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Titel
  • Notes from the Cosmic Typewriter - The Life and Work of Dom Sylvester Houédard
Ort Land London (Großbritannien)
Verlag Jahr Occasional Papers, 2012
Medium Buch
Techn. Angaben
  • 192 Seiten, 26,5x18,5 cm, ISBN/ISSN 978-0-9569623-3-1
ZusatzInfos
  • This book is the first since the early 1970s devoted to the extraordinary British Benedictine monk, scholar, translator, concrete poet and artist Dom Sylvester Houédard (1924–92). Edited by Nicola Simpson, with new essays by Gustavo Grandal Montero, Rick Poynor, David Toop and Charles Verey, Notes from the Cosmic Typewriter offers a broad and richly illustrated introduction to this major artistic and theological figure.
    Besides many of Houédard’s ‘typestracts’ – the concrete poems produced entirely with his Olivetti typewriter – this book also includes examples of his lesser-known ‘poem-objects’, a selection of key texts, as well as never-before-published performance scores. In both his spiritual views and artistic output, Houédard stands out as a model of insatiable curiosity, building around him a vast network of enlightened poets, visual artists, performers, musicians and thinkers of all faiths and walks of life.
    Text von der Webseite
Stichwort
TitelNummer 009751324

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Titel
  • Atlas Issue Number 1 June 2012
Ort Land Barcelona (Spanien)
Verlag Jahr Publications for Pleasure, 2013
Medium Zeitschrift, Magazin
Techn. Angaben
  • 60 Seiten, 29x21,8 cm, Auflage: 100,
    Drahtheftung, Second Edition
ZusatzInfos
  • Atlas is the result of many night and days, kilometres and conversations. It's a route along a vast territory through images and words under very personal views. Atlas is the opening of a whole series of publications which pretend to show the things we really like and that call our attention. We welcome you to start this journey and to accompany us as long as this keeps on going.
    Text von der Verlagswebseite
Sprache
TitelNummer 010373358

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Titel
  • Intervencoes Urbanas 1.0
Ort Land Sao Paulo (Brasilien)
Verlag Jahr arte/cidade, 1998
Medium CD, DVD
Techn. Angaben
  • 12,5x14,2 cm,
    CD-Rom in Hülle
ZusatzInfos
  • CD-Rom zum Projekt Arte/Cidade der Grupo de Intervencao Urbana. Arte/Cidade is a project of urban interventions realized in São Paulo, Brazil, since 1994. It seeks interventions that relate to the vast territory of megacities and the global reconfigurations of economy, power and art. It seeks to trigger our perception of situations that no longer reveal themselves solely to visual scrutiny, through interventions that consider the great scales of global and metropolitan restructuring processes.
    Text von Website
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TitelNummer 013064461

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schmid-the-face-in-the-desert
schmid-the-face-in-the-desert
schmid-the-face-in-the-desert

Schmid Joachim: The Face in the Desert - Portraits and stories from the Daily Herald Archive, 1999

Verfasser
Titel
  • The Face in the Desert - Portraits and stories from the Daily Herald Archive
Ort Land Bradford (Großbritannien)
Verlag Jahr National Museum of Photography, 1999
Medium Heft
Techn. Angaben
  • 37x30 cm,
    lose, ineinander gelegte Blätter, gefaltet,
ZusatzInfos
  • The Face in the Desert (1999) was a public art project commissioned by and realized in collaboration with the National Museum of Photography, Film and Television, Bradford. The project consisted of both an installation in Bradford city center and a newspaper. The images used for this project were found in the museum’s vast Daily Herald newspaper archive.
    Text Website
Sprache
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TitelNummer 013073K30

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Titel
  • TRANSART - A Journey Into Aural Space Vol. 1
Ort Land Bozen (Italien)
Verlag Jahr Rorhof / Transart, 2015
Medium Buch / Sammeltuete, Schachtel, Kassette / Sticker, Button
Techn. Angaben
  • [166] Seiten, 24,1x16 cm, ISBN/ISSN 978-88-909817-8-4
    Klebebindung, gedruckt auf schwarzem Papier, in Umschlag aus Luftpolsterfolie und Aufkleber.
ZusatzInfos
  • Commissioned on the occasion of the 15th anniversary of the contemporary music, performance and art festival Transart, the book takes the festival’s archive as a starting point to read its chronicles. Printed in silver on black paper, Transart becomes a journey into a shining galaxy that constitutes its own narrative. The innumerous locations spread over a vast territory, from industrial buildings to turbine halls, animal auction houses to parking lots, concert halls to museums, as well as natural landscapes, become stellar constellations that are temporarily inhabited by artists, musicians and performers.
    Text von der Webseite.
Sonst. Personen
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TitelNummer 025061689

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Titel
  • The Trip - Andy Warhol's Plastic Fantastic Cross-Country Adventure
Ort Land New York, NY (Vereinigte Staaten von Amerika)
Verlag Jahr Atria Books, 2015
Medium Buch
Techn. Angaben
  • 324 Seiten, 24x14 cm, ISBN/ISSN 978-1-4767-0351-0
    Hardcover, fadengeheftet, mit Schutzumschlag
ZusatzInfos
  • From the author of Strapless and Guest of Honor, a book about a little-known road trip Andy Warhol took from New York to LA in 1963, and how that journey—and the numerous artists and celebrities he encountered—profoundly influenced his life and art.
    In 1963, up-and-coming artist Andy Warhol took a road trip across America. What began as a madcap, drug-fueled romp became a journey that took Warhol on a kaleidoscopic adventure from New York City, across the vast American heartland, all the way to Hollywood and back.
    With locations ranging from a Texas panhandle truck stop to a Beverly Hills mansion, from the beaches of Santa Monica to a Photomat booth in Albuquerque, The Trip captures Warhol’s interactions with Dennis Hopper, Peter Fonda, Marcel Duchamp, Elizabeth Taylor, Elvis Presley, and Frank Sinatra. Along the way he also met rednecks, beach bums, underground filmmakers, artists, poets, socialites, and newly minted hippies, and they each left an indelible mark on his psyche.
    In The Trip, Andy Warhol’s speeding Ford Falcon is our time machine, transporting us from the last vestiges of the sleepy Eisenhower epoch to the true beginning of the explosive, exciting ’60s. Through in-depth, original research, Deborah Davis sheds new light on one of the most enduring figures in the art world and captures a fascinating moment in 1960s America—with Warhol at its center.
    Text von der Webseite
Sprache
Stichwort
TitelNummer 025107686

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Titel
  • Data Centers Grand Tour (This Data Belongs Here)- commissioned by e-PERMANENT
Ort Land Morrisville, NC / Rotterdam (Vereinigte Staaten von Amerika / Niederlande)
Verlag Jahr Selbstverlag, 2013
Medium Buch
Techn. Angaben
  • 44 Seiten, 17,5x10,8 cm, Auflage: Print on Demand, ISBN/ISSN 978-1-300-68033-8
    Broschur
ZusatzInfos
  • Being accustomed to the freewheeling flow of information on the Internet and the immaterial quality of the digital age there is a tendency to overlook the physical embodiment of data. Silvio Lorussoʼ.s work seeks to demonstrate that data has a material reality. When Google published images of its numerous data centres last year they revealed that it is a vast physical network that allows for 20 billion web pages to be indexed per day by its search engine. By creating websites which refer only to the site at which the data of the image you are looking at is stored Lorusso brings a transparency to the experience of being online. He also draws our attention to the implications of these storage sites in terms of the vulnerability of private documents and files and their hidden impact in terms of energy consumption. ʻ.Data Centers Grand Tour (This Data Belongs Here)ʼ. creates a direct connection between the physicality of data and its digital representation.
    Text von der Webseite
Sonst. Personen
Sprache
TitelNummer 026104731

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Titel
  • MONO.KULTUR #36 Ricardo Bofill - The Future of the Past
Ort Land Berlin (Deutschland)
Verlag Jahr mono.kultur, 2014
Medium Zeitschrift, Magazin / Heft
Techn. Angaben
  • 48 Seiten, 20x15 cm, ISBN/ISSN 1861-7085
    Drahtheftung, gedruckt auf verschiedenen Papieren
ZusatzInfos
  • where to begin with an architect as over the top as Ricardo Bofill, notorious since the 1970s for his vast city-like housing estates that look like surreal experiments in crossbreeding desert caves with Star Wars. an architect who has designed over 1000 projects in the space of five decades, from perfume bottles to city plans, and pretty much everything in between. who has worked in a style – or a hundred styles – that is as unique as it is impossible to describe. who founded a leftist collective that would eventually end up building airport terminals. whose life reads somewhat like a fairytale itself, taking us from fascist Spain under Franco’s rule to the celebrity frenzy of our modern times, with the Bofill clan holding a somewhat unique position among Spanish tabloids? To add any more is to inevitably leave out too much. With mono.kultur, Ricardo Bofill talked about fifty years of architecture, the vagaries of ambition and how Modernism killed the city. Visually, the issue offers a disorienting journey of architectural splendour with plenty of previously unpublished images from the archives of Ricardo Bofill (as well as the odd film still of naked bodies). Using partial high gloss varnish throughout, it is a pleasing juxtaposition of the natural and the artificial, the intellectual and the sexual, the disciplined and the decadent.
    Text von der Website.
Sonst. Personen
Sprache
TitelNummer 026625737

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Verfasser
Titel
  • Selected works from 1990's
Ort Land Genf (Schweiz)
Verlag Jahr innen, 2016
Medium Zine
Techn. Angaben
  • [32] Seiten, 19x13 cm, Auflage: 500,
    Drahtheftung, Schwarz-Weiss Offsetdruck
ZusatzInfos
  • The William Crawford Estate is owned and represented by Ampersand Gallery. William Crawford's drawings were discovered in an abandoned house in Oakland, California. His work brings to mind characteristics of prison drawings, an impression confirmed by the fact that several were made on the backs of prison roster sheets dated 1997. These printouts, however, were cut down the middle, so the exact prison from which they originate is unknown. But given their origin in the Bay Area and the fact that several drawings include San Francisco landmarks, it's possible that Crawford made the work in a California state prison. Other than this information drawn from the archive itself, nothing is known about Crawford's life. Indeed, we only know his name because he signed just a few of the drawings, either as Bill, William or WM Crawford. The archive appears to have consisted of several books, with individual drawings in sequences of 30 or more adding up to tell complex visual stories. Several include written captions or fragments of conversation between male and female characters. These sequences, however, have been broken up over the years and reach us now in a fragmentary and fascinating collection of hundreds of delicate pencil drawings. The work conveys the intense sense of sexual longing of a man with an urge to tell dynamic stories. The drawings, which resemble the eroticism of Eric Stanton, the exaggerated male anatomy of Tom of Finland or the ample breasts of a John Currin, show scantily dressed women, drug use, cuckolding and orgies. The details of his interiors, the hairdos and style of dress suggest that Crawford might have come of age in the late 70s or early 80s. A cast of recurring figures populate the drawings, notably one man with a short afro and a moustache who often figures at the center of events, presumably the artist William Crawford himself. Remarkably, given the number of drawings, there is little to no repetition in the work. Crawford’s inventive eye for sexual positions, facial expressions and gestures of hand and body was vast and masterful. Simple geometric details and architectural subtleties define the unusual settings where the action unfolds. We see rooms shown from unusual angles, features that are hinted at, erased or altogether omitted and articles of clothing that are drawn with obsessive precision. This singular and original drawing style compels us to immerse ourselves in the world William Crawford created, more dream than documentation, more fantasy than perversion. Crawford's drawings have been widely exhibited, notably at Galerie Susanne Zander (Cologne and Berlin), Zieher, Smith and Horton (New York), Freddy (Baltimore) and upcoming solo exhibitions at FARAGO (Los Angeles) and Richardson (New York). His work is also featured in the latest issue of Richardson Magazine and was included in "System and Vision" at David Zwirner, an exhibition organized in collaboration with Delmes & Zander. Reviewing it, The New Yorker wrote, "William Crawford's orgiastic illustrations on the backs of prison rosters haven an erotic intensity that rivals anything by Hans Bellmer or Pierre Klossowski."
    Text von der Webseite
Stichwort
TitelNummer 026690755

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Titel
  • TAM TAM Zahnarzttermine Januar 2020 - Anrufbeantworter
Ort Land München (Deutschland)
Verlag Jahr Selbstverlag, 2020
Medium Text
Techn. Angaben
  • 1 Seiten, 29,7x21 cm,
    Farbiger Inkjetausdruck
ZusatzInfos
  • Textvorlage für Sprechstück auf dem Anrufbeantworter der Zahnarztpraxis Holzstraße 35, Parterre rechts im Glockenbachviertel in München, Veranstaltungen am 3., 4., 5., 9., 18. und 25. Januar 2020 jeweils ab 19 Uhr mit 23 Künstlern, eine TAM TAM Veranstaltung.
    Anrufbeantworter unter der Nummer 089 55063275 im Januar 2020
Sprache
TitelNummer 028026600

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