master mind Vilunki 3000. The Helsinki based artist shows us a small overview of his most inspiring and sought after works, which includes drawings, graphics, posters, ads and jokes. It can be called a small retrospect, and it's a perfect opportunity for those outside Finland to get familiar with his unique style. He has been a true inspiration for a whole decade in Finland, and we understand why.
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Subscribe to Salon & get a piece of art for free
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[2] S., 21x10,5 cm, 2 Stück. keine weiteren Angaben vorhanden
doppelseitiger Farbdruck,
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Werbeflyer zum Magazin Salon (Gerhard Theewen, Hrsg.) mit pseudo-handschriftlicher Angabe, dass nur noch 57 von 100 Druckgrafiken "Blinde Nuss" von Marcus Neufanger erhältlich sind
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Pocket Utopia - Postcard Collection #1
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15x10,6 cm, Auflage: 100, numeriert, 25 Teile. keine weiteren Angaben vorhanden
25 Postkarten in Schachtel mit Handsiebdruck, Infozettel in Englisch beiliegend
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Idea: get together a collection in postcard format showing images and handwritten notes from 25 different artists on the topic of a personal utopia in Europe.
Text von der Website
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Subscribe to Salon & get a piece of art for free
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2 S., 21x10,5 cm, keine weiteren Angaben vorhanden
doppelseitiger Farbdruck,
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Werbeflyer zum Magazin Salon (Gerhard Theewen, Hrsg.), Informationen zum Abo-Geschenk: Plakat, Global Window - Mies van der Rohe, NY, 2016, von Mischa Kuball
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[36] S., 42x29,7 cm, Auflage: Unikat, keine weiteren Angaben vorhanden
Klebebindung, Leinenstreifen, Transparentfolie, Farblaserkopiee nach Download
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die zum Download angebotenen Plakate und 6 Seiten der Webseite
Original statement 25 April 2016:
Dear Friends, I’m sure you are also following with horror the rightwards drift and anti-EU sentiment brewing across Europe. The Dutch referendum should be the final wake-up call, alerting people to the real risk of the UK’s EU referendum resulting in a victory for Leave.
The official ‘Remain’ campaign feels lame and is lacking in passion. It also lacks an active drive to get voters registered – and with the deadline already falling two weeks before the referendum, this should be an urgent priority. ...
Text von der Webseite
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Smirnoff - Partial Translucent Backgrounds and Idiosyncratic Settings, Diminishing Fireplaces and Lovely Cotton Mattresses + We Get Drunk on ... .
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[48] S., 21x21 cm, keine weiteren Angaben vorhanden
Drahtheftbindung, eingeklebtes DIN A6 Heft, Bauchbinde mit fluoreszierendem Papier
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Redesigning the Medieval Book - Personal Carol 1400 - singing breathing score video 2017
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1 S., 21x10,5 cm, signiert, 2 Teile. keine weiteren Angaben vorhanden
Infokarte, rückseitig handschriftlicher Gruß. In Briefumschlag
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A workshop and competition for book artists at the Bodleian Library, Oxford. 01.12.2017-11.03.2018
The exhibition Designing English at the Bodleian Library 2017-18 will illustrate the layout of English literature in handwritten manuscripts and inscriptions across the Middle Ages, from Old English picture books to early Tudor plays and manuals for handling swans. It will trace the different spaces granted to English through the first thousand years, from stray notes scratched into Anglo-Saxon herbals or fragments of lost medieval songs in the margins, to masterpieces placed centre-page and framed by illustration and illuminated borders. it will cover both books and other objects, from grisly tombs to charms written on food.
Text aus dem exhibition summery
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Tinnitus Tales - le Forbici di Manitù and Friends (SD010)
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27x28,5 cm, keine weiteren Angaben vorhanden
Plattenhülle, gestanzt mit 3 einklappbaren Teilen, beiliegend gestanzte Pappschlaufe mit handbeschrifteter DVD, Infoblatt zur Edition
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What do Martin Luther and Pete Townshend, Ozzie Osbourne and Oscar Wilde, Ludwig Van Beethoven and Star Trek’s Dr. Spock have in common? They all painfully suffered from tinnitus, a permanent hiss heard in one or both ears. The condition affects a large percentage of the world population (5-10%) and represents a real “occupational illness” for musicians and rock fans. On the subject, surprisingly, an inexplicable silence is observed by the music press and industry. At the current state of medical research, there is no effective cure for chronic tinnitus and the unpleasant humming can only get worse if you do not protect the ears properly.
In the works for nearly five years, the triple concept album Tinnitus Tales (a 10" vinyl record and two CDs) conceived by Le Forbici di Manitù (i.e. Manitù Rossi and Vittore Baroni, the second long suffering from tinnitus) with the collaboration of over fifty guest musicians, bands and international visual artists, breaks the veil of silence with a series of songs that address the topic blending humor and empathy. The songs are inspired by well-known cases of people suffering from tinnitus, such as Andy Partridge of XTC or Bono and The Edge of U2. To make this "educational audio project" a more collective effort, several old and new friends - many of them with tinnitus problems - were invited to record their own versions of the songs by Le Forbici di Manitù or to contribute original compositions on the subject (included in the CD 1 Songs).
Text von der Webseite
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Fieber 01 Cosima von Bonin
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18x18 cm, Auflage: 300, numeriert, signiert, keine weiteren Angaben vorhanden
zwei Vinylschallplatten 7", 45 rpm, Hülle Kunststoff und Papier (zwei gefaltete Drucke), signiert auf Umschlag Vorderseite, mit Bauchbinde
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This edition contains two vinyl 7″. singles with music by Doctorella and Justus Köhncke as well as two exclusive prints designed, handnumbered and signed by Cosima von Bonin. Limited Edition of 300 only.
You can’t really fully understand the work of Cosima von Bonin without looking at her collaboration with other artists. Even when invited to produce a solo exhibition, von Bonin rarely shows up without the input of her friends, either through music, lyrical fragments, fashion accessories, cameo performances, or, and, or… And let’s be clear, the musicians get the von Bonins thing.
Text von der Webseite
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ruine 03 – You see I've Always Wanted Things To Be Beautiful
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84 S., 18,3x13 cm, Auflage: 70, numeriert, 3 Teile. ISBN/ISSN 978-3-947250103
Broschur, Schwarz-Weiß-Digitaldruck, beigelegt ein gefalteter Flyer, zusammen in gefaltetem Blatt A3 mit Prägedrucken
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Zum Release und zur performativen Lesung in der Lothringer 13 florida in München am 01.03.2018 um 20 Uhr.
Ruine München is happy to presents Max Grau's first artist book ever. In his words: "I’m really happy with how the book turned out. It looks and feels pretty. It has 84 pages and contains 53.260 characters (incl. spaces). There’s 25 images spread out over six chapters (which have names of varying length). The whole thing is titled after a line from a Frank O’Hara poem that I really like (although I’m not quite sure if I »get« it). There’s footnotes and page numbers and even a topic (optimism. Sort of). The text is written in English and the book is covered in a beautiful sleeve, designed by Maria (I think). It (the sleeve) contains a very flattering text (in German) about… uhm… me, written by the whole RUINE gang. Every issue is numbered and since there wasn’t a ton of money (why is there never an actual ton of money?), we only printed an edition of 70."
Text von der Webseite
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Abfolge, emouvant tel quel i tako tako el la piéce elle-meme
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20 S., 28x19,5 cm, Auflage: 100, numeriert, signiert, keine weiteren Angaben vorhanden
Fotokopien auf schwarzem recyceltem Papier, Banderole mit handschriftlichem Text, alles in Plastikhülle
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Sergej chose not to work on conventional representations. The photographs are handled, crushed, interpreted. He interposes plastics filters, often simple bags for creating the texture in his images. He deconstructs reality, like memories out of a dream. The images are blurred as if to get away from reality.
Sergej hat sich entschieden, nicht mit konventionellen Darstellungen zu arbeiten. Die Fotografien werden bearbeitet, zerquetscht, interpretiert. Er setzt Kunststofffilter ein, oft einfache Tüten, um die Textur in seinen Bildern zu erzeugen. Er dekonstruiert die Realität, wie Erinnerungen aus einem Traum. Die Bilder sind unscharf, als wollten sie sich von der Realität entfernen.
Text von Webseite, Übersetzung mit DeepL
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[36] S., 20,3x14,5 cm, Auflage: 10, numeriert, keine weiteren Angaben vorhanden
Drahtheftung, Verlagsstempel auf der Rückseite handnummeriert.
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Achte Auflage. Schwarz-Weiß Fotografien von Besucher*innen im Museum of Modern Art. Die fotografierten Personen stehen meist vor einem berühmten Gemälde, das sie ebenfalls fotografieren; sozusagen eine fotografische Mise en abyme.
Auf der Rückseite ist ein Zitat von Walter Benjamin (1936):
"Namely, the desire of contemporary masses to bring things 'closer' spatially and humanly, which is just as ardent as their bent toward overcoming the uniqueness of every reality by accepting its reproduction. Every day the urge grows stronger to get hold of an object at very close range by way of its likeness, its reproduction."
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[16] S., 19x12 cm, keine weiteren Angaben vorhanden
Broschur, das letzte Blatt ist auf 19 x 4 cm beschnitten
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His mustache looked like it would tickle. That’s probably the only reason why I didn’t want to kiss him.
He was a weirdo, but not weird enough, if you know what I mean. He certainly had a flair for details. It wasn’t that. I mean, it’s not like he was wearing a mullet, no. Nor like the kind of guy to gift me a Chinatown Gucci bag. He hated scented soaps and he’d drag me out of any decent party if he found scenty sticks near the toilet. That kind of thing drove him nuts. It’s not like he had anything against grapefruit.
Early on in our friendship, he gave me a box of Gioconda pencils from Koh-I-Noor. He knew how to get me hooked. But that damn mustache. It was so thick, so neatly trimmed. He paid too much attention to the kind of things I didn’t want to pay attention to. The cappuccino foam in it, however, was a kind of turn-on.
This is no doubt why you are holding this book in your hands. His mustache, right? Admit it. It’s the bowl of bonbons by the register. But then you go undercover, under the sheets to find a lot of nudity, thwarted porn. Ja, ja, ja: bodies. Corporeality. Corporation, cooperation. Protest. Violence. Religion. Collage. A torn sheet at the back. A misbound book? A defect or just vulnerable?
Selbsthilfe ist auch keine Lösung (even self-help is not a solution) and Protestvorbild Frankreich (protest “role model” in France?) is the only text you can make out other than mine. You’re meant to struggle to read it, or maybe Erik (who has no mustache) was being intentionally casual about the way he cut out these pictures. It’s an awareness of being sloppy that is so aware, it’s no longer sloppy. A man standing with his fist held high. He’s standing in the window frame of an apartment at least one story up from the ground. He is forty and mad and he enjoys his Bud. His form of protest is a form of solidarity from the sofa. A window protest: comfy. So fucking clever. Then there’s the picture abutting it of a woman holding out her bra. We are meant to take it. She’s offering it to us. Go ahead. She wants you to.
And then there’s the spooning bodies with their tube socks in a wad next to… a bed. A solar bed. You got it? This book is brown sugar. Stinky Swiss cheese. Bad, bad, good, good.
April von Stauffenberg
Text von der Verlagsseite
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48x33 cm, 2 Stück. keine weiteren Angaben vorhanden
Plakat, vermutlich beschnitten
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Atem Books is an independent publishing house based in Catalunya focused on photography & illustration, contemporary drawing and thinking created by emerging artists from around the world. Our aims are: to help emerging artists to get their work more known, create a collection of contemporary works, to gather illustrators, photographers & art lovers. Atem Books has been publishing Carpaccio Magazine since April 2009. Atem Books is a non-profit organization, so all the money earnt is always invested in new publications.
Why ‘Atem’?
‘Atem’ stands for “wind, breath” in german. This word is inspired by an illustrated poetry book published by Paul Celan (poet) and Gisèle Celan (illustrator) called Atemkristall.
Who we are
Atem Books curators are María Cerezo and Emma Llensa. We both do all the works involved with mantaining Atem Books.
What we can do
We’re also offering our services to help you self-publish your book (both digital -pdf, epub, mobipocket-, Ipad and Iphone apps and print). Whether if you need advise on how to start self publishing a book or you need our services as curators, designers, layouters and image retouchers, just ask us what we can do for you.
We’re also offering our services to help you create your own website and, if you need one, how to create an e-commerce to sell your own goods. And, of course, we can give you marketing and self-promotion advises and guidelines.
Atem Books is 100% independent!
We don’t receive any external money. This project survives with the earns we do selling our publications.
Von der Webseite
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Titel
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ARTISTS’ BOOK NOT ARTISTS’ BOOK
Technische
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17,6x13,8 cm, Auflage: 500, ISBN/ISSN 9780982969427
Buch zu einer Ausstellung in der Boo-Hooray Gallery New York, eingesteckt in ein mehrfach gefaltetes A2-Format-Blatt mit den Farbabbildungen der im Buch beschriebenen Bücher
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"Artists' book" is a troublesome term. There seems to be no single well-understood or generally-accepted working definition. Say "artists' book" in general conversation and you'll likely get a blank look, if not outright confusion. even with a specialized audience of bibliophiles, or art world cognoscenti, it may be necessary to clarify exactly what you mean...
Artists' Book Not Artists' Book is an exhibition co-curated by Johan Kugelberg and Jeremy Sanders. In it are about one hundred books and of course all of them either are, or are not, artists’ books, but whether it is even possible to say which ones fall into which category is a matter that's not entirely clear. And in any case, it's likely no two viewers would draw exactly the same conclusions.
Artists' Book Not Artists' Book.
Von der Webseite des Verlages
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Disco Chic - All the Styles, Steps, and Places to Go
Technische
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120 S., 25,2x17,7 cm, ISBN/ISSN 0517539403
Broschur
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Inhalt: Disco Dressing For Women, Makeup, Hair, Disco Dressing for Men, Get Up and Boogie, Disco Directory, Shopping Guide
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OR #019 - A Hit From The Past
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[16] S., 7x11 cm, keine weiteren Angaben vorhanden
Drahtheftung, Cover mit Original Zeichnung, letzte Seite gestempelt, gedruckt auf farbigem Papier
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OR #19. If you get it, pass it around. If you've got it, give it away. Kiss, kiss, kiss. A hit from the past. Portrait of the artist a a young dupe by El Largato.
Text vom Heft.
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Another Booklyn Chapbook #10 - It doesn't get better than this
Technische
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[24] S., 23,5x15,9 cm, Auflage: 750, numeriert, keine weiteren Angaben vorhanden
Drahtheftung, Umschlag größer als Innenseiten, Laserdruck aufgeklebt
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Aus dem Booklyn-Archiv. Another Booklyn Chapbook (ABC) #10, 2. (leicht verändertete) Auflage.
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Technische
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[64] S., 27,5x22 cm, Auflage: 800, ISBN/ISSN 978-3-905770698
Drahtheftung
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Man bekommt, was man findet.
Das Werk von Erik Steinbrecher (*1963, Basel) hat sich in zwei Hauptrichtungen entwickelt: in die Bereiche Architektur und Skulptur im Zusammenschluss mit der Fotografie. Der Künstler realisiert immer mehr Projekte im öffentlichen Raum und setzt sich auch mit den Massenmedien auseinander.
Steinbrechers "Superfundi", eine Sammlung von Fotografien mit Hügeln, Gräben und Gräbern, ähnelt einem Magazin. Als zusammenhängende Bilderserie könnte "Superfundi" auf ein skurriles, geheimnisvolles Territorium verweisen, das gleichzeitig unberührt und verwüstet ist.
Übersetzt mit www.DeepL.com
What you find is what you get
The work of Erik Steinbrecher (*1963, Basel) has developed in two main directions: the areas of architecture and sculpture and the realm of photography. The artist not only realizes more and more projects in public spaces, but also takes a passionate interest in mass-media.
Steinbrecher’s “Superfundi,” a collection of photographs featuring hills, trenches, and graves, resembles a magazine. As a connected series of pictures, “Superfundi” could refer to a ludicrous, mysterious territory, pristine and devastated at the same time.
Text von der Webseite
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