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Gesucht wurde the Office Gallery, MEDIENART alle Medien, SORTIERUNG ID, absteigend  8 Treffer

Verfasser
Titel
  • Investment Opportunities
Ort LandNikosia (Republik Zypern)
Verlag Jahr
Medium Plakat
Techn. Angaben
  • 1 S., 64x42 cm, Keine weiteren Angaben vorhanden
    Plakat,
ZusatzInfos
  • Ausstellung der Privatsammlung Anastasios Gkekas bei VOLKS 10.09.-13.10.2015.
    A key to a potential approach is possibly the innerness, the esoteric and sometimes confessional character of the works, but also the place they occupy in the collective work of the artists - as I am of the opinion that one can find more comprehensible examples within their work. It seems that as if from a recurring tic, I wanted to catch them red-handed, naked I would say, within their own work. To a lesser extend, it is perhaps a sort of innocence.
    Text aus der Presseerklrung
Geschenk von the Office Gallery
TitelNummer
016889079
Einzeltitel =


Verfasser
Titel
  • Transgression
Ort LandNikosia (Republik Zypern)
Verlag Jahr
Medium Plakat
Techn. Angaben
  • 59x42 cm, Keine weiteren Angaben vorhanden
    Plakat
ZusatzInfos
  • Deepti Barth presents TRANSGRESSION at the home of the Cyprus Visual Artists Association (24.10.1316.11.13), the Phytorio, located within the Nicosia Municipal Gardens and at the Office gallery, just a few metres from the Buffer Zone. The work explores issues of restriction.
    The material was shot and filmed in November of 2012 at the Nicosia International Airport. The lens follows the movement of a paraplegic Greek-Cypriot through this location: an area within the Buffer Zone controlled by the United Nations Peacekeeping Forces in Cyprus. Photographs and video narrate the progression of the protagonist in a fragmented, often non-linear way, beginning on the runway, continuing on the uphill ramp of the terminal building. The paraplegic breaks though barbed wire and a locked entrance door, advancing through the corridors of the main building to reach what used to be a departure lounge transgressing a decision that was taken by the UNFICYP six months before filming, to strictly prohibit access to the terminal building for safety reasons (sic).
    Text von Website
Geschenk von the Office Gallery
TitelNummer
016888079
Einzeltitel =


Titel
  • Odos Eleftherias - Freedom Street
Ort LandNikosia (Republik Zypern)
Verlag Jahr
Medium Plakat
Techn. Angaben
  • 59x42 cm, Keine weiteren Angaben vorhanden
    Plakat
ZusatzInfos
  • In the context of a continuous and persistent spiritual quest in the field of Greek art and its history, the artist Christos Bokoros appears through simple themes and earthy, warm materials to win an important battle. He has silently found a subtle and significant way of stripping bare certain symbolshis own signs: a way of isolating those symbols from anything unnecessary and superfluous, and of drawing the communitys attention to them by revealing them to be purified, resurrectional and full of fire.
    Through the presentation of a series of paintings entitled ODOS ELEFTHERIAS, Bokoros ventures a direct discourse of these signs with buildings and streets that are adjacent to, or end up at, Lefkosias Green Line. Many of these buildings have suffered damages and decay. One could say that in their own way they constitute a second crevice near the Green Line that divides the state. It is in these fissures that the artist sets up - plants - his ODOS ELEFTHERIAS, in the hope of giving the citys centre new fruits and joyous vibrationsin a silent and honest alliance with all the indigenous revitalizing forces
Stichwort
WEB Link
Geschenk von the Office Gallery
TitelNummer
016887079
Einzeltitel =


Verfasser
Titel
  • Hyperkinesia
Ort LandNikosia (Republik Zypern)
Verlag Jahr
Medium Plakat
Techn. Angaben
  • 59x42 cm, Keine weiteren Angaben vorhanden
    Plakat,
ZusatzInfos
  • The Office gallery presents new works by the Austrian artist Bernhard Hosa in his exhibition Hyperkinesia, starting on June 30, 2016.
    Hosa's photo collages, objects and installations are reduced, almost minimalist in appearance and usually based on concrete themes. His starting point is the tension between the individual and a normative society. Based on an engagement with the biological view of the inside and of the outside, on man as an object of scientific study and on the measurement of the human body, he develops his own formal language on the interface between conceptual art and an aesthetic approach. Hosa deconstructs his reflections with artistic strategies such as reproduction, variation or sequence, and practices such as dissection and the creation of new compositions. The resulting series of collages or objects and stringent arrangements of the space adopt the character of the contents of his research.
    Text aus der Presseerklrung
Geschenk von the Office Gallery
TitelNummer
016850079
Einzeltitel =


Verfasser
Titel
  • Foundations Remains
Ort LandNikosia (Republik Zypern)
Verlag Jahr
Medium Plakat
Techn. Angaben
  • 59x42 cm, Keine weiteren Angaben vorhanden
    Plakat,
ZusatzInfos
  • The Office gallery is delighted to present the most recent work from the controversial, British artist/taxidermist Polly Morgan titled FOUNDATIONS AND REMAINS. Since 2005 the London based artist has managed to create a visual language of her own through the use of animals as raw materials of her work and their placement as protagonists in scenes that are unnatural to them.
    Though her peculiar work, she is forcing us to look at the animals used, as if for the first time, free from previous associations, deliberately challenging the fragile relationship between humans and animals.
    The major work of the exhibition titled FOUNDATIONS/REMAINS has been made using 2428 cast crow femurs that are each painted by hand. The glue used is identical in colour to the fat present in the joints of bones, so it bears the same colour and consistency of a real animal skeleton. This work is inspired by Charnel Houses (Ossuaries) which were decorative buildings essentially used to pile high skeletons in order to save space. The structure was built using plans from Sol Lewitt's spiral tower Untitled 1989.
    Text aus der Presseerklrung
Stichwort
Geschenk von the Office Gallery
TitelNummer
016849079
Einzeltitel =


Verfasser
Titel
  • To Express The Feelings Of A Chair When We Sit On It.
Ort LandNikosia (Republik Zypern)
Verlag Jahr
Medium Plakat
Techn. Angaben
  • 42x59 cm, Keine weiteren Angaben vorhanden
    Plakat,
ZusatzInfos
  • As a possible perhaps reaction to all those who love the comfort and permanence of the status of their position, I have gathered a series of unusual chairs / personas that are characterised by a sensitive nervous system. I believe their creators foresaw for the visitor not to forget and become complacent while seated, as would someone when sitting on any chair and shortly thereafter forgetting the very action of sitting. The visitor is called upon to reflect on the condition that the chairs form presents them with. I would not argue that they are pleasant or comfortable to sit on, seeing as their construction does not allow the sitter to acquaint himself immediately. Note that the chairs presence is not always obvious but it is implied, as for example in Mario Carbones photograph Donna in Osteria 1956. Different in style, they all meet in this exhibition to converse.
    Text aus der Presseerklrung
Geschenk von the Office Gallery
TitelNummer
016848079
Einzeltitel =


Verfasser
Titel
  • Auf der Suche nach dem richtigen Bild
Ort LandWien (sterreich)
Verlag Jahr
Medium Leporello
Techn. Angaben
  • 12 S., 19,5x15 cm, Auflage: 250, signiert, Keine weiteren Angaben vorhanden
    Leporello
ZusatzInfos
  • Eugne Sue beschreibt in seinem 1843 erschienenen Roman Die Geheimnisse von Paris, wie ein entflohener Lebenslnglicher eine Kaschemme betritt und Schauder unter den Gsten verbreitet. Um fr die Polizei unkenntlich zu sein hat er sein Gesicht zerstrt. Berhard Hosa verfhrt mit den Abbildungen von vermeintlichen Verbrechern hnlich. Hinter seinen beschnittenen Portrts lsst sich kaum mehr ein Gesicht ausmachen. Zwischen Ohren und Haaren befinden sich keine Nase mehr, kein Mund, dann und wann zeigt sich eine Unterlippe ohne ihr Gegenstck oder ein angeschnittenes Auge.
    Text aus dem Heft
Stichwort
Geschenk von the Office Gallery
TitelNummer
016847592
Einzeltitel =


Verfasser
Titel
  • 2 9 15 13 1 19 3 8 9 14 5
Ort LandWien (sterreich)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 25x18,8 cm, , ISBN/ISSN 9783200014138
    Schweizer Broschur, Umschlag aus Pappe, Cover gestanzt,
ZusatzInfos
  • Mit einem Text von Boris Manner: Ins Offene
Sprache
Stichwort
Geschenk von the Office Gallery
TitelNummer
016846592
Einzeltitel =