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 Hinweis zum CopyrightAAP Archive Artist Publications - Munich - www.artistbooks.de
068-rubber-expo-2000

Titel
  • Rubber Deluxe Mail-Art Action Expo 2000
Ort Land
Verlag Jahr
Medium
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  • 1 S., 29,7x21 cm, 21 Teile. keine weiteren Angaben vorhanden
    Ein Bogen Künstlerbriefmarken, gestempelt, beklebt, perforiert, von verschiedenen Künstlern
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  • Rubber Deluxe Mail Art Action Expo 2000 in Minden am 11.09.2000.
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Stichwort / Schlagwort
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Platoon-Q1-2015

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  • PLATOON Q1
Ort Land
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  • 96 S., 38x27,2 cm, keine weiteren Angaben vorhanden
    Drahtheftung
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  • the first edition of PLATOON MAGAZINE will be exclusively unveiled at the launch event at PLATOON KUNSTHALLE Berlin.
    With PLATOON MAGAZINE we invite you to explore our worldwide network through the outstanding projects of some of our 7500 PLATOON MEMBERS across more than 50 countries. Each quarterly print publication not only highlights the creativity we see on a daily basis within the PLATOON NETWORK, it also includes a theme — an artistic topic of global relevance. First on our agenda: wearable technology. Ultimately, this magazine is for inspiration—another channel to reach our goals of culture development, in addition to our creative spaces in Berlin and Seoul.
    Text von der Webseite
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vasileva no art

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  • NO ART
Verlag Jahr
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  • 196 S., 29,7x21 cm, Auflage: 1.000, ISBN/ISSN 9788493848033
    Fadenheftung
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  • … We live a time of technology and great opportunities. Art creates new visions and interpretations of our living, though sometimes it looks like mere reinvention of subjects already present in the XIXth and XXth century.
    Our intent, however, is to leave a mark and make our contribution to an authentic identification of our times. The engagement of artists is to create a cultural heritage to pass on to future generations, who will probably understand our sensibility. Alas, it is not for us to know what will remain of contemporary art….
    Vitaliy & Elena Vasilieva
Sprache
Erworben bei Atem Books
TitelNummer

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Titel
  • Atem Books
Verlag Jahr
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  • 48x33 cm, 2 Stück. keine weiteren Angaben vorhanden
    Plakat, vermutlich beschnitten
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  • Atem Books is an independent publishing house based in Catalunya focused on photography & illustration, contemporary drawing and thinking created by emerging artists from around the world. Our aims are: to help emerging artists to get their work more known, create a collection of contemporary works, to gather illustrators, photographers & art lovers. Atem Books has been publishing Carpaccio Magazine since April 2009. Atem Books is a non-profit organization, so all the money earnt is always invested in new publications.
    Why ‘Atem’?
    ‘Atem’ stands for “wind, breath” in german. This word is inspired by an illustrated poetry book published by Paul Celan (poet) and Gisèle Celan (illustrator) called Atemkristall.
    Who we are
    Atem Books curators are María Cerezo and Emma Llensa. We both do all the works involved with mantaining Atem Books.
    What we can do
    We’re also offering our services to help you self-publish your book (both digital -pdf, epub, mobipocket-, Ipad and Iphone apps and print). Whether if you need advise on how to start self publishing a book or you need our services as curators, designers, layouters and image retouchers, just ask us what we can do for you.
    We’re also offering our services to help you create your own website and, if you need one, how to create an e-commerce to sell your own goods. And, of course, we can give you marketing and self-promotion advises and guidelines.
    Atem Books is 100% independent!
    We don’t receive any external money. This project survives with the earns we do selling our publications.
    Von der Webseite
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Erworben bei Atem Books
TitelNummer

kallinikou-flamingo-theatre

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  • Flamingo Theatre
Verlag Jahr
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  • [100] S., 23x16,7 cm, Auflage: 300, signiert, ISBN/ISSN 9789963228102
    Broschur mit aufklappbarem Schutzumschlag aus Papier und eingelegtem Poster. Signiert und datiert
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  • Mit Texten von Peter Eramian und Evagoras Vanezis.
    Stelios Kallinikou's Flamingo Theatre is situated across and beyond a 7km stretch of undeveloped flat land on the East coast of the Akrotiri peninsula in Limassol, Cyprus, titled Lady's Mile. The beach is located within the British Western Sovereign Base Area, one of two territories (the other being Dhekelia) controversially retained by the British under the 1960 treaty of independence. A playful nod to the past, it received its name after the first British governor's horse 'Lady', which he would exercise along the coastal stretch.
    Text von der Webseite
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  • ISBN 0-9690745-2-2
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  • ISBN/ISSN 0969074522
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  • Addenda: Just between you and me. There was no other. Who does our past belong to tonight? We understand at last. And while we slept, we vanished. The walls of the world fell in on us. We claimed always to abide by terms. Shattered mirrors and sliding panels. Always. Except when we choose not to. One must keep alert to all possibilities. The old Indian pearl diver clambered onto the dock, grinning and shaking the water from our body. At night we could hear our mind ticking like some cheap alarm clock. Radio broadcasts played on tribal feelings. Our voice trailed off. Truth was delay. A heavy splash followed many ripples. Food, batteries and water-purifying chemicals arrived over the week-end.
    Text von der Webseite
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TitelNummer

purple fashion 18

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Titel
  • Purple Fashion - the anniversary issue 20 years of independence - Vol III, Issue 18
Ort Land
Verlag Jahr
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  • 30x22,8 cm, ISBN/ISSN 17668832
    Cover mit Prägedruck, zusammen mit zwei Heften von Richard Prince
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  • We launched Purple Prose in the early 1990s without any means, and without any experience, because we wanted to make a magazine that was radically different. We wanted to support the artists around us that noone else supported, much less talked about. [..] It would be a form of opposition of our own, different from the critical jargon of the generation of '68. [..] From a visual standpoint, we represented the break from '80s imagery (like Richard Avedon's photography for Versace, for example). From an artistic standpoint, the artists of the early '90s were rising up against art as capital fetish [..]. In saying that Purple is the portrait of a generation, I mean it's a portrait of those who embody their times. At the same time, it's a portrait of myself and Elein Fleiss, our ideas, our lives, and our aesthetics.
    aus Wikipedia
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WEB Link
Erworben bei Selfridges London
TitelNummer

a5-zines-black-and-white-mcewan

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Titel
  • no one should call you a dreamer / 60 Minutes Later - A Collaborative Zine about Identity / ok werner / We Need Our Days To Be Quiet / days of each other,
Verlag Jahr
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  • [20-36] S., 21x14,8 cm, 5 Teile. keine weiteren Angaben vorhanden
    Drahtheftung, Schwarz-Weiß-Fotokopien
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  • "Ok Werner" is a handmade fanzine made in collaboration with my brother, Glasgow-based musician Brian McEwan about our favourite filmmaker, Werner Herzog. 

    The zine was made over a period of 4 days in late July 2012 at my house in Yorkshire on a self appointed 'Herzog holiday' and contains our personal and collaborative responses to Herzog and his films via interviews, quotes, images and writing.
    "We Need Our Days To Be Quiet" is a sketchbook in zine format, containing collected drawing and collage, text and photography and thoughts, reading and findings from summer 2012.
    Text von der Webseite
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Erworben bei McEwan Jean
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naturally_epcontemporary_2023
naturally_epcontemporary_2023
naturally_epcontemporary_2023

Coers Albert / Krempel Uschi / Mehnert Celia, Hrsg: naturally, 2023

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  • naturally
Ort Land
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  • 10x21 cm, Auflage: 500, keine weiteren Angaben vorhanden
    Einladungskarte
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  • Zur Ausstellung in der Galerie ep.contemporary, Berlin, 28.-30.04.2023
    Der Titel „naturally“ – in der deutschen Übersetzung „selbstverständlich“ – lässt zunächst an Dinge denken, die ohne weitere Erklärung verständlich sind, an Alltag, etwas, über das man nicht sprechen muss.
    Aber ist Selbstverständliches vielleicht gar nicht so „nicht erwähnenswert“. In unser Blickfeld tritt es, wenn etwas nicht mehr funktioniert, oder wenn der Blick darauf gelenkt, die Wahrnehmung scharf gestellt wird. Wir nehmen vieles für so selbstverständlich, dass wir atmen, unser Körper funktioniert, die Straßenbahn fährt, Strom aus der Steckdose kommt.
    Selbstverständliches ist eine Voraussetzung, eine Erwartung an Dinge und Handlungen, die wir eingeübt haben im Laufe unseres Lebens. Etwas für selbstverständlich zu nehmen, impliziert nicht nur Erwartungen in Gewohnheiten sondern auch in Konventionen. Wir denken nicht darüber nach – Selbstverständlichkeiten sind in unserer Wahrnehmung nicht vorhanden. Wir vergessen sie schlichtweg wie blinde Flecken. Erst, wenn Sand im Getriebe ist, verschiebt sich der Fokus, schauen wir hin und fangen an, Selbstverständliches infrage zu stellen. Irritierende Blickpunkte auf Alltägliches sind in der Ausstellung naturally / selbstverständlich zum Gallery Weekend zu sehen.

    The title „naturally“ – in the German translation „selbstverständlich“ – initially makes one think of things that are understandable without further explanation, of everyday life, something that does not need to be talked about.
    But whatever seems natural perhaps doesn’t result in being „not worth mentioning“. We become aware of the ordinary when it no longer works, or when we pay actively attention to it, when we focus our perception. We naturally accept so many things without questioning: that we breathe, that our body works, that the subway runs, that electricity comes from the socket.
    Taking things for granted is a prerequisite, an expectation of things and actions that we have practiced in the course of our lives. Accepting something as natural implies expectations not only in habits but also in conventions. We don’t think about it anymore – things taken for granted are not present in our perception. We simply fade these things out, they turn into blind spots. Only if there is sand in the gearbox, we start to refocus on it and we begin to question what we took as natural.
    The exhibition naturally/selbstverständlich invites to discover irritating perspectives on the ordinary during the Gallery Weekend.
    Text: Uschi Krempel, Celia Mehnert
    Text von der Webseite
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bertlmann-works

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Titel
  • Works 1969-2016 - Ein subversives Politprogramm
Verlag Jahr
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Angaben
  • 304 S., 28,6x24x3,5 cm, ISBN/ISSN 978-3-791355306
    Hardcover mit bedrucktem Schutzumschlag, fadengeheftet
ZusatzInfos
  • Publikation zur Ausstellung in der Sammlung Verbund in Wien, 25.02.-30.06.2016
    Renate Bertlmann (*1943) ist eine der bedeutendsten Künstlerinnen der Feministischen Avantgarde, sie lebt und arbeitet in Wien. Die SAMMLUNG VERBUND hat nun die erste umfassende Monografie erarbeitet, die einen komplexen Überblick mit 250 Abbildungen aus über 50 Jahren Schaffenszeit gibt. Ihr Werk benennt die Künstlerin mit AMO ERGO SUM (Ich liebe, also bin ich). Bertlmann versteht es, Gegensatzpaare aufeinanderprallen zu lassen: Wollust und Askese, Weibliches und Männliches, Weiches und Hartes, Anziehung und Abstoßung. Schnuller stößt auf Messer. Die ambivalenten Gefühle von Zärtlichkeit und Aggression treten hervor, um Bertlmanns „subversives Politprogramm“ zu erschaffen. Fünf internationale Autor/innen erörtern Bertlmanns trilogische Themen „Pornographie“, „Ironie“, „Utopie“. Dabei werden unter anderem die Arbeiten Renate Bertlmanns vor dem Hintergrund der freudschen Psychoanalyse interpretiert oder die Arbeit im Kontext der feministischen Bewegung verortet.
    Text von der Website.
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kippenberger-fama-fortune
kippenberger-fama-fortune
kippenberger-fama-fortune

Kippenberger Martin, Hrsg.: Fama & Fortune Bulletin, no. 5, 1990

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  • Fama & Fortune Bulletin, no. 5
Ort Land
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  • [28] S., 24,1x17 cm, keine weiteren Angaben vorhanden
    Drahtheftung, unterschiedliche Papiere, Umschlag aus Graupappe
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  • mit Übersetzungen von drei englischen Gedichten aus dem 16. Jahrhundert durch Wolfgang Schlüter
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beyond-the-matter-text-2023
beyond-the-matter-text-2023
beyond-the-matter-text-2023

Britchford Katie Jayne, Hrsg.: BEYOND THE MATTER - Impressions of Eva Hesse, 2023

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  • BEYOND THE MATTER - Impressions of Eva Hesse
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  • 29,7x21 cm, keine weiteren Angaben vorhanden
    4 Blätter links oben geklammert, Farbkopien
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  • Zur Ausstellung im BBK München 25.07.- 27.08.2023. Im letzten Raum wird die Filmdokumentation über Eva Hesse Walking the Edge gezeigt. Es ist eine Ausstellung, die dem Leben und Werk der verstorbenen Künstlerin Eva Hesse gewidmet ist. Hesse war eine in Deutschland geborene amerikanische Bildhauerin, die für ihre bahnbrechenden Arbeiten mit Materialien wie Latex, Fiberglas und Kunststoff bekannt ist. Sie gehört zu den Künstler*innen, die in den 1960er Jahren die Bewegung der Postminimal Art einleiteten. An der Ausstellung nehmen 20 Künstlerinnen teil, die sich in ihrer Arbeit von Hesse inspirieren lassen. Jede Künstlerin wurde gebeten, ein Werk zu schaffen, das in irgendeiner Weise auf Hesse Bezug nimmt, sei es auf die von ihr verwendeten Materialien und Formen oder einfach auf ihr faszinierendes Leben. Tragischerweise starb sie bereits im jungen Alter von 34 Jahren. Diese Ausstellung ist ein Fest und eine Hommage an eine wunderbare Künstlerin, die mehr als 50 Jahre nach ihrem Tod noch immer andere inspiriert.
    Text von der Webseite
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naivsuper-cd 013

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  • self titled
Ort Land
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  • 13x13 cm, keine weiteren Angaben vorhanden
    naivsuper Nr 013, Musik-CD in Papphülle und transparenter Kunststoffhülle, cover art: Stephane Leonard
ZusatzInfos
  • recorded at the Electronic Church in 2007.
    Saxophon recorded at the Electronic Church in 2007. No overdubs, no manipulations.
    When we (naivsuper) met Antoine in november 2007 to record his saxophone drones we didn´t really know what to expect because Antoine´s drones are perfect in a live situation. We weren´t sure if we could capture the richness of his sound, his working with the accoustics of a room and the strange almost discomforting breathing noises he makes when circular breathing on a CD. We basically wanted to hear him moving in the room, we wanted to see with our ears.
    For the recording we chose the Electronic Church in Berlin because we have seen him perform there earlier the same year and it was absolutely fantastic.
    The day of the recording was an incredible cold day in Berlin and due to the fact that the Church has no heating we could see our breath and feel the unbelievable cold humidity of a groundfloor room that hasn´t been aired in some time crawling up our pants.
    It took Antoine almost an hour to warm up the saxophone and to get a satisfying tone. When he was finally ready to record the first take he was already a little bit out of breath. After 5 minutes of circular breathing his nose and lung started to freeze. We then tried a few more times but after another hour we were all coughing and sneezing and the saxophone was frozen so that we decided to postpone this session.
    When we listened to the material at home we discovered that there was almost everything we wanted. We recorded how Antoine is fighting the cold and the exhaustion. There is the room, the breathing and movement. There is sound - almost an evolution of sounds - they are born slowly, grow up and then slowly disappear or extinguish.
    We highly recommend you to listen with headphones. A follow up to this great document is planned, too
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WEB Link
TitelNummer

cattelan-kenzine-vol3

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  • KENZINE Vol. 3
Ort Land
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  • [44] S., 29x22,4 cm, Auflage: 2.000, numeriert, ISBN/ISSN 9788862083850
    Drahtheftung
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  • Nur Bilder, ohne Text. KENZINE ist eine Kollaboration zwischen TOILETPAPER Magazine und KENZO.
    “For the third installment in our collaboration with TOILETPAPER for our advertising campaigns, we worked with Maurizio, Micol and Pierpaolo to take people on a mysterious journey to an unfamiliar world. A place where the ordinary is slightly disorted, mirrors lead to other dimensions and the strange and beautiful coexist in singular harmony. We love that David Lynch’s (the inspiration for our collections) skewed and somewhat disruptive sense of storytelling seamlessly fits with how the TOILETPAPER approach image making and the final results speak for themselves. Needless to say we’re delighted with the out come and hope everyone else enjoys the images as much as we do.” Carol Lim & Humberto Leon
    Text von der Webseite
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monok-edmund-waal

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Titel
  • MONO.KULTUR #40 Edmund de Waal - W is for White
Ort Land
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  • 44 S., 20x15 cm, ISBN/ISSN 18617085
    Drahtheftung, auf verschiedenem Papier gedruckt
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  • Edmund de Waal is a potter. His pots, plates, and vessels are the result of craft and mastership, but they are also so much more than that: they are experiments in form and function, abstractions of thoughts on silence and space, on repetition and failure, on substance and fragility, on memory contained. Edmund de Waal is an artist. He arranges his objects in complex choreographies that are as mysterious as they are mesmerizing. Displayed in galleries and institutions worldwide, his considered installations play with architectural concerns, integrating ideas of space, light and obscurity. Edmund de Waal is a writer. Whether he sculpts with words or with clay, what Edmund de Waal works with are concepts, ideas, and desires. In a body of work that is at odds with our times and yet oddly successful, his writings and objects overlap and integrate each other in an attempt to understand and transcend our complex relationship with objects and our surroundings. In an interview with mono.kultur structured like an A-Z of notes and ideas, Edmund de Waal talked about his rules of attachment, the impossibility of repetition, and why ‘doubt’ is the most beautiful word. Visually, the issue takes inspiration from that most perfect of materials: porcelain. Printed entirely in double-sided splendour, the two finishings of the paper – shiny gloss and smooth matt – evoke the texture of ceramics before and after glazing.
    Text von der Website.
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fotografija-nr.1

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  • Fotografija NR. 1 (35) 2018
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  • [116] S., 27,5x23 cm, ISBN/ISSN 16487273
    Broschur
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  • We are heading into a future where our choices will be shaped – if not outright determined – by algorithms and artificial intelligence. This coming state has been labelled “the new dark age” (James Bridle, 2018).
    It remains to be seen what this brings to photography, and vice versa.
    One thing, however, seems clear: photography, which has already changed significantly in the 21st century, is affected by – and in some important ways is part of – this development. This issue of “Fotografija” explores how programmes, apps and AI-related technologies shape and change the discourse of photography, challenging traditional boundaries of the medium.
    Various programmes and services – Google, Photoshop, Flickr, Snapchat, visual recognition, etc. – provide new tools to conceive image-making and think photographically. Technological interfaces not only deliver instruments for making work but can become the very logic for creating photographic series.
    The presented artists offer perspectives to raise questions and discuss these technological shifts. From dealing with traumatic events (Indrė Šerpytytė) and inaccessible sites (James Bridle) through technological mediation to playing with our expectations of an all-pervasive Photoshop manipulation (Erin E’Keefe). From exploring so-called smart surveillance systems (Esther Hovers) and censoring politically sensitive sites (Mishka Henner) to everyday glitches (Mantas Grigaitis). From playing with the copyrights of such collective websites as Flickr (Penelope Umbrico) to exploring the shared language of being in some of the most photographed places on earth (Thomas Albdorf). And from using Photoshop to create images (Aaron Hegert) to an image that is barely photographic (Zachary Dean Norman). The four essays (Kate Palmer Albers, Roksana Filipowska and Marijana Rayl, Ilaria Speri, Alise Tifentale) map out the works in broader social, historical and art contexts.
    In short, the works deal with our technologized world. They talk about being in the middle of changes that few have envisioned. Being so immersed, one can feel it (almost) hurts.
    Text von Paul Paper.
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various-others-programm-2022
various-others-programm-2022
various-others-programm-2022

Ganzenberg Christian, Hrsg.: various others 2022, 2022

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  • various others 2022
Ort Land
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  • 14,8x10,6 cm, keine weiteren Angaben vorhanden
    Drahtheftung, Programmheft
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  • Zur Veranstaltung 08.09.-09.10.2022 in München
    VARIOUS OTHERS is the international format of the Munich art scene. Its most ambitious players—galleries, artist-run spaces, and institutions—invite you to get to know the city’s most important art venues in all their diversity. In collaboration with international partners, VARIOUS OTHERS offers artists, collectors, curators, gallery owners, and art enthusiasts from all over the world contemporary art of the highest quality and relevance.
    With its splendid kick-off during the second weekend of September, VARIOUS OTHERS heralds the start of the fall art season and is a fixed event in the international art calendar. With its up-to-date, varied, and high-quality program of exhibitions and events, VARIOUS OTHERS promotes the visibility of Munich as a vibrant art city.
    Through our partnership concept—galleries and artist-run spaces invite partners to jointly realize exhibitions—we strengthen international exchange and collaboration and share those values with our guests and partners. During four rich weeks, we invite our guests and friends to experience great sites of contemporary art in Munich and get to know the artists who work here—and thus discover new things. ...
    Text von der Webseite
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Erworben bei Haus der Kunst
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dewaters-weapon-shapely

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Titel
  • Scattered Material Vol. 1 - Weapon, Shapely, Naked, Wan
Verlag Jahr
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  • [16] S., 23x15,3 cm, Auflage: 500, ISBN/ISSN 9780990749561
    Beidseitig bedruckte, mehrfach gefaltete Seiten
ZusatzInfos
  • Dillon DeWaters’ new book, Weapon, Shapely, Naked, Wan, is a rumination on the uncanny, on the anomalous phenomena within the everyday. Taking as their starting point a text, Walt Whitman’s “Song of the Broad-Axe,” and a place, Brooklyn’s Fort Greene Park, the photographs build a world of the unfamiliar within the recognizable. Using techniques of in-camera masking and multiple exposures, DeWaters creates a fictive world wherein memory becomes palimpsest, overwritten, erased, perhaps apocryphal. The places contained herein are supernatural, perhaps preternatural, on their surface but, beneath, there is a sense of the cozy, the familiar, even the banal. DeWaters is reordering our geometries and our color palettes to create in us a new vision, a new way of seeing. Is it our eyes that are turning space inside out? We watch, through the continuous image stream within the pages, as Whitman asserts, “The shapes arise!”
    Text von der Webseite
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Igitte 03 / 2009
Igitte 03 / 2009
Igitte 03 / 2009

Klos Susy / Klos Yvonne: Igitte Nr. 003 2009 Derblecken mit tomatoloco - Holt euch jetzt Eure Lady-Prämie!, 2009

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Titel
  • Igitte Nr. 003 2009 Derblecken mit tomatoloco - Holt euch jetzt Eure Lady-Prämie!
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  • 24 S., 29,7x21 cm, keine weiteren Angaben vorhanden
    Farbfotokopien, Drahtheftung
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curt-94-2021
curt-94-2021
curt-94-2021

Lamprecht Reinhard, Hrsg.: curt Stadtmagazin München #094 - KOPFKINO, 2021

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  • curt Stadtmagazin München #094 - KOPFKINO
Ort Land
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  • 100 S., 14,8x21 cm, Auflage: 5000-10000, 2 Teile. keine weiteren Angaben vorhanden
    Broschur, ausgabe mit 2 verschiedenen Covern, Postkarte beigelegt mit handschriftlichem Gruß
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  • Am 21. April erschienen
    100 Seiten rund ums Thema Kopfkino u.a. mit Münchner Hirngespinsten, Hirntrigger, Halluzinationen und anderen Realitäten. Außerdem die erotische Hypnose der Lady Tara; über das Kunstprojekt RHOGG, die LSD-Lampe und Luzide Träume; im Gespräch mit Münchner Traditionskinos; der kreative Prozess des Drehbuchschreibens mit Sabine Bachthaler sowie ein Einblick in den Kopf des Autors und Regisseurs Emre Akal. Ein Interview über das ganz normale verrückt sein mit Yogalehrer und Musiker Petros Haffenrichter und ein Gespräch mit Senior Video Producer der GameStar Christian “Fritz” Schneider über digitale Spielwelten. Fun Facts über unser Gedächtnis, und wie Kopfkino wirklich ist, wenn man drin bleibt.
    Und weil wir uns bei den spuligen Overhead-Projektions-Motiven von Marius Rohne partout nicht entscheiden konnten, welche von ihnen auf den Titel kommt, haben wir dieses Mal einfach zwei Cover gedruckt.
    Text von der Website
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spex-2011-bild-1

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Titel
  • spex - 2011 Nr. 330, 331, 332, 333, 334, 335
Ort Land
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  • 28x23 cm, 6 Teile. keine weiteren Angaben vorhanden
    Klebebindung, Werbeanzeigen enthalten
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  • Magazin für Pop-Kultur. 6 Ausgaben pro Jahr.
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spex-2013-bild-1

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Titel
  • spex - 2013 Nr. 342, 343, 344, 345, 346, 347, 348, 349
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 28x23 cm, 8 Teile. keine weiteren Angaben vorhanden
    Klebebindung, Werbeanzeigen enthalten
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  • Magazin für Pop-Kultur. 6 Ausgaben pro Jahr.
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spex-bild-1-20019

Verfasser
Titel
  • spex - 2009 Nr. 318, 319, 320, 321, 322, 323
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 28x23 cm, 6 Teile. keine weiteren Angaben vorhanden
    Klebebindung, Werbeanzeigen enthalten
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  • Magazin für Pop-Kultur. 6 Ausgaben pro Jahr.
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le-cdla-carte-100-vorderseite-20221004

Verfasser
Titel
  • Le cdla - carte d'information #100
Technische
Angaben
  • [2] S., 29,7x21 cm, keine weiteren Angaben vorhanden
    ein DIN A4 Bogen, etwa 160g beidseitig - im Versandumschlag mit zwei unfrankierten Briefmarken
ZusatzInfos
  • Erneut (wie auf #99) die Nennung neuer Eingänge der Sammlung und vom Centre des livres d'artistes produzierte Veranstaltungen: Carolee Schneemann und Fluxus / Pol Bury. Bücher und Schriften / Für Henri Cueco: Kunst und Politik; Figuration und Erzählung; Kunst und Landschaft - die Wiese, der Garten. etc., sowie unter dem Stichwort Veröffentlichung: Frédérique Martin-Scherrer, Pol Bury. Livres et écrits, Brüssel: CFC Éditions, ... / Susanne Bieri (Swiss National Library), Swiss Artists' Books, Köln, Verlag der Buchhandlung Walther und Franz König, 2022 ...
    Auf der Rückseite erneut ein "post-scriptum" von Unglee: "Série Catalogues". Catalogue-Baumaux-2009
    Ähnlich wie die carte d'information #99. Weitere Namensnennungen. Vornamen, Namen von berühmten Personen und solche, die wie Namen von Cabaret-Künstlern oder Musikern klingen, aber Tulpennamen sind. Es beginnt wieder mit Abba und endet hier mit Roi du Midi und Ronaldo.
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TitelNummer

Verfasser
Titel
  • Druck Druck Druck - Druck Gemeinschaften aus Berlin und darüber hinaus
Ort Land
Medium
Technische
Angaben
  • 110 S., 24x17 cm, ISBN/ISSN 978-3-944141-25-1
    Broschur
ZusatzInfos
  • Die Ausstellung Druck Druck Druck bringt die Druckwerkstatt in die Galerie und schafft Raum für unabhängige Print-Gemeinschaften aus Berlin und darüber hinaus, 13.04.-14.08.2019. Die interdisziplinäre, multi-formatige Ausstellung erforscht wie Druckmethoden verwendet werden können, um radikale Ziele in der Kunst, der Bildung und der Gemeinschaft zu erreichen, kuratiert von Nina Prader und John Z. Komurki.
    Neben u.a. dem Mimeographen, ist der Risograph ein Fokus der Ausstellung und versammelt künstlerische Positionen aus ganz Berlin, die den Risographen verwenden. Die größte Ausstellung zu Kunstwerken, die den Risographen feiern seit dem Risofest Berlin 2017. Eine zunehmend beliebte Methode für das unabhängige, künstlerische Drucken und Verlegen.
    Text von der Webseite
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vabf-2022-heft
vabf-2022-heft
vabf-2022-heft

Obermayer Marlene, Hrsg.: VABF Vienna Art Book Fair #2, 2023

Verfasser
Titel
  • VABF Vienna Art Book Fair #2
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 16 S., 34x25 cm, 2 Stück. keine weiteren Angaben vorhanden
    Blätter lose ineiander gelegt, Papier einseitig metallbeschichtet - mirror 120g
ZusatzInfos
  • Programmheft zur Vienna Art Book Fair #2 mit den Namen der Teilnehmenden, vier Jahre nach der Künstlerbuchmesse #1, in der Universität für angewandte Kunst Wien vom 20.-22.10.2023. Auch der icon Verlag Huber Kretschmer gehörte zu den 135 Ausstellenden.
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madonna-mr,-colori-mailart

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Titel
  • Lady Madonna - The Woman with one Thousend Names - Mailart Exhibition
Medium
Technische
Angaben
  • 28x21 cm, keine weiteren Angaben vorhanden
    Drahtheftung
ZusatzInfos
  • Mailartprojekt vom 13.05.2018-06.01.2019. Thema des Projektes war Madonna.
Stichwort / Schlagwort
WEB Link
Geschenk von
TitelNummer

your-house-is-mine

Verfasser
Titel
  • Your house is mine
Verlag Jahr
Medium
Technische
Angaben
  • [48] S., 52x44 cm, Auflage: 10.000, keine weiteren Angaben vorhanden
    lose ineinander gelegte Blätter, gefaltet,
ZusatzInfos
  • 1988-1992, urban artist collaborative, Begleitpublikation zum gleichnamigen Buch. Straßenplakate, Texte und Illustrationen von über 60 Künstlern
Sprache
Geschenk von
TitelNummer

commonpress-77
commonpress-77
commonpress-77

Fish Pat, Hrsg.: Commonpress 77 - The Big Golden Book of Flash, 1985

Verfasser
Titel
  • Commonpress 77 - The Big Golden Book of Flash
Verlag Jahr
Medium
Technische
Angaben
  • 28x22,5 cm, Auflage: 400, numeriert, signiert, keine weiteren Angaben vorhanden
    Spiralbindung aus Kunststoff, mit Widmung
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  • Commonpress wurde gegründet 1977 von Pawel Petasz
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bloom-de-jong-temporar-services-booklet-118
bloom-de-jong-temporar-services-booklet-118
bloom-de-jong-temporar-services-booklet-118

de Jong Karin / Bloom Brett, Hrsg.: Temporary Services Booklet No. 118 - What Problems Can Artist Publishers Solve?, 2022

Verfasser
Titel
  • Temporary Services Booklet No. 118 - What Problems Can Artist Publishers Solve?
Medium
Technische
Angaben
  • 38 S., 21,7x13,8 cm, keine weiteren Angaben vorhanden
    Drahtheftung
ZusatzInfos
  • Das Temporary Services Booklet #118 ist eine Zusammenarbeit mit unseren alten Freunden von PrintRoom in Rotterdam und wurde im Vorfeld einer Mini-Ausstellung unserer Self-Reliance Library 07.2018 produziert. Für dieses Heft haben wir 17 Künstlerverlage eingeladen, auf die Frage zu antworten: Wenn wir lokal, regional, national und international denken: Was sind soziale, politische, ökonomische und ökologische Probleme, die Künstlerverlage mit ihrem Wissen, ihren Fähigkeiten und Ressourcen angehen oder lösen können?
    Das Ergebnis ist eine umfangreiche Sammlung von Texten (und Bildern), wobei jedem Beitrag zwei Seiten gewidmet sind. Für uns sind dies einige besonders wichtige Gedanken darüber, wozu Künstlerverlage in diesem besonderen Moment fähig sind, mit einigen großen Aufrufen zu Solidarität, Großzügigkeit, Teilen und Experimentieren.
    Text von der Webseite, übersetzt mithilfe von DeepL.
Sprache
Erworben bei Booklyn
TitelNummer

parr-bad-weather

Verfasser
Titel
  • From Our House To Your House
Medium
Technische
Angaben
  • [104] S., 17,8x17,5 cm, 2 Stück. ISBN/ISSN 1899235345
    Hardcover.
ZusatzInfos
  • Martin Parr has put together another wonderful book from his personal collection of cards. This time he celebrates the American Christmas card. These are a fascinating eye-opener into American culture, as proud families everywhere (pets included) pose before the camera to send their Christmas greetings across the nation.
    Text von der Webseite
Sprache
Erworben bei art book cologne
TitelNummer

Verfasser
Titel
  • OUR OWN COLLECTION - our own collection of artists's books, limited editions, zines, mail art catalogues and books about artist's books and mail art
Verlag Jahr
Medium
Technische
Angaben
  • 29,7x21 cm, keine weiteren Angaben vorhanden
    Farbkopien der Webseite, Klemmschiene
TitelNummer

panel 02

Verfasser
Titel
  • Panel issue 02
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 32 S., 21x14,8 cm, Auflage: 11 + 33, numeriert, ISBN/ISSN 2223845X
    Drahtheftung
ZusatzInfos
  • PANEL is an artist magazine from Vienna. Our intent is to have a platform for young artists who work in different disciplines, and bring them together. Instead of heaving a showroom, we ask people in our surrounding, who interest us, for their contribution.
    Each issue presents around 13 works, in an edition of 100 copies, printed in colour in A5. New releases are published 2 to 3 times a year and sold in selected bookshops around Europe and the US
WEB Link
TitelNummer

naivsuper-cd 010

Verfasser
Titel
  • Das Ende von Amerika
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 13x13 cm, keine weiteren Angaben vorhanden
    naivsuper Nr 010, Musik-CD in Papphülle und transparenter Kunststoffhülle, cover art: Stephane Leonard & Martin Eichhorn
ZusatzInfos
  • recorded in 2006, mastered at ICEM in 2007.
    We are very proud to announce our 10th release !!! and what makes it even better is that it´s a new dis.playce album!
    The EP is called ´Das Ende von Amerika´ (The End of America) and it´s dis.playce´s second release on naivsuper. The title refers to the book ´Amerika´ by Franz Kafka and should not be interpretated in the wrong way)
    ´Amerika´, also known as ´Der Verschollene´ or ´The Man Who Disappeared´, was the incomplete first novel by Franz Kafka, published posthumously in 1927.
    The story describes the bizarre wanderings of a sixteen-year-old European emigrant named Karl Rossmann in the United States, who was forced to go to New York to escape the scandal of his seduction by a housemaid.
    Hope originates when something else is absent and holes need to be filled again. The purpose of hope is to make itself vanish again and to reach a state of mind where Utopia or the promised land of North America won´t be needed anymore.
    Kafka puts his hero Karl Rossmann over and over again in situations where he is lacking something only to discover that he is lacking even more. The spiral of hope, disappointment and reproaches seems to be endless. With ´Amerika´ Kafka finishes a series of America-fiction from the 19. Century which glorified the United States as the land of boundless possibilities. For Kafka America is not the solution of our problems anymore, it is almost like a second Europe - a land where the problems stay the same.
    ´Das Ende von Amerika´ is one 24 minute piece published on high quality CDRs
Stichwort / Schlagwort
WEB Link
TitelNummer

Verfasser
Titel
  • Phaidon Press Selected Titles
Ort Land
Verlag Jahr
Technische
Angaben
  • 216 S., 21x14,8 cm, keine weiteren Angaben vorhanden
    Lieferverzeichnis. This catalogue contains a list of new and backlist highlights. For a full listening of all our titles, please see our website
ZusatzInfos
  • gefunden Januar 2012
WEB Link
Erworben bei Buchhandlung Goltz
TitelNummer

ozon shelter

Verfasser
Titel
  • OZON International Winter 2012-13 Shelter issue
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 29x23 cm, ISBN/ISSN 17923085
ZusatzInfos
  • OZON Magazine is an urban fashion magazine that has had a stable and significant reputation as an independent publication since 1996. OZON is a different form of fashion periodical that focuses on urban youth culture, modern fashion, art and music.
    The new international issue of OZON is devoted to our personal shelters all over the universe. You will gaze at beautiful pictures and read beautiful minds in search of tranquility and introspection. We discover forgotten places and wonder whether our shelters look alike.
    Interviews with: Anders Petersen, George Pitts, Steven Tai, Wes Lang, Martin Stranka, Phoebe English and more. Photography by Alena Jascanka, Yorgos Mavropoulos, Sonia Szóstak, Rita Lino, Nikolas Ventourakis, Hayley Louisa Brown, Sophie Van Der Perre, Winter Vandenbrink.
    Text von der Webseite
Sprache
Stichwort / Schlagwort
WEB Link
Erworben bei Selfridges London
TitelNummer

loud and quiet 45

Verfasser
Titel
  • Loud and Quiet Issue 45 - The Germans are coming
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 37,3x29 cm, ISBN/ISSN 20499892
    Blätter lose ineinander gelegt
ZusatzInfos
  • Loud And Quiet is an independent, monthly music publication, printed the old fashioned way, physically and on news print, in London, England.
    You can pick up a copy of our current issue from any of our stockists around the whole of the UK. It’s free! And if you can’t find it, we can post you copy wherever you are in the world.
    Text von der Webseite
Erworben bei Gosh London
TitelNummer

spheres 1

Verfasser
Titel
  • Spheres Issue 1
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • [40] S., 32x22 cm, 2 Stück. ISBN/ISSN 7629999015104
    Drahtheftung. Verschiedene farbige Papiere. Eingelegt ein gefaltetes Poster
ZusatzInfos
  • The publication Spheres is the creative documentation of a close collaboration between an artist and the editor, graphic designer Philippe Karrer. Every issue is dedicated to a young artist and their work, in each case exploring character, surroundings, every-day life, inspirations and ideas using unconventional innovative formats so as to create a different, more visual approach and understanding of the artist and his or her work. The focus lies on what is important to the artist during the time period of working together for the publication, hereby capturing a certain essence of the artists work at the moment. Not only can the reader dive in to the artist‘s world, receiving little personal snippets of the life in and around his or her art, but also (and perhaps even more importantly) — how the artist chooses to present things in the publication gives the reader an idea of his or her whole artistic sphere.
    Melanie Bonajo explores the relationship of the individual to its surroundings in a commodified, globalised culture. In her work, she uncovers how our ideas of identity, genre, value and such structures formed by conventions are ever shifting to feelings of uncertainty and instability. She approaches these issues by trying to newly create, to turn around overpowering views and conditions that are today so influenced by our consumer society and tries to get nearer to traits that are rooted in human nature.
    Text von der Webseite
Erworben bei Motto Berlin
TitelNummer

reloading-images-maping-our-minds

Titel
  • Reloading Images Nr. 2 Mapping our Minds, Minding our Maps
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 48 S., 29,3x20,7 cm, keine weiteren Angaben vorhanden
    Drahtheftung,
ZusatzInfos
  • Herausgegeben anlässlich des künstlerischen Forschungsprojektes "Reloading Images: Tehran-Berlin, Work in Progress 2007", Januar-Oktober 2007, Berlin und Teheran
Sprache
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Geschenk von
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Toiletpaper13

Titel
  • Toiletpaper 13
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 44 S., 28,8x22,5 cm, ISBN/ISSN 9788862084901
    Drahtheftung
ZusatzInfos
  • nur Bilder, ohne Text
    The 13th issue of Maurizio Cattelan and Pierpaolo Ferrari's surrealist and provocative magazine Toilet Paper presents 22 new surreal scenes. After his final rétrospective at the Guggenheim Museum, New York, in early 2012, Maurizio Cattelan now focuses on his new magazine/artist's book project Toilet Paper together with photographer Pierpaolo Ferrari (Le Dictateur). In the wake of his previous cult magazines (Permanent Food, Charley), Maurizio Cattelan subverts the codes of established media iconography, digging into fashion, ads, movies & commercial photography to investigate our contemporary obsession with images, our overdose of visual consumption
TitelNummer

nothing-but-clouds

Titel
  • Nothing But Clouds
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • [232] S., 34x22,7 cm, Auflage: 2.000, ISBN/ISSN 978-1-910164983
    Broschur, jede Seite randabfallend bebildert
ZusatzInfos
  • Nothing but Clouds were the words used by the research commission in Andrey Tarkovsky’s 1972 film Solaris to deny video evidence suggesting traces of alien life on the planet. Taking this disclaimer as its title, this meditative book by Kristina Jurotschkin brings together images from her photographic archive made in various places across Europe over numerous years. Jurotschkin’s alienating views of everyday spaces examine the fabric of our social reality and propose an archaeological survey of our future.
    Text von der Webseite
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Sprache
Erworben bei Mack
TitelNummer

cattelan-toiletpaper-no11

Titel
  • Toiletpaper 11 - April 1987
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • [44] S., 29x22,4 cm, ISBN/ISSN 9788862083942
    Drahtheftung
ZusatzInfos
  • nur Bilder, ohne Text
    The 11th issue of Maurizio Cattelan and Pierpaolo Ferrari's surrealist and provocative magazine Toilet Paper presents 22 new surreal scenes. After his final rétrospective at the Guggenheim Museum, New York, in early 2012, Maurizio Cattelan now focuses on his new magazine/artist's book project Toilet Paper together with photographer Pierpaolo Ferrari (Le Dictateur). In the wake of his previous cult magazines (Permanent Food, Charley), Maurizio Cattelan subverts the codes of established media iconography, digging into fashion, ads, movies & commercial photography to investigate our contemporary obsession with images, our overdose of visual consumption.
    Text von der Webseite
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Personen
Sponsoren
Sprache
TitelNummer

marxt-our-nation

Verfasser
Titel
  • For Our Nation
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • [2] S., 21x10,5 cm, keine weiteren Angaben vorhanden
    Einladungskarte, beidseitig bedruckt
ZusatzInfos
  • Einladung zur Eröffnung der Ausstellung For Our Nation vom 12.09.-26.10.2018.
    Wiederholungen und serielle Elemente, geometrische Linien und geologische Formen. Der österreichische Künstler Lukas Marxt (b.1983) widmet sich in seiner Arbeit sozialpolitischen und ökologischen Strukturen im Kontext des Anthropozän. Dabei kombiniert er dokumentarische und konzeptuelle Ansätze, nutzt unterschiedliche Medien und schafft so abstrahierte und dekonstruierte Bildräume. In seiner Einzelausstellung bei fructa zeigt Lukas Marxt installative Video-Arbeiten und digitale Bilder.
    Text von der Website.
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TitelNummer

wordpharmacy_adjectives

Titel
  • wordpharmacy - Adjectives - Contens: 238
Ort Land
Technische
Angaben
  • 18x30 cm, ISBN/ISSN 978-3-943196054
    Kartonbox 10x11,5x7,5 cm (HxLxB, auseinandergefaltet 18x30 cm, mit Beipackzettel A4 gefaltet auf 4x7 cm
ZusatzInfos
  • Wordpharmacy combines the structure of language with the healing principles of various medicaments. Like pills, language is something to be consumed by the body, and in turn it does not only affect our conceptions of things, but it also comes to designate our very corporal movability in the world. Consequently, words are not only something we consume, they are refractory entities that in turn define and consume us. Wordpharmacy can be seen as a poetical gesture endeavouring to let words work their magic from within the body itself. The Wordpharmacy is written and produced by the danish poet Morten Søndergaard. The Wordpharmacy has be shown in several cities like Paris and London and Berlin and Bangor and Tromsø and Voss. The Wordpharmacy is translated into English by Barbara Haveland and designed by Christian Ramsø and is now available in six languages.
    Text von der Webseite
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94_bungalow_kreativbuerau
94_bungalow_kreativbuerau
94_bungalow_kreativbuerau

Bungalow Kreativbüro: Sechs sells, 2018

Titel
  • Sechs sells
Ort Land
Medium
Technische
Angaben
  • 106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • Schwarz-Weiß-Drucke
    Hallow, we are bungalow, providing visual art for brands, companys and cultural projects. In 2012 the six of us — Alex, Markus, Niklas, Laura, Tim and Yvonne — started to study Communication Design at FH Würzburg. 4 years later we established bungalow kreativbüro. Our naming, inspired by architecture, symbolizes our flat hierarchy and creative working all together.
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Geschenk von
Erworben bei Melville Brand Design
TitelNummer

tgm2018

Verfasser
Titel
  • You're my type - Programmbuch 2018
Ort Land
Medium
Technische
Angaben
  • 20,5x13,5 cm, keine weiteren Angaben vorhanden
    4 Bände in Schuber. Schuber geprägt in Gold und Schwarz, Rückseite mit Umkehr der Farben. einzelne Cover mit Reliefprägung, geometrische Formen, Farbschnitt schwarz. Einzelne Bände in Schweizer Broschur (Umschlag nur auf Rückseite angeklebt, Rücken mit Gewebestreifen eingefasst). Bd. 1 130 S., letzte Seite mit Kalender als Fold-Out. Bd. 2 160 S., Bd. 3 96 S., Bd. 4 Blindband, (Notizbuch), 72 S.
ZusatzInfos
  • The Typographic Society Munich is the largest organisation in Europe for typographers and people who are interested in typography and design. Since being founded in 1874 the designers’ club establishes a foundation for sophisticated and interdisciplinary thinking and dialogues among content and form, text and photo, tradition and innovation, design and technology. The tgm represents quality and education for the branch of communication and offers a huge accompanying training program. As Chairwoman of the club I curated several lectures in the last years, inviting design and typography celebrities.Throughout the years designers like Stefan Sagmeister, Mirko Borsche, Eike König, Mario Lombardo, Sascha Lobe, Fons Hickmann, Amir Kassaei or Kurt Weidemann to name a view, followed these invitations and appreciated the warm welcome of our community.
    To show the wide range of offerings we traditionally create a yearbook. More over I tried to give the content based complexity of our proposal a clear and neat arrangement. Therefore the new release is a compilation of four different books, which should invite the reader to inform themselves, to browse, to experience and to participate. The first one exposes all the topics, facts and dates for the further education programs. Part two presents all the people and their stories who are involved in the club, who are on stage and behind the scenes. The third book is a journey into the past and also the future of tgm’s conferences, excursions and other specials. And finally there is room for the reader’s own ideas, experiences and criticism as a foundation for a future dialogue with tgm.
    Every offer under the roof of tgm is a result of solidarity. It is a result of people and companies who are united by the common interest in typographic quality. This project has only been possible with the support of Kösel Druck GmbH & Co Kg, Geese Paper, mycolorserver and the collaboration with Boah Kim.
    Text von der Webseite
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monok-nachtwey1

Verfasser
Titel
  • MONO.KULTUR #37 James Nachtwey - Shades of Time
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 52 S., 20x15 cm, ISBN/ISSN 18617085
    Zwei Hefte, Drahtheftung, ineinander gelegt
ZusatzInfos
  • Inspired by the press images from the Vietnam War that told a very different story to the official government statements, James Nachtwey found his calling that he would pursue with determination and compassion that are admirable: to document the effects of war, terror and disease. In the hope of raising awareness and inspiring intervention and change, his photographs are neither easy to look at nor easy to forget. Having witnessed and reported on the defining conflicts and tragedies of the past three decades – from the revolutions of South America and Eastern Europe to the famines in Africa, from 9/11 to the wars in Iraq and Afghanistan – Nachtwey’s photographs focus on the costs of war: the suffering of civilians, the damage and the scars. There is no doubt that Nachtwey’s images are a challenge – to the powers that be by proposing an unflinching look at the reality on the ground, at the effects of politics on human lives, but also to us as their audience, by questioning our implication and, quite simply, by opening our eyes to the world. In a rare and frank interview with mono.kultur, James Nachtwey talked about his struggles with photography, the different realities of war, and why images have the power to create change. Graphically, the issue is at its most reduced, giving ample space to let the words and images unfold: coming in two separate booklets, it presents a personal and uncommented selection of James Nachtwey’s work in one, and a highly intriguing and challenging conversation in the other.
    Text von der Website.
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monok-46-kere

Verfasser
Titel
  • MONO.KULTUR #46 Francis Kéré - Of Clay and Community
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 48 S., 20x15 cm, ISBN/ISSN 18617085
    Drahtheftung, gedruckt auf verschiedenem Papier, teilweise farbig
ZusatzInfos
  • In our most colourful issue yet, we step into the life and work of architect Francis Kéré, known in equal measure for his lighthearted and innovative architecture, his remarkable background, and his infectious sense of optimism. Kéré has completed numerous projects both in Africa and beyond, including schools, medical centres, cultural institutions, and temporary installations, such as the renowned annual Serpentine Pavilion in 2017. Frequently relying on local materials and infrastructure, his work is marked by a profound simplicity and refreshing lightness, meeting technical problems with surprising and seemingly effortless solutions. It reflects his attitude that architecture should, in its most primary function, seek to improve the lives of the people who inhabit it. With mono.kultur, Francis Kéré talked about his long trajectory from a remote village in Africa to Berlin, his steadfast belief in optimism, and what makes a tree a perfect piece of architecture. Designwise, we followed Kéré’s principle to work with what is at hand, sourcing papers from dead stock at our printers’, essentially using an assortment of leftovers. And colour, of course, with the issue based on the national colours of Burkina Faso, paying tribute to the idea of culture as a shared ground to build upon.
    Text von der Website.
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zug-no9

Verfasser
Titel
  • Zug #09 Speed
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 88 S., 23,6x16,5 cm, Auflage: 1.000, 2 Stück. keine weiteren Angaben vorhanden
    Drahtheftung, Schwarz-Weiss Offsetdruck
ZusatzInfos
  • As an object travels through space and appears in time, we can only see it moving because of the faster arrays of light that break at the very moment in which they meet it. The breaking lines of flight delineate an object in an irreversible physical process. At the speed of light, it appears before our eyes. It is only this fragility that enables us to see. The breaking light names a border which our eyes are unable to cross. A border to another space and time, that of the inside, this time asking for a new faculty. Text von der Webseite.
Sprache
Stichwort / Schlagwort
Erworben bei Aaron Fabian
TitelNummer

nouns

Titel
  • wordpharmacy - Nouns - Contents: 431
Ort Land
Technische
Angaben
  • 18x40,5 cm, ISBN/ISSN 978-3-943196054
    Kartonbox 10,5x11,8x7,5 cm (HxLxB, auseinandergefaltet 18x40,5 cm, mit Beipackzettel A4 gefaltet auf 7x7,7 cm
ZusatzInfos
  • Wordpharmacy combines the structure of language with the healing principles of various medicaments. Like pills, language is something to be consumed by the body, and in turn it does not only affect our conceptions of things, but it also comes to designate our very corporal movability in the world. Consequently, words are not only something we consume, they are refractory entities that in turn define and consume us. Wordpharmacy can be seen as a poetical gesture endeavouring to let words work their magic from within the body itself. The Wordpharmacy is written and produced by the danish poet Morten Søndergaard. The Wordpharmacy has be shown in several cities like Paris and London and Berlin and Bangor and Tromsø and Voss. The Wordpharmacy is translated into English by Barbara Haveland and designed by Christian Ramsø and is now available in six languages.
    Text von der Webseite
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colbert-colouringbook

Titel
  • The Artists' Colouring Book of ABCs
Ort Land
Medium
Technische
Angaben
  • [60] S., 36,3x26,4 cm, ISBN/ISSN 9780957156012
    Broschur, Softcover, Aufkleber auf dem Cover
ZusatzInfos
  • The Artists Colouring Book Of ABCs is the brainchild of Charlotte Colbert, Alix Janta and Lauren Jones. Born of the desire to introduce a new audience to main figures of contemporary art and create a dialogue between artists and a younger generation, it opens up the world of creativity, allowing all to re-visit and reinvent our ABC’s. A fun way for anywone to subvert, re-imagine and enter a conversation with leading artists of our generation, this book is yours to make.
    Text von der Webseite.
Sprache
Stichwort / Schlagwort
TitelNummer

arts-of-the-working-class-5
arts-of-the-working-class-5
arts-of-the-working-class-5

Plaza Lazo Maria Inés / Kolar Alina / Sochacki Paul, Hrsg.: Arts of the Working Class No. 05 - Unchain change, 2019

Titel
  • Arts of the Working Class No. 05 - Unchain change
Ort Land
Medium
Technische
Angaben
  • 56 S., 35,2x25,8 cm, 2 Stück. keine weiteren Angaben vorhanden
    Lose ineinander gelegte Blätter, Druck auf Zeitungspapier.
ZusatzInfos
  • With UNCHAIN CHANGE we seek to develop awareness of presences and practices beyond the hegemonic, and this is how our body turns against the contours of its shadow that distresses the world with its opacities. The issue at hand contains academic texts, activist manifestos, Creole stories, fables of millennials, internet manuals, and once again welcomes the cacophony of styles, convictions and vibrations on which our movement is grounded. We aim, above all, to heal the abyss between art and society.
    Text von der Webseite.
Sprache
TitelNummer

arts_working_class_10_2020
arts_working_class_10_2020
arts_working_class_10_2020

Plaza Lazo Maria Inés / Sochacki Paul, Hrsg.: Arts of the Working Class No. 10 - Old Cracks in New Mirrors, 2020

Titel
  • Arts of the Working Class No. 10 - Old Cracks in New Mirrors
Ort Land
Medium
Technische
Angaben
  • 64 S., 35,2x25,8 cm, keine weiteren Angaben vorhanden
    Lose ineinander gelegte Blätter, Druck auf Zeitungspapier.
ZusatzInfos
  • Ausgabe Februar 2020. „Arts of the Working Class“ ist eine Straßenzeitung für Armut, Reichtum und Kunst. Sie erscheint alle zwei Monate und enthält Beiträge von Künstlern und Denkern aus verschiedenen Feldern und in verschiedenen Sprachen. Sie richtet sich an die Arbeiterklasse, also an alle, und es geht um alles, das allen gehört. Jeder, der sie verkauft, verdient mit. Jeder Künstler, dessen Arbeit beworben wird, gestaltet mit.
    Century-old lore holds fast to the idea that a mirror is not only a reflection but a window from the facade of appearance into one's soul. For the superstitious, breaking a mirror tempts malignant forces, soul-splintering demons and seven years of bad luck. But what of the cracks at the edges of ancient mirrors or the spider web splintering across the screen in your pocket? We have yet to devise a reflection of ourselves that can weather time or violence. For what spills forth from cracks? What use is the time you spend looking in the mirror? For the survival of our souls we need to reflect one another and cultivate solidarity. To turn away from capitalist hegemony we must abandon our reflection and turn towards the other humans, and pull each other up through the cracks.
    Text von der Webseite.
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katja-stuke.-oliver-sieber--our-house-braunschweig

Verfasser
Titel
  • Katja Stuke. Oliver Sieber - Our House
Medium
Technische
Angaben
  • 12 S., 42x29,7 cm, keine weiteren Angaben vorhanden
    Bulletin Nr. 21, Blätter lose ineinander gelegt
ZusatzInfos
  • Es gibt nur wenige Fotografinnen und Fotografen, die noch vor dem Zeitpunkt ihrer „Mid career“ auf eine eigene Enzyklopädie verweisen können. ... Die Ausstellung „Our House“ wird dieses Universum der beiden Künstler ein Stück weit in die Torhäuser des Museums für Photographie Braunschweig übersetzen.
    Gerade in ihren Porträts stellen Sieber und Stuke auf ihre Weise eine alte Frage neu: Welche Identität lege ich mir zu? In welche Figur verwandle ich mich, um anders zu sein, oder aber, um genauso zu sein wie die anderen? Dabei ist das Äußere, das Aussehen, Verhalten und Auftreten, stets der Schauplatz dieser Kommunikation mit dem Anderen – und die Fotografie ist Bühne und Spiegel.
    In seiner Werkreihe „Imaginary Club“ unternimmt Oliver Sieber eine Reise durch die Nacht. Er porträtiert Jugendliche, die ihm auf Parties, Konzerten und Events begegnen und die sich die Freiheit nehmen, ihren Weg jenseits des Mainstreams zu gehen, darunter Punks, Psychobillies, Gothic Lolitas, Transgender oder Künstlerfreunde. Menschen, die ihn inspirieren und die sich nach außen den Habitus der Subkultur zulegen. Auf diese Under-ground-Figuren antwortet Katja Stuke in ihrer Serie der „Suits“ mit einem ganz anderen uniformierten Typus, dem man eher in Geschäftsstraßen begegnet: dem Anzugträger. Auch in dieser Arbeit begegnen sich unterschiedliche Bildtypen, Stukes filmische Stills von der Straße und von ihr gesammelten Bilder von Anzugträgern aus der Geschichte der Popkultur. Die Raster des Fernsehbildschirms und der Druckplatte machen diese zu öffentlichen Bilder und somit vergleichbar.
    In ihren künstlerischen Arbeiten sind Katja Stuke und Oliver Sieber somit der Rolle und prägenden Kraft der Bilder und Vorbilder, der unterschiedlichsten kulturellen Zeichen und Codes auf der Spur. Innerhalb dieser Auseinandersetzung gilt nicht nur der westlichen, sondern vor allem der japanischen Populärkultur ihr besonderes Augenmerk. Ihre Faszination für dieses Land, aber auch für die gegenseitige kulturelle Beeinflussung von Ost und West, lässt sich aus einer Vielzahl von Arbeiten und Serien ablesen, die dort entstanden sind.
    Dokumentiert sind diese Arbeiten in zahlreichen Ausgaben der „Frau Böhm“ (später Die Böhm), eines Fotoprojekts in Magazinform, das Sieber und Stuke seit 1999 herausgeben. Zu sehen sind sie, neben vielen anderen Dokumenten und Projekten, wie etwa die umfangreiche Arbeit zu den Schauplätzen des Kino „O.i.F“. und der Projektion „Japanese Lesson“, im südlichen Torhaus, das sich die beiden Künstler ganz zu eigen machen und, wie es der Titel der Ausstellung verspricht, in ihr Haus verwandeln.

    Text von der Webseite.
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the-great-infinity-pool-vol-3
the-great-infinity-pool-vol-3
the-great-infinity-pool-vol-3

Roggan Ricarda / Muller Christopher, Hrsg.: The Great Infinity Pool Vol. 3, 2017

Verfasser
Titel
  • The Great Infinity Pool Vol. 3
Ort Land
Medium
Technische
Angaben
  • 152 S., 27,9x20,5 cm, ISBN/ISSN 978-3-942144551
    Broschur
ZusatzInfos
  • Dritte Ausgabe des Magazinbuches der Klasse Prof. Ricarda Roggan u. a. anlässlich der gleichnamigen Ausstellung im Folkwang Museum Essen vom 02.06.–02.07.2017. In Kooperation mit der mit der Folkwang Universität Essen, Klasse Prof. Christopher Muller.

    This is The Great Infinity Pool. Step in and relax. Fragen Sie nach einer Cardboard-Brille. You can trust our guide. Genießen Sie die Aussicht! Entspannen Sie sich! This is The Great Infinity Pool. Möchten Sie ein Getränk? Lean back and clear your head. Das ist die Realität. Put on a cardboard device. Enjoy the view. This is The Great Infinity Pool. Es ist so einfach wie fliegen. No cardboard devices available? Werfen Sie doch einen Blick in dem Katalog! Calm down and dive in. Deep blue infinity. This is The Great Infinity Pool. Tauchen Sie ein. Turn your head to change your point of view. Trust our friendly guide. Sie sind hier sicher. Endlich.
    Text von der Webseite
Sprache
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herold-parcour-rosa-stern
herold-parcour-rosa-stern
herold-parcour-rosa-stern

Herold Barbara: BARBARA HEROLD FEAT. KIM TWIDDLE - PARCOUR, 2022

Verfasser
Titel
  • BARBARA HEROLD FEAT. KIM TWIDDLE - PARCOUR
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 29,7x21 cm, 4 Teile. keine weiteren Angaben vorhanden
    Infoblatt, Aufkleber und Hygienemaske für VR-Brille
ZusatzInfos
  • Virtual Reality, Installation und Live Acts im Rahmen von FREISPIEL im Rosa Stern Space 25.05.-22.06.2022
    We are happy to announce the fourth edition of FREISPIEL: a series of short-term residencies and presentations by (inter)national artists dealing with issues of cultural orders and their aesthetic and socio-political influences in our future-driven present. Our next guests will be Munich based artists Barbara Herold feat. Kim Twiddle LIVE with the synaesthetic challenge PARCOUR – suspend traditional patterns of perception, explore visual borderline experiences and enable a new transcendental seeing while generating surreal soundscapes! In her artistic practice, Barbara Herold explores playful systems in the threshold space of the real and the digital and develops interactive AR and VR worlds that can be physically experienced in the overlapping of the virtual and the real. In collaboration with e-composer Kim Twiddle, Barbara Herold developed the colour-form-music composer PARCOUR, a VR experiment on „Neues Sehen" (according to W. Benjamin). Through optical abstraction, stereoscopic overlays and interactive sound modulation, retro video game landscapes become an aesthetic sensual and new consciousness experience.
    PARCOUR will be premiered at Rosa Stern Space. The VR will be graphically extended into the physical space, accessible via a gate. Kim Twiddle will realize electronic live acts and a sound installation based on sound material generated by VR users at Rosa Stern Space and other venues – PARCOUR on tour (tba)...
    Barbara Herold, VG Bild-Kunst, Bonn, 2022
    Text von der Webseite
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arts-of-the-working-class-21
arts-of-the-working-class-21
arts-of-the-working-class-21

Plaza Lazo Maria Inés / Sochacki Paul / Kolar Alina, Hrsg.: Arts of the Working Class No. 21 - Around the world in 80 pages - Forced displacement issue - Tourism issue, 2022

Titel
  • Arts of the Working Class No. 21 - Around the world in 80 pages - Forced displacement issue - Tourism issue
Ort Land
Medium
Technische
Angaben
  • 80 S., 35,2x25,8 cm, keine weiteren Angaben vorhanden
    Lose ineinander gelegte Blätter, Druck auf Zeitungspapier.
ZusatzInfos
  • AusgabeMai 2022. „Arts of the Working Class“ ist eine Straßenzeitung für Armut, Reichtum und Kunst. Sie erscheint alle zwei Monate und enthält Beiträge von Künstlern und Denkern aus verschiedenen Feldern und in verschiedenen Sprachen. Sie richtet sich an die Arbeiterklasse, also an alle, und es geht um alles, das allen gehört. Jeder, der sie verkauft, verdient mit. Jeder Künstler, dessen Arbeit beworben wird, gestaltet mit.
    Anniversary launch Issue 21. Arts of the Working Class is glad to invite you on June 8 to the launch of its fourth anniversary issue AROUND THE WORLD IN 80 PAGES. Organized in collaboration with Callie’s and a.p. Starting at 6.30 PM, the event will take a tour and discuss matters of tourism and forced displacement through the words and works of its contributors. The title of both the event and our latest issue take Jules Verne’s proto sci-fi book as a starting point for our shared research. Verne, the poet and writer whose narratives took us on a journey into imaginary and inconceivable worlds, left us with an invaluable lesson– we perceive the world in its entirety only through technology, the very same technology that can only be progressive if accessible to everyone, rather than as means for individual convenience.
    Text von der Webseite.
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esopus-nr20

Verfasser
Titel
  • Esopus 20 Special Collections
Medium
Technische
Angaben
  • 29,3x23 cm, ISBN/ISSN 9780981574592
    Schuber mit 14 Heften (Drahtheftung) und einer Mappe, diverse eingeklebte, teils gefaltete Blätter oder beigelegte Blätter auf diversen Papieren, einlegte CD in Schutzhülle,
ZusatzInfos
  • Jubiläumsausgabe zum 10-jährigen Bestehen.
    With this 20th issue of Esopus, we celebrate our 10th anniversary. We couldn’t think of a better way to commemorate this milestone than by producing a special issue filled with archival material. To us, archives reflect a purity of purpose—on the part of both those who originally crafted their contents and those who have since collected and cared for them—that perfectly complements our mission over the past decade: to present unfiltered perspectives on creative expression in all of its forms.
    Text von der Webseite
Sprache
WEB Link
TitelNummer

toiletpaper jan 2011

Titel
  • Toiletpaper 02 January 2011
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 44 S., 29x22,5 cm, ISBN/ISSN 978-1-935202592
    Drahtheftung
ZusatzInfos
  • Brought to you by the aberrant, animated mind of Italian-born provocateur, mischief-maker, and macabre witness to our times Maurizio Cattelan, Toilet Paper 2 follows closely on the heels of the inaugural issue of Cattelan's most recent print extravaganza. "The magazine springs from a passion/obsession that Maurizio and I have in common," collaborator photographer Pierpaolo Ferrari said in an interview in Vogue Italia. "Each picture springs from an idea, even a simple one, and then becomes a complex orchestration of people who build tableaux vivants. This project is also a sort of mental outburst." Published by Deste, this part magazine, part artist's book blends commercial photography with warped narratives and surrealistic imagery, creating a series of powerful images that are as appropriate for the coffee table as they are for the WC
Stichwort / Schlagwort
TitelNummer

waterfall 07

Verfasser
Titel
  • Waterfall Magazine #07 2010 SPRING | Every One Has Their Own Rooms.
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 26x21 cm, ISBN/ISSN 9789868547919
    mit Gummiband eingehängt ein kleines Heft: Our own territory
TitelNummer

schaefer city

Verfasser
Titel
  • Die Stadt ist unsere Fabrik. / The City is Our Factory.
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 304 S., 24x34 cm, ISBN/ISSN 978-3-940064950
Sprache
TitelNummer

auswirkungen

Verfasser
Titel
  • Auswirkungen von indirekten Sympathomimetika
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 24 S., 19x13 cm, Auflage: 60, numeriert, keine weiteren Angaben vorhanden
    Risographie und Siebdruck, aufgeklebter bedruckter Stoff auf dem Cover
ZusatzInfos
  • Dr. Olof Tarski, not yet widely known to the public, illustrated the effects of sympathomimetic drugs in his first booklet for Taube. For this cause, he uses slightly manipulated imagery and hidden short poems (in german) for which the reader needs to rub on the pages in order to read them.
    Just like sex, indirect sympathomimetics almost cause the same symptoms. A frightening but yet fascinating fact in these days is that every physical symptom may also be produced artificially. The intention behind this work is to show how much drugs and medications are in a position to control our physical sensation.
TitelNummer

toiletpaper 04

Titel
  • Toiletpaper 04 November 2011
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 44 S., 29x22,5 cm, ISBN/ISSN 978-1-935202783
    Softcover Drahtheftung
ZusatzInfos
  • Specially created by Maurizio Cattelan in collaboration with fellow countryman Pierpaolo Ferrari for Cattelan's major retrospective at the Guggenheim Museum in New York City, Toilet Paper 4 is a brilliant new creation from the aberrant, animated mind of the Italian-born provocateur, mischief-maker and macabre witness to our times. Published by Deste, this part artist's book, part magazine contains no text. only full spreads of color photographs with imagery that often appropriates the slick production values of commercial photography to deliver dreamlike (or nightmarish) images that are as appropriate for the coffee table as they are for the WC. In an interview with Vogue Italia, Ferrari said that "the magazine springs from a passion/obsession that Maurizio and I have in common. Each picture springs from an idea, even a simple one, and then becomes a complex orchestration of people who build tableaux vivants. This project is also a sort of mental outburst."
TitelNummer

toiletpaper 03

Titel
  • Toiletpaper 03 June 2011
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 44 S., 29x22,5 cm, ISBN/ISSN 978-1-935202608
    Drahtheftung
ZusatzInfos
  • Brought to you by the aberrant, animated mind of Italian-born provocateur, mischief-maker, and macabre witness to our times Maurizio Cattelan, Toilet Paper 2 follows closely on the heels of the inaugural issue of Cattelan's most recent print extravaganza. "The magazine springs from a passion/obsession that Maurizio and I have in common," collaborator photographer Pierpaolo Ferrari said in an interview in Vogue Italia. "Each picture springs from an idea, even a simple one, and then becomes a complex orchestration of people who build tableaux vivants. This project is also a sort of mental outburst." Published by Deste, this part magazine, part artist's book blends commercial photography with warped narratives and surrealistic imagery, creating a series of powerful images that are as appropriate for the coffee table as they are for the WC
TitelNummer

toiletpaper 05

Titel
  • Toiletpaper 05 February 2012
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 44 S., 29x22,5 cm, ISBN/ISSN 978-2-840665311
    Softcover Drahtheftung
ZusatzInfos
  • Made by Maurizio Cattelan in collaboration with fellow countryman Pierpaolo Ferrari, Toilet Paper 5 is a brilliant new creation from the aberrant, animated mind of the Italian-born provocateur, mischief-maker and macabre witness to our times. Published by Le Dictateur, this part artist's book, part magazine contains no text. only full spreads of color photographs with imagery that often appropriates the slick production values of commercial photography to deliver dreamlike (or nightmarish) images that are as appropriate for the coffee table as they are for the WC. In an interview with Vogue Italia, Ferrari said that "the magazine is born of a passion/obsession that Maurizio and I have in common. Each picture springs from an idea, often a simple one, and through a complex orchestration of people becomes the materialization of the artists' mental outburst."
TitelNummer

Verfasser
Titel
  • Edgardo Antonio Vigo - La Plata 1927-1997
Ort Land
Verlag Jahr
Technische
Angaben
  • 10 S., 29,7x21 cm, keine weiteren Angaben vorhanden
    Verkaufsprospekt zu einer Sammlung von Büchern und Zeitschriften, Farbloserkopien nach PDF, Blätter lose ineinander gelegt
ZusatzInfos
  • Edgardo Antonio Vigo, graveur sur bois, poète expérimental, constructeur d’«objets inutiles» et de «machines bizarres» fut l’une des figures majeures de la poésie concrète et visuelle sud américaine. Parallèlement à son activité artistique personnelle il créa et dirigea les revues «Diagonal Cero» et «Hexagono» qui contribuèrent aux échanges entre poètes sud américains et européens.
    A ce titre, il participa à l’exposition «Avant-garde publications» organisée par le magazine uruguayen «OVUM 103» en 1970. Il fut également l’un des principaux animateurs du mouvement international «Mail Art» avec la publication de «Libro Internacional. International Book. Livre International» en 1976 et de «Nuestro Libro Internacional de Estampillas Y Matasellos/Our International
    Book Of Stamps/Cancelled Seals» en 1979
Stichwort / Schlagwort
Erworben bei La Librairie
TitelNummer

fischli weiss sonne

Titel
  • Sonne, Mond und Sterne
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 800 S., 31,5x25,2x4,5 cm, ISBN/ISSN 978-3-905829419
    Softcover, Englische Broschur, auf dem Innencover
ZusatzInfos
  • This new artists’ book by the celebrated Swiss artist-duo gathers 800 images taken from worldwide magazine advertisements. Designed by NORM in close collaboration with the artists, the book, stemming from Fischli/Weiss’ contribution to the Ringier AG Annual Report 2007, is a very generous if slightly nauseating collection of photos, slogans, and messages that constitute our contemporary media landscape. Organized in loose categories, they plunge the reader in a flow of images whose commercial dimension recedes to let their (often unplanned) narrative qualities freely develop into an unlikely account of life’s journey.
    Text vom Verlag
Sprache
Stichwort / Schlagwort
Erworben bei Buchhandlung Goltz
TitelNummer

kilimanjaro 13

Verfasser
Titel
  • Kilimanjaro Magazine No 13 A Love Letter to Roni Horn - Art, Love and everyday Life
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 48,5x35x1,3 cm, ISBN/ISSN 14791404
    3 gefaltete Hefte in Faltkarton
ZusatzInfos
  • A collaboration with Roni Horn - featuring Juergen Teller, John Waters & Adrian Searle.
    Issue 13 of Kilimanjaro is an unofficial catalogue of sorts, whose theme is A Love Letter To Roni Horn. It is the first edition of the magazine which has been created with a single artist, and is a kind of visual & textual retrospective.
    Using the traditional format of a magazine publication, comprised of interviews, essays and art criticism, we have curated an overview both of the DNA of Horn’s work, and – through the words of our selection of her friends, collaborators and admirers – of Roni Horn herself. The issue features: JUERGEN TELLER, ADRIAN SEARLE, JOHN WATERS.
    Text von der Webseite
Stichwort / Schlagwort
WEB Link
TitelNummer

paper science 6

Verfasser
Titel
  • Paper Science Number 6 - The one about jobs
Ort Land
Medium
Technische
Angaben
  • [16] S., 37x30,2 cm, keine weiteren Angaben vorhanden
    Blätter lose ineinander gelegt
ZusatzInfos
  • We promote the work of comic artists and writers in Britain at fairs, festivals, club nights and workshops, alongside our quarterly Paper Science anthology
Erworben bei Gosh London
TitelNummer

paper science 5

Verfasser
Titel
  • Paper Science Number 5 - Music Special
Ort Land
Medium
Technische
Angaben
  • [16] S., 37x30,2 cm, keine weiteren Angaben vorhanden
    Blätter lose ineinander gelegt
ZusatzInfos
  • We promote the work of comic artists and writers in Britain at fairs, festivals, club nights and workshops, alongside our quarterly Paper Science anthology
TitelNummer

der-die-das f

Verfasser
Titel
  • der:die:das - Ausgabe f wie Fernglas - Ein Magazin über alltägliche Dinge
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 96 S., 27x20 cm, ISBN/ISSN 16632508
    Drahtheftung
ZusatzInfos
  • der:die:das: Is a mono thematic magazine based in Zurich. It draws its inspiration from objects of everyday life. Our relationship with the mundane is put to question and deconstructed through the investigation of objects, ideas and stories. The familiar is staged in an unfamiliar way while the alien in the usual is discovered.
    Text von der Webseite
Sprache
Erworben bei Motto Berlin
TitelNummer

backcover 01

Verfasser
Titel
  • Back Cover #01 graphic design, typography, etc.
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 58 S., 28x19,5 cm, ISBN/ISSN 19645392
    Drahtheftung. Text
ZusatzInfos
  • Back Cover is a French magazine about graphic design and typography. Back Cover is an open place for personalities from all countries who make or analyse our visual environment. Back Cover does not deal with news and does not present portfolios. It contains thoughts, critical or historical analysis and individual or collective experiences in graphic design, typography, illustration and visual arts. Each issue brings together contributions by international actors in the mentioned areas: graphic designers, typographers, art critics and historians, journalists, under different shapes: interviews, diaries, theoretical articles, transcripts of lectures…
Stichwort / Schlagwort
Erworben bei Motto Berlin
TitelNummer

atlas 1 2012

Titel
  • Atlas Issue Number 1 June 2012
Ort Land
Medium
Technische
Angaben
  • 60 S., 29x21,8 cm, Auflage: 100, numeriert, keine weiteren Angaben vorhanden
    Drahtheftung, Second Edition
ZusatzInfos
  • Atlas is the result of many night and days, kilometres and conversations. It's a route along a vast territory through images and words under very personal views. Atlas is the opening of a whole series of publications which pretend to show the things we really like and that call our attention. We welcome you to start this journey and to accompany us as long as this keeps on going.
    Text von der Verlagswebseite
Sprache
Erworben bei Librería Dadá
TitelNummer

hammann von mier days in new york

Titel
  • 12345678910 Days in New York + the whole fucking storm story
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • [100] S., 32,7x23,3 cm, Auflage: 200, numeriert, keine weiteren Angaben vorhanden
    in transparenter Kunststoffhülle, eingeschlagen in mehrfach gefalteten Plakat (59,4x54 cm) mit eingespannter Gummikordel und angeheftetem Geldschein, innen verschiedene Papiere, eine original Sprüharbeit (gest. und num.), weitere kleinerformatige Seiten
ZusatzInfos
  • As we are developing print media for our art work this is the first publication of Hammann & von Mier dealing with the question how to do an exhibition in a book. The whole material is linked to each other and comes from a trip to New York during October 2012, including photos, notes, found objects, an athmospheric part about the hurricane Sandy and Halloween at the same time, a kind of a diary, an interview with the performance artist Arleen Schloss, a talk between the artists Peter Kogler and Tony Oursler, etc.
    Text von der Webseite
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TitelNummer

esteve-grisha

Verfasser
Titel
  • Grisha
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • [20] S., 14,7x10,3 cm, Auflage: 100, keine weiteren Angaben vorhanden
    Drahtheftung
ZusatzInfos
  • Illustrated zine about the russian mathematician Grigori Perelman, who in 2002 solved one of the most difficult problems of our time.
    Text von der Webseite
TitelNummer

Verfasser
Titel
  • Magnified Section
Ort Land
Medium
Technische
Angaben
  • keine weiteren Angaben vorhanden
ZusatzInfos
  • Aus dem Booklyn-Archiv
Stichwort / Schlagwort
Erworben bei Booklyn
TitelNummer

ruscha-the-ancients

Verfasser
Titel
  • The Ancients Stole All Our Great Ideas: Ed Ruscha im Kunsthistorischen Museum
Ort Land
Technische
Angaben
  • 40 S., 24x28 cm, ISBN/ISSN 978-3-863352561
    40 Tafeln und 8-seitiges Faltblatt in Schuber, zu einer Ausstellung im Kunsthistorischen Museum Wien vom 25.09.-02.12.2012
ZusatzInfos
  • immer wieder haben Museen Künstler gebeten, ihre "private Sammlung" aus den jeweiligen Beständen als Ausstellung zu kuratieren. Erinnert sei an die berühmte Serie "The Artist Eye" bei der David Hockney, Lucian Freud, Francis Bacon und Bridget Riley ihre Ausstellung zusammengestellt haben, oder an die in die Kunstgeschichte eingegangene Ausstellung "Raid the Icebox", die Andy Warhol 1969 aus der Sammlung des Museum of Art der Rhode Island School of Design zusammengestellt hat. Ebenso interessant zu werden verspricht diese Ausstellung und der Katalog, ist doch der Künstler/Kurator einer der erfinderischsten und international angesehensten Maler, Zeichner, Photographen und Büchermacher unserer Zeit und das Kunsthistorische Museum Wien mit der Kunstkammer eines der größten Schatzhäuser der Welt. Der die Exponate verbindende "rote Faden" ist allein das Auge des Künstlers.
    Text von der Webseite
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TitelNummer

chapmans-the-rape-of

Titel
  • The Rape of Creativity
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 44 S., 20,4x17,2 cm, ISBN/ISSN 1901352161
    hardcover, eingeklebtes Heft auf anderem Papier
ZusatzInfos
  • zur Ausstellung 12.04.2003 — 08.06.2003
    For their exhibition at Modern Art Oxford, the Chapmans present sculptures, paintings, drawings and a major new installation in the main Upper Gallery. The exhibition develops on the artists’ delight in cultural confusion and in challenging our assumptions about taste and meaning in art, explored most recently in The Chapman Family Collection, a faux-museographic display of hand-carved wooden fetish objects infected with the iconography of the global food outlet McDonalds.
    Text von der Webseite
Sprache
Stichwort / Schlagwort
Erworben bei Campbell Books London
TitelNummer

beiguelman-intervencoes-urbanas

Titel
  • Intervencoes Urbanas 1.0
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 12,5x14,2 cm, keine weiteren Angaben vorhanden
    CD-Rom in Hülle
ZusatzInfos
  • CD-Rom zum Projekt Arte/Cidade der Grupo de Intervencao Urbana. Arte/Cidade is a project of urban interventions realized in São Paulo, Brazil, since 1994. It seeks interventions that relate to the vast territory of megacities and the global reconfigurations of economy, power and art. It seeks to trigger our perception of situations that no longer reveal themselves solely to visual scrutiny, through interventions that consider the great scales of global and metropolitan restructuring processes.
    Text von Website
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kuti-33-2014

Verfasser
Titel
  • KUTI #33 - Zeichenkunst für jedermann, gratis - free graphic literature
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • [36] S., 40x27,9 cm, Auflage: 23.000, 2 Stück. ISBN/ISSN 1796587X
    Drahtheftung, Wendezeitung, einmal gefaltet, deutsche und finnische Ausgabe
ZusatzInfos
  • Spezial mit deutschen und finnischen Künstlerbeiträgen, Ausgabe einmal in Finnisch und einmal in Deutsch erschienen, beide jeweils untertitelt mit englischer Übersetzung. Mit einem Artikel zur deutschen Comicszene von Brigitte Helbling.
    KUTI is a quarterly 4-colour tabloid focusing on comics and their authors. The main reader group of the magazine are culturally active young adults. Kuti does not present any political or religious connections. The magazine is circulated through cafes, galleries, comic stores, schools, restaurants, book and comic fairs. In Finland the circulation covers ca. 250 places in 11 cities - Helsinki, Tampere, Turku, Lahti, Joensuu, Jyväskylä, Kuopio, Oulu, Pori, Imatra and Lappeenranta. Abroad Kuti is distributed in several countries through our partners in crime.
    Text von der Webseite
Sprache
Stichwort / Schlagwort
WEB Link
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Erworben bei Cologne Art Book Fair
TitelNummer

schierloh-waschmaschinentest-2k14

Verfasser
Titel
  • Waschmachinenfest 2K14
Ort Land
Technische
Angaben
  • 7,5x12,5x2 cm, keine weiteren Angaben vorhanden
    Musikkassette in Waschbeutel mit Reißverschluss, mit 2 Aufklebern gehalten
ZusatzInfos
  • released 08 October 2014
    Our journey through the wicked world of weird audio tapes continues with the first release of the freshly founded LIMBS-label which is the new "Waschmaschinenfest 2K14" compilation, a C30 cassette based on Field Recordings of - well... - washers. Recorded, contributed and remixed - sic! - by artists like Xotox, Klonk, Low Entropy, Jasmina, Fgnugen, Aehm and Indesit we're introduced to quite a few different types of washers e.g. ones crafted by Bauknecht, Haier, Siwamat etc. and their typical, mechanic sound patterns as well as to dark'ish Drones, haunting athmospheres and cold, scampering experimental Tribe Tekno for underground soundsystems and chemically polluted teknival scapes. Quite interesting for collectors of conceptual releases - and washers.
    Text von der Webseite
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TitelNummer

tam-plan-for

Verfasser
Titel
  • My Plan for the bufferzone - Please join our Protest
Verlag Jahr
Medium
Technische
Angaben
  • [12] S., 21x14,38 cm, keine weiteren Angaben vorhanden
    Drahtheftung. Schwarz-Weiß-Fotokopien
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TitelNummer

tillmans-the-cars

Verfasser
Titel
  • The Cars
Ort Land
Medium
Technische
Angaben
  • 128 S., 24x16,2 cm, ISBN/ISSN 978-3-863357528
    Broschur mit Klappumschlag
ZusatzInfos
  • I wanted to show how cars appear in typical street view, which is rarely the subject of photographs. Cars are usually avoided in photography - one waits until a car has exited a view. The ordinary presence of cars is rarely worthy of representation. It's always the special car, or the extreme traffic jam or, of course, the exciting crash that is being pictured. The Cars pays tribute to the shapes and forms we look at every day. How much time we spend with them, sitting inside them, the endless hours we stare at a dashboard. Even if we don't own a car ourselves, their presence is unavoidable. Cars are everywhere. Their sheer number is the most crazy thing about them. They appear in our lives with excessive omnipresence. In their volume cars intrude upon public space, and the way they occupy streets and open areas is rarely challenged.
    Text von der Webseite
TitelNummer

being-evil-knievel-02

Verfasser
Titel
  • Being Evil Knievel Issue No. 2
Verlag Jahr
Medium
Technische
Angaben
  • 36 S., 21x14,8 cm, ISBN/ISSN 978-3-865882509
    Drahtheftung
ZusatzInfos
  • As time doesn't stop, we are proud to devote this second edition of BEK to EVIL's newest project: his alter-ego SUPER A. EVIL will be in Langenhagen (Germany) in March and April to give us guys an insight into his personal well being. SUPER A of course, is just one little facet, but as you will hopefully discover, a more than eye-popping one. Therefore we are especially happy to feature both an extensive interview with EVIL KNIEVEL on his alter-ego and a mind-blowing photo story of SUPER A himself. Also we are introducing a new column at the end of the mag that tries to show a wider perspective of our so beloved EVIL KNIEVEL." (Peter Hush)
    Mit Textbeiträgen von Peter Hush und Andy Reid sowie einem Interview mit Evil Knievel von Ken T. Evans.
    Text von der Webseite
Sprache
Stichwort / Schlagwort
TitelNummer

hunger-one

Verfasser
Titel
  • Hunger Issue #1
Ort Land
Verlag Jahr
Medium
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  • 512 S., 30x23 cm, keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • In dieser Nummer: Welsh actor Rhys Ifans and intriguing young songwriter Sky Ferreira took to the covers for
, the launch issue of The Hunger. Other highlights of the issue include Terence Stamp on why being shunned by the film industry as a young actor was a blessing in disguise, The Winstone family invite us to their family home for an old-fashioned knees up, Anna Friel grills her friend, folk star Fionn Regan, on what inspires him, and Erin O’Connor divulges why she is finally ready to express her often ignored femininity. For our fashion stories, we shot Kelis, Cheryl Cole, Holliday Grainger, Portia Freeman, Heidi Klum, Milla Jovovich, Giggs and DELS.
    Text von der Webseite
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TitelNummer

hjuler-psychkg185-puglue1

Verfasser
Titel
  • Psych.KG 185/puglue1
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 31,5x31,5 cm, Auflage: Unikat, keine weiteren Angaben vorhanden
    LP, originale Verkaufshülle in transparenter Hülle, mit Papier beklebt, transparentes Klebeband, zwei verklebte LPs (LP "Psych.KG 185" Edition 100), 2 original Infoblätter des Labels Opus One
ZusatzInfos
  • Beiträge von Mama Baer - Fahrradtour in Ehrfurcht
    Informationen zur anderen Schallplatte:
    Stefan Wolpe, Joelle Wallach, Darrell Handel ‎,– An die Armee Der Künstler, Of Honey and Vinegar, The Poems of Our Climate, Rondeaux With Oboe
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TitelNummer

Benjamins-294
Benjamins-294
Benjamins-294

Benjamins John: RARE PERIODICALS - Contemporary Art & Avant-Garde - a selection from our inventory with many new acquisitions, 2015

Verfasser
Titel
  • RARE PERIODICALS - Contemporary Art & Avant-Garde - a selection from our inventory with many new acquisitions
Ort Land
Technische
Angaben
  • 128 S., 29,7x21 cm, keine weiteren Angaben vorhanden
    Broschur, Antiquariatskatalog
ZusatzInfos
  • Catalogue No. 291
TitelNummer

blad-04

Titel
  • B.L.A.D. NO. 04 - EAT ME!
Ort Land
Medium
Technische
Angaben
  • [60] S., 13,5x9,5 cm, Auflage: 300, ISBN/ISSN 09622873
    Drahtheftung, Rückseite mit Silberprägung, eingelegter Aufkleber, in transparenter Kunststoffhülle mit beigelegtem Blatt, Aufkleber
ZusatzInfos
  • The food industry has provided us with some of the most funny, hilarious and absurd logos and illustrations to promote their products. The good thing, they are everywhere. And we collected a big bunch of them, some well known, but most of them not. In this 80 page extended issue of BLAD we give you our best finds, sliced and in pieces! The magazine also includes a text by Erlend Hammer. Hope you enjoy a nice meal after reading this issue.
    Text von der Webseite
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WEB Link
TitelNummer

blad-05

Verfasser
Titel
  • B.L.A.D. NO. 05 - ENTER IAN STEVENSON
Ort Land
Medium
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Angaben
  • [52] S., 13,5x9,5 cm, Auflage: 300, ISBN/ISSN 09620074
    Drahtheftung, Rückseite mit Silberprägung, in transparenter Kunststoffhülle mit beigelegtem Blatt, Aufkleber
ZusatzInfos
  • In our fifth issue of BLAD we asked Ian Stevenson if he would make enough drawings for us to fill a whole magazine. And we can proudly say that he did! The issue is called Enter Ian Stevenson, and it's a very fine and funny tour through Ian's characteristic and very humorous world of drawings. As he says himself "48 pages of drawings, each one created only for you".
    Text von der Webseite
Stichwort / Schlagwort
WEB Link
TitelNummer

blad-06

Titel
  • B.L.A.D. NO. 06 - PLAIN PAGES
Ort Land
Medium
Technische
Angaben
  • [64] S., 13,5x9,5 cm, Auflage: 250, ISBN/ISSN 09648973
    Drahtheftung, leere Seiten, Rückseite mit Metallfolienprägung, in transparenter Kunststoffhülle mit beigelegtem Blatt, alle Seiten sind weiß
ZusatzInfos
  • Plain Pages is the name of our brand new release. A 52 page booklet of arctic white paper. In this edition the owner has the possibility to elaborate their own content. A 100% democratic booklet in other words. Tee se itse lehti. Released 2011.
    Text von der Webseite
Stichwort / Schlagwort
WEB Link
TitelNummer

alla-carta-no4

Verfasser
Titel
  • Alla Carta No. 04 - Dissertations Around a Table
Ort Land
Medium
Technische
Angaben
  • 140 S., 31x22,3 cm, ISBN/ISSN 22809309
    Broschur, mit eingefügtem Heft
ZusatzInfos
  • Alla Carta is a bi-annual international publication that approaches high-end fashion, art and design in a unique Italian way. We truly believe in paper, carta in Italian.
    At a time when the web may appear to be the only valid avenue of communication, Alla Carta is an ode to the most precious of mediums and to the most precious moment of the day: our interviews always take place around a table, to celebrate one of the oldest Italian habits, conviviality. Text von Website
Sprache
Stichwort / Schlagwort
TitelNummer

uniformagazine-02

Verfasser
Titel
  • Uniformagazine No. 02
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 32 S., 21,5x14,5 cm, Auflage: 500, ISBN/ISSN 20566301
    Drahtheftung,
ZusatzInfos
  • Uniformbooks is an imprint for the visual and literary arts, cultural geography and history, music and bibliographic studies. The uniformity of the format and the expansive variety of the list and its subjects, is characteristic of our open approach to publishing. The printed quarterly Uniformagazine gathers contributions by the writers and artists that we work with, sometimes thematically, as well as slighter or singular content.
    Mit: Squint David Matless, A Tips Alphabet Stephen Duncalf, The Green Man Ronald Johnson, Beginning and ending with trains on a table Steve Roden, Transmitter Masts Theo Simpson, Field Signals Angus Carlyle & Chiara Caterina, CapitalNY @CaptialNY, In House Publishing @Unpublishedwork, Bridge/Tunnel Colin Sackett
Sprache
Stichwort / Schlagwort
TitelNummer

steyerl-duty-free-art

Verfasser
Titel
  • Duty-Free Art
Ort Land
Medium
Technische
Angaben
  • 176 S., 27x18 cm, ISBN/ISSN 9788480265300
    Softcover, Broschur, Schutzumschlag aus Noppenfolie,
ZusatzInfos
  • Publikation zur gleichnamigen Ausstellung vom 10.11.2015-21.03.2016.
    A conversation between Hito Steyerl and João Fernandes, curator of the exhibition, an essay by Carles Guerra and Steyerl herself, introduced us to one of the most relevant contemporary artists in the field of Video art. Steyerl approaches current themes in her work, for instance the impact the proliferation of images and the use of the Internet and technology have on our lives. She uses these issues as a starting point for developing, not just through her video pieces but also through writing and essays, critical work about control, surveillance and militarisation, migration, cultural globalisation, feminism and political imagery, questions she believes have the capacity to create realities.
    Text von Website
Sprache
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Uniformmagazin-No7

Verfasser
Titel
  • Uniformagazine No. 07
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 32 S., 21,5x14,5 cm, Auflage: 500, ISBN/ISSN 20566301
    Drahtheftung
ZusatzInfos
  • Uniformbooks is an imprint for the visual and literary arts, cultural geography and history, music and bibliographic studies. The uniformity of the format and the expansive variety of the list and its subjects, is characteristic of our open approach to publishing. The printed quarterly Uniformagazine gathers contributions by the writers and artists that we work with, sometimes thematically, as well as slighter or singular content—click on animation for further details.
    Text von der Website
    Mit: "Vovite Leaves"-David Matless, "The Reader's Digest Family Encyclopedia of World History"-Kasper Pincis, "tap-root"-Simon Cutts, "A glance to the past"-Martha Hellion, "Condensations"-Nathan Walker, "Trago Mills, Newton Abbot"-Phil Smith, u.a
Sprache
Stichwort / Schlagwort
TitelNummer

fax-heart-1994

Titel
  • FAX HeART - International Fax Art Project
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • [12] S., 21x14,8 cm, keine weiteren Angaben vorhanden
    Blätter gefaltet, lose ineinander gelegt,
ZusatzInfos
  • Begleitheft zum Projekt. The idea to initiate the FAX HeART project had been conceived during the total blockade of Serbia by the whole world community, when even cultural relations with us, i.e. exchange of art works, exhibitions and publications, were bannend. Our desire had been to break through the blockade by telefax and make contact with as many artists from all over the world as possible. The effects and results of this campaign were splendid. As scheduled, on October 20, 1994, between 5 and 9 o'clock p.m. more than a hundred faxes arrived from various parts of the world.
    Text aus dem Heft.
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TitelNummer

parallelogramme-v12-n1

Verfasser
Titel
  • Parallelogramme Vol. 12 No. 01 - Portrait of a Canadian Artist
Ort Land
Medium
Technische
Angaben
  • 134 S., 27,4x21 cm, ISBN/ISSN 07038712
    Drahtheftung,
ZusatzInfos
  • U. a. Taking Our Bearings: The Strategies for Survival Conference. Images of Sexuality: A Symposium.
    Hinweis auf die Ausstellung Gobal Postage der Canadian Correspondence Art Gallery in OCC, organisiert von Edwin Varney, a.k.a. Big Dada (mit Abbildung S. 107).
    Liste der Mitglieder des ANNPAC/RACA
Stichwort / Schlagwort
Geschenk von
TitelNummer

Loose-v3-issue-1

Verfasser
Titel
  • Loose Associations vol. 3 issue 1 - Roger Mayne
Ort Land
Medium
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Angaben
  • 68 S., 18x13,2 cm, ISBN/ISSN 23970839
    Broschur
ZusatzInfos
  • Loose Associations is a periodical, book format publication from The Photographers’ Gallery offering a diverse set of reflections on photography and image culture. Loosely inspired by the gallery’s exhibition programme, LA includes essays both written and visual, artist pages, images, interviews, fiction and philosophy from a wide range of contributors.
    In this issue, the first to focus on the work of a single artist, we have brought together a selection of Roger Mayne’s photographs, alongside newly commissioned writing by Anna Douglas, Owen Hatherley and Bob Stanley. This publication is an accompaniment to our exhibition Roger Mayne, 3 March – 11 June 2017.
    Text von der Webseite
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TitelNummer

bonnet-whose-heritage

Verfasser
Titel
  • Whose Heritage? - Floorplan Papers
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 252 S., 19x13,5 cm, Auflage: 500, ISBN/ISSN 978-3-931184087
    Broschur
ZusatzInfos
  • Whose heritage are we dealing with? With this one-day conference, we want to create an overview of the contemporary discussions on museums dealing with old and new formats of heritage. The morning session has been set up as an informal “World Café”. In this interactive format, the guests are invited to address pertinent topics such as transnationality, transculturality, shared heritage, intellectual property, “Deutungshoheit”, restitution, museological concepts & categorisations and the management of meaning in art and culture. In the afternoon, the conference will bring together honourable guests from the academic and practical museum-fields. The podium is not only dedicated to aspects of how to deal with/handle/encounter so called “other” cultures but also in addressing questions of our own cultural and intellectual heritage. We would like to encourage the audience to participate in the debate.
    Text von der Webseite
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mono-kultur-43

Verfasser
Titel
  • MONO.KULTUR #43 Fatima Al Qadiri - embedded narratives
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 40 S., 20x15 cm, ISBN/ISSN 18617085
    Drahtheftung, 4 Blätter lose eingelegt
ZusatzInfos
  • ... Bending and fusing different genres of music, the Kuwaiti producer and visual artist has released a handful of largely instrumental albums that often imply narratives wrapped in a dystopian atmosphere, evoking an uncanny imagery of our increasingly oversaturated and disorienting information age. It is a simple yet complicated sound that owes as much to electronic music and video game soundtracks as it does to Russian composers and Arab musical traditions. ...
    Text von der Webseite
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TitelNummer

Techno-somatics

Verfasser
Titel
  • Techno-somatics and physical experience - Memory on the Internet - Our ears open a whole world to us: about the experiment to program an exhibition on a vinyl record
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • [12] S., 29,5x21 cm, keine weiteren Angaben vorhanden
    Drahtheftung
ZusatzInfos
  • ‘Curated by Weekly’ is a digital art project. It aims to raise questions regarding online formats, web-based distribution and the acceleration of digital platforms in contemporary art. The project is made up of a website and a magazine, which will be released in irregular intervals. The latter will include essays and interventions about digital exhibition formats, the experiences of digital curation and the questions about media and matter in the post-analogue space. Every week, an artwork will be “curated” and published on the website. In cooperation with different individuals, institutions and independent projects from the art field, artistic positions and works will be displayed. They can function as pieces of art in the digital sphere as well as be critical about it, or to contrast itself with the functions of the web. The project’s pace and composition orientates itself around the relevant visual environment of the present day.
    The format of the website is consciously purely visual, while complementary content will be published in the magazine. This content will consist of essays and contributions around certain questions. For example: How new formats will be established in contemporary art, which technological tools are required or how curation is practiced in a digital space. What should particularly be highlighted is determining which artistic media, surfaces and materialities provide an adequate digital environment.
    'Curated by Weekly' aims for an experimental format, which uses the speed and the possibilities of the digital space, but instead of reproductions and documentations we want to show artistic work itself, to address availability in the digital space and to use catchy visual surfaces. At the same time, the discourse and the self-reflection of the format is discussed in the appearing magazines/readers online and offline.
    Text von der Webseite
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TitelNummer

arts-of-the-working-clas-03
arts-of-the-working-clas-03
arts-of-the-working-clas-03

Kolar Alina / Plaza Lazo Maria Inés / Sochacki Paul, Hrsg.: Arts of the Working Class No. 03 - Restless Togetherness, 2018

Titel
  • Arts of the Working Class No. 03 - Restless Togetherness
Ort Land
Medium
Technische
Angaben
  • 48 S., 35x26 cm, Auflage: 10.000, 2 Stück. keine weiteren Angaben vorhanden
    Zeitungsdruck, Blätter lose ineinander gelegt
ZusatzInfos
  • Keep calm and abolish imperial pride, racial purity and class harmony
    Aus dem Booklyn-Archiv
    This third issue of our newspaper is dedicated to this year’s overwhelming number of anniversaries and its abysms. With curiosity we notice their paradoxical relationship with the present. It’s been ten years since the financial crash, but monetary values are not more balanced and speculation bubbles are bigger than ever. It’s been 50 years since LSD came into popular use, opening the doors of perception, but perception seems to be even narrower today than it was back then. It’s been 80 years since Austria’s annexation to Germany, and yet ‚The Sound of Music‘ is still remembered as a classic, sweetened depiction of resistance towards fascism’s expansion in Europe, rather than the fall of aristocracy, what it really was. It’s been 100 years since the end of the First World War and yet the struggle between Conservatism and Socialism has never been so prevalent. It’s been 200 years since Marx was born, and his work still remains a historical ideal rather than a reality.
    Text von er Webseite
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Geschenk von
Erworben bei Booklyn
TitelNummer

uniformagazine-8

Verfasser
Titel
  • Uniformagazine No. 08
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 32 S., 21,5x14,5 cm, Auflage: 500, ISBN/ISSN 20566301
    Drahtheftung
ZusatzInfos
  • It has been five years since we published our first title, Anticipatory history, the result of an invitation to participate in a research network about accounts of environmental change, and the request to “make a book”, as a residue of what was explored. It took the form of a glossary, with individual contributors writing up their interpretations of the varied topics and terms that had been prominent in the discussions. Unwittingly, this book became the model for an approach, both in terms of a physical format, and also as an editorial strategy, combining ‘research’—be it scholarly or artistic—with a determinedly flexible and collaborative engagement with ‘the book’…
    Text von der Website
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TitelNummer

Cover-Kopien-Hefte-Forum-Homosexualitaet
Cover-Kopien-Hefte-Forum-Homosexualitaet
Cover-Kopien-Hefte-Forum-Homosexualitaet

Kretschmer Hubert / Lang Laura, Hrsg.: Hefte von 1979-2017 aus dem forum homosexualität München, 2017

Verfasser
Titel
  • Hefte von 1979-2017 aus dem forum homosexualität München
Ort Land
Medium
Technische
Angaben
  • [78] S., 42x29,7 cm, Auflage: Unikat, keine weiteren Angaben vorhanden
    Klebebindung mit Leinenstreifen, Farbkopien nach PDF, Hartpappe, Transparentfolie
ZusatzInfos
  • Angefertigt zur Ausstellung vom 03.07.-28.07.2017 in der Halle der PLATFORM, GEGENKULTUR - Münchner Independent-Magazine nach Leihgaben des forum homosexualität München.
    kellerjournal, Liesebuch, HAM Homosexuelle Aktion München, Frauenzeitung München, Frauenoffensive, Südwind, Medusa, OUR Munich, Leo, Die Krake, Anarcha, Zeitung für Kastration der Zerstörungspotenz und Herrschaft, Blut Sex Busen, Münchner Frauenzeitung, Einer ist schwach. Vereint sind
    wir stark, rosa fisten
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Stichwort / Schlagwort
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Hammann-Muenchen-du-sattes-Gesicht

Titel
  • München du Sattes Gesicht!
Ort Land
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  • 52 S., 21x29,7 cm, Auflage: 18, numeriert, keine weiteren Angaben vorhanden
    Drahtheftung
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  • This publication was part of the installation “München du sattes Gesicht!” at Galerie der Künstler München, 2017. It collects all our demands. b/w copies of the original sheets from the installation “München du sattes Gesicht!, stapled.
    Text von der Webseite
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goldsmith-ersetzung-ist-die-neue

Verfasser
Titel
  • Against Translation
Ort Land
Technische
Angaben
  • 256 S., 16,7x10,3x3,3 cm, 8 Teile. ISBN/ISSN 978-2-365680127
    8 Büchlein in Schuber, Fadenheftung, Beiblatt
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  • 1. Auflage
    The author discusses the impasses and shortcomings of translation, this “approximation of discourse that produces a new discourse” and he opposes the notion of displacement, a phenomenon born of globalization: if people and objects are moved, so it will for language. Using the example of the inffuence of advertising, information flow and the effects of networking, Kenneth Goldsmith shows the obsolescence of the act of translation and reflects on the idea of movement. Movement is the new reality which tends to impose its standard upsets linguistic structures, social and political worlds, and profoundly changes our cultural practices.
    Following Theory – a sum of 500 texts printed and assembled in the form of a ream of paper –, Against Translation is the second book of Kenneth Goldsmith published by Jean Boite Éditions.
    Text von der Webseite
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Paper

Verfasser
Titel
  • Paper
Verlag Jahr
Medium
Technische
Angaben
  • 44 S., 39x55 cm, Auflage: 500, numeriert, 2 Stück. keine weiteren Angaben vorhanden
    Blätter lose ineinader gelegt, Anschreiben beigelegt
ZusatzInfos
  • One would like architecture to be a stable ground, a fixed set. It would be reassuring to feel that the bakery of our childhood is still here, that the building we used to pass by everyday will be standing here forever. But behind the certainty of a brick wall or a concrete slab stands the uncertainty of its use, its life, its inhabitation, its domestication. Impossible to predict, this softness invites us to think architecture as a frame, an open structure, a malleable playground.
    Paper is a newspaper focusing on Common places in Beijing. Paper investigates the multiple forms of inhabitation at the smallest scale, as accidents within a given structure. Paper focuses on the non-monuments constitutive of the city of Beijing. It unfolds 43 photographs taken in Dong-Cheng District, and a bilingual text in English and Chinese. Paper was firstly launched on the 27th of October during a solo show exhibition 'Common places' at the Institute for Provocation.
    Text von der Webseite
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Erworben bei Iris Lacoudre
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klanten-hellige_the-modernist_2011

Verfasser
Titel
  • The Modernist
Ort Land
Verlag Jahr
Medium
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  • 192 S., 28x24 cm, ISBN/ISSN 978-3-899553444
    Broschur
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  • Die Entdeckung der klassischen Moderne im aktuellen Grafikdesign
    Today’s designers and illustrators are synthesizing the best elements from past eras of graphic design to create a new visual language with a reduced and rational approach. The Modernist documents this uniquely contemporary, yet timeless aesthetic that is built upon the rediscovery and seamless melding of classical type elements and collage of the 1950s, the geometric patterns and graphic elements of the 1960s and 1970s, and the vector graphics and computer-aided montage of the 1990s. With its fresh perspective on the legacy of past craftsmanship and quality in outstanding current work, The Modernist expands our understanding of what modern graphic design can be.
    Text von der Website
    Der Zeitungsartikel "Die gestern erträumte Zukunft sieht einfach besser aus. In dem Bildband "The Modernist" simulieren Designer Menschen und Gebrauchsspuren" (Süddeutsche Zeitung) von Jan Füchtjohann liegt bei.
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degiorgis-hidden-islam

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Titel
  • Hidden Islam - Islamic makeshift places of worship in North East Italy, 2009-2013
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 90 S., 24,8x17 cm, ISBN/ISSN 9788890981708
    Hardcover mit festgeklebtem Schutzumschlag. Jede Seite aufklappbar.
ZusatzInfos
  • Dritte Auflage.
    Consider these facts. In Italy the right to worship, without discrimination, is enshrined within the constitution. There are 1.35 million Muslims in Italy and yet, officially, only eight mosques in the whole country. One consequence is that the Muslim population have accumulated a huge number of makeshift and temporary places of worship. These are housed in a variety of buildings including lock ups, garages, shops, warehouses and old factories. This shortage of places to worship is particularly acute in north east Italy – where the photographer Nicolò Degiorgis lives – home to many anti-Islamic campaigns headed by the right wing party Lega Nord. The dull images of the many and diverse buildings that house the makeshift mosques are printed on folded pages. You open up the gatefold to reveal the scenes inside the mosques, shot in full colour. The size of the gatherings varies, from large crowds who sometimes pray outside to a small room full to bursting, or to intimate groups of two or three Muslims. Degiorgis provides a fascinating glimpse of hidden world and leaves the conclusions about this project entirely in our own hands.
    In 2014 Hidden Islam was awarded the Gold Award - Deutscher Fotobuchpreis, First Book Award - Paris Photo/Aperture Foundation and Author Book Award - Les Rencontres des Arles.
    Text aus dem Vorwort von Martin Parr.
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de-vries-herman-to-be-all-ways-to-be

Verfasser
Titel
  • to be all ways to be
Medium
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  • 10 S., 22,4x15,8 cm, keine weiteren Angaben vorhanden
    Drahtheftung
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  • Besucherbroschüre zur Ausstellung im holländischen Pavillon der Biennale di Venezia, 09.05.-22.11.2015.
    Herman de Vries (b. 1931) is representing The Netherlands at the Biennale Arte 2015. Under the title to be all ways to be the Dutch pavilion exhibits new sculptures, objects, works on paper and photography by de vries. Educated as a horticulturist and natural scientist, de vries gathers, orders, isolates and displays objects from nature, directing our attention to both the unity and the diversity of the world around us. In his preparatory travels to Venice, de vries collected many objects from the Laguna, the Giardini and the city, resulting in multiple works both in the Dutch Pavilion and on the deserted island of Lazzaretto Vecchio in the southern Laguna. The exhibition is curated by Colin Huizing and Cees de Boe.
    Text aus der Pressemitteilung.
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clark-tennis-club-manual

Verfasser
Titel
  • Tennis Club Manual
Ort Land
Verlag Jahr
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Angaben
  • [20] S., 14,8x10,5 cm, keine weiteren Angaben vorhanden
    Drahtheftung. In Briefumschlag
ZusatzInfos
  • Thema des Lieferprogramms: Stephen Willats.
    Our new catalogue is dedicated to the diverse and prolific publishing practice of artist Stephem Willats whose engagement with the book form runs from 1965 to the present. Willats uses printed matter in three distinctive ways: a book may function as a manifesto, an artwork in its own right or as a tool within an artwork. The items included in this catalogue span artist's books, ephemera, exhibition catalogues and scare manuals relating to participatory artworks self-published by the artist in very limited number.
    Text aus dem Lieferprogramm.
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koivu-the-walking-society

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Titel
  • The Walking Society
Ort Land
Medium
Technische
Angaben
  • 406 S., 17,3x12 cm, ISBN/ISSN 978-3-037784792
    Klappbroschur.
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  • Retrospektive zu Camper-Schuhen, anlässlich des 40. Firmenjubiläums mit philosophischen, soziologischen, kulturhistorischen Perspektiven auf den Schuh.
    What is a “walking society”? A society that is in motion, that is setting out for somewhere. And what connects the individuals in this society with the ground they stand on? It’s their shoes of course. The focus here is on a very special shoe: the Camper shoe. It has gone through considerable changes since its early days, when it was cobbled together by Mallorcan peasants from a piece of car tire and a scrap of fabric. What remains is the philosophy embraced by the Spanish family business, that innovative shoes produced according to the highest standards should not only be comfortable but should also offer their wearers the greatest possible freedom of movement.
    The book tells the story of the Camper brand while at the same time unfurling a range of related themes, from the anatomy of the foot to the cultural history of the shoe. All of which leads to a visual exploration of our “walking society.”
    Text von der Webseite.
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Erworben bei Camper München
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davila-legible-visible-katalog

Verfasser
Titel
  • Legible – Visible - Between the Film Frame and the Page
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 92 S., 24x18 cm, ISBN/ISSN 9788494423437
    Broschur
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  • Katalog erschienen zur Ausstellung in Arts Santa Mònica, Barcelona, 06.04.-28.05.2017
    Legible-Visible. Between the Film Frame and the Page explores the relationship between print publications and audio-visual documents, two of the most important media underpinning the social and cultural landscape of our time which also define the evolution of contemporary art in the 20th and 21st centuries.
    The emergence of relatively inexpensive home video technologies in the 1970s brought with it an alternative model for the creation and diffusion of artist publications, and a prolific period of exploration, reflected in the work of Baldessari, Gilbert & George, Boltanski, Carrión, Rucha and Rosler, among others. The popularization of digital media at the beginning of the 21st century sparked a revolution in the systems of production of both audio-visuals and books, exemplified by a new generation of artists, such as McGeorge, Kentridge, Cine Quieto or Van Leijsen.
    Mela Dávila proposes a theoretical and historical framework for works that the market long dismissed as secondary on account of their serial nature. This characteristic, together with the particular space of experience they generate, and the linearity and temporality common to both media, have opened up a range of new narrative (or anti-narrative) possibilities which have enabled artists to redefine contemporary art.
    Starting from a detailed study of 24 double works, Maite Muñoz looks at how different artists have taken advantage of the permeability between publications and audio-visuals, in which ideas and strategies of narration and editing intrinsic to both mutually infect and enrich one another through the play of opposition, complementarity and dialectics.
    Text von der Webseite
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tress-horst_our-earth-seen-from-space_2018
tress-horst_our-earth-seen-from-space_2018
tress-horst_our-earth-seen-from-space_2018

Tress Horst: Our earth seen from space / Unsere Erde aus dem Weltraum gesehen, 2018

Verfasser
Titel
  • Our earth seen from space / Unsere Erde aus dem Weltraum gesehen
Ort Land
Verlag Jahr
Technische
Angaben
  • 29,7x21 cm, Auflage: 20, numeriert, signiert, 3 Teile. keine weiteren Angaben vorhanden
    Fotopapier (signiert und nummeriert), Kopierpapier mit Adressen (gestempelt), Briefumschlag (frankiert, gestempelt)
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  • Konvolut der Postsendung
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suture-soven

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Titel
  • Sutere Soven Musicfestival
Ort Land
Verlag Jahr
Medium
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  • [2] S., 21x14,8 cm, keine weiteren Angaben vorhanden
    Postkarte
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  • 17.-19.08.2018.
    Suture means sewing. This is the idea we will be following on each and every level of our festival. Suture Soven Music Festival emerged out of the wish and the need to bring musicians and their audience together in a way that enhances deep listening and watching musical appearances that provide the potential for creating something new in a cheerful and caring atmosphere. We will watch and hear the beautifully radical positions and ideas of international musicians. In terms of musical style, we are situated at the intersection of jazz, free improvised music, classical modernism and new music.
    The first Suture Soven Music Festival will take place in an old farm house in the countryside. the concerts will be held in the barn and in the attic of an old stable. By locating the genre defying music in the beautiful countryside of Lower Saxony (Wendland) we invite local people from the area as well as from the cities to make the connection between different worlds and points of views for three days in Suture Soven. We are striving to shape the surrounding area of the festival and make it as sustainable as possible, while working with local farmers and craftsmen. We offer a space and time that taps on an urge to create a sensual narrative. The music we listen to, the words we hear and speak, the food and drink we are provided with, in a setting that will be home to us for three summer days offer us the possibility of making sense.
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joolen-11-17

Verfasser
Titel
  • 11” x 17”
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 104 S., 28x22,5 cm, ISBN/ISSN 9789491677144
    Schweizer Bindung, verschiedenes Papier, Farb- und Schwarz-Weiß Fotografien
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  • Onomatopee 95. 11”x17” by Elisa van Joolen is an on-going project that examines and challenges the fashion industry’s prevailing value systems and proposes new methods of production. The project began in 2013 with a series of conversations with representatives of various fashion brands including G-Star, O’Neill, gsus sindustries, Rockwell by Parra, Converse, moniquevanheist, and Nike. These companies then contributed by donating clothing and footwear in the form of samples, archival pieces and stock. A selection of these, complemented with pieces of second-hand and no-brand clothing have undergone a process of cutting out and reconstructing to become 11”x17” Sweaters and Invert Footwear. 11”x17” creates a network. It unites different categories of clothing and different values within fashion. an eclectic mixture of mid-market, second-hand, and high-end items.
    Text von der Website.
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bloom-gifts

Verfasser
Titel
  • Gifts
Ort Land
Verlag Jahr
Medium
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Angaben
  • 114 S., 24x15,7 cm, ISBN/ISSN 9789491819490
    Fadengeheftet, Hardcover, mit signiertem Exlibris in Pergaminumschlag
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  • A true gift is intimate. It is a carrier of meaning that involves the capacity to amuse, delight, and identify empathically with our recipient’s desires. This exceptional book by New York-based conceptual artist Barbara Bloom, entitled Gifts, explores the nature of gifts in relation to aspects such as wrapping, covering and uncovering, pleasure, and generosity.
    A passionate collector of ornamental paper from all over the world, Bloom has studied the history and aesthetics of gift-wrapping in detail. In Gifts, she tries to blur the conventional distinction between art and life, whilst offering new insights on notions of concealment and revelation. ‘Can the box be an artwork? Can the wrapping be the gift?’ – she questions her readers.
    Text von der Website.
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Erworben bei art book cologne
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der-greif-fulford

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Titel
  • Der Greif Ausgabe 11 2018
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 96 S., 21x15 cm, Auflage: 4.000, numeriert, ISBN/ISSN 21914524
    Klappumschlag, Softcover, Broschur
ZusatzInfos
  • For issue 11, Der Greif has invited Jason Fulford, American photographer, artist and publisher of J&L Books as guest editor. Sourcing from our archive of past submissions, Fulford’s edit takes us on an eclectic tour through diverse visual languages. There are sixty-seven photographers and one writer represented in this volume. The text is an excerpted from a famous 19th century novel. We want to thank everybody who contributed to this issue with their past submission!
    Text von der Website.
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Erworben bei Bean Store
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papernews-11-vorne

Titel
  • Paper News #11 - August, September, Oktober 2018
Ort Land
Verlag Jahr
Medium
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  • 4 S., 29,7x21 cm, keine weiteren Angaben vorhanden
    Ein Blatt, gefaltet
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  • The independent publisher's quarterly by Drucken Heften Laden. Drucken Heften Laden discusses and analyses the conditions and possi­bili­ties for independent publishing in the context of art and city (politics). Drucken Heften Laden derives from an eponymous exhibition, workshop and series of events at neue Gesellschaft für bildende Kunst (nGbK) in Berlin which took place in January 2015. Since then a small group of Berlin-based producers and publishers gathers regularly: “We share experiences and resources, and build a discourse around production methods and values as well as the distribution of books and booklets.Publishing is always set in distinct time and space. Today’s diversity of media fosters hybrid formats between the analogue and the digital. We are interested to negotiate and sharpen our idea of what „independent“ and „self“ publishing means today.Drucken Heften Laden filters and disseminates information, and creates a public platform for exchange and discussion, accessible to everyone interested in such practice.”
    Text von der Website.
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73_clara_wildberger
73_clara_wildberger
73_clara_wildberger

Wildberger Clara: This night perhaps won't be the night of our life. But really that's ok., 2017

Verfasser
Titel
  • This night perhaps won't be the night of our life. But really that's ok.
Ort Land
Medium
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Angaben
  • 106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
    Broschur
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  • Schwarz-Weiß-Drucke
    Clara Wildberger is a photographer and designer based in Graz and Vienna. Her work has been shown in various publications and exhibited throughout Europe, Asia and The United States. She likes cats very much.
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Erworben bei Melville Brand Design
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83_stijn_jonckheere
83_stijn_jonckheere
83_stijn_jonckheere

Jonckheere Stijn: Nothing Is Ever Finished, 2017

Verfasser
Titel
  • Nothing Is Ever Finished
Ort Land
Medium
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Angaben
  • 106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
    Broschur
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  • Schwarz-Weiß-Drucke
    Stijn Jonckheere (°1989) recieved his MA in explorative architectural development in 2012. While working as an architect his personal work gained traction, sparking his career as a visual artist. Monochrome yet visually tense, his work revolves around the themes of memory and alternative reality. Contrasting their minimalistic composition, his drawings often contain a more complex message, presenting a critical look at social behaviour within our built environment. Exhibited throughout Europe and featured in publications worldwide, Jonckheere subsequently ventured into teaching by means of his digital design masterclass and lectures given across architecture universities. He has lent his creative vision to a wide spectrum of projects, ranging from architecture to advertisement for both start-ups and high-profile clients. Jonckheere currently resides in Munich, where he is Art Director at a leading brand activation agency.
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Erworben bei Melville Brand Design
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41_thomas_lail02
41_thomas_lail02
41_thomas_lail02

Lail Thomas: all our pretty yesterdays, 2017

Verfasser
Titel
  • all our pretty yesterdays
Ort Land
Medium
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  • 106 S., 21x14,8 cm, Auflage: Print on Demand, 2 Stück. keine weiteren Angaben vorhanden
    Broschur
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  • Schwarz-Weiß-Drucke, Nr. 041 aus der Reihe 100for10.
    Thomas Lail is an artist and musician who exhibits in the United States and internationally. He is represented in New York by Masters Projects. Lail performs and records with soundBarn and Location Ensemble. He has published numerous reviews and essays including two catalogue essays on the work of Robert Longo and publishes poetry and experimental writing through soundBarn Press. Thomas Lail is Associate Professor of Fine Arts at Hudson Valley Community College, SUNY in Troy, NY. He lives and works in Kinderhook and Brooklyn, NY with artist Tara Fracalossi and their son, Coltrane.
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Erworben bei Melville Brand Design
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gufler-king-louis-ii

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  • King Louis II
Ort Land
Verlag Jahr
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  • [2] S., 12,5x17,5 cm, keine weiteren Angaben vorhanden
    Einladungskarte
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  • Anlässlich der Ausstellung 29.01.-16.03.2019. First exhibition in our second exhibition room "QBBQ´s" at Rosa-Luxemburg-Str. 15, 10178 Berlin
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TitelNummer

monok-brian-eno

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Titel
  • MONO.KULTUR #34 Brian Eno - Revaluation (a warm feeling)
Ort Land
Verlag Jahr
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  • 44 S., 20x15 cm, ISBN/ISSN 18617085
    Drahtheftung, gedruckt auf verschieden farbigen Papieren
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  • Chances are that you will be far more familiar with Brian Eno and his work than you might realise. Whether you know him as a founding member of the gloriously influential 1970s art-rock outfit Roxy Music, or as the inventor of ambient music, in one breathless career Eno has actually released no less than 25 solo albums and contributed to countless projects and collaborations, but also left his fingerprints on dozens of seminal albums as a producer – think U2, Talking Heads or Coldplay, to name but a few – composed several film scores not to mention the start-up theme for Microsoft’s Windows 95. All of which is to say that it is hard to not be in earshot of his musical influence in one way or another. With mono.kultur, Brian Eno talked about the impact of technology on culture, the similarities between producing music and parenting, and why they called Elvis ‘The Pelvis’. Given Brian Eno’s interest in how art can affect moods and emotions, our new issue turned into somewhat of an experiment in chromatics, with the pages gradually traveling the entire colour spectrum from yellow to blue and back again, which not only affects the optical perception of the yellow text, but also how one responds to the content of the interview. Suffice to say: this must certainly rank as the most colourful mono.kultur to date.
    Text von der Website.
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monok-bofill

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Titel
  • MONO.KULTUR #36 Ricardo Bofill - The Future of the Past
Ort Land
Verlag Jahr
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Angaben
  • 48 S., 20x15 cm, ISBN/ISSN 18617085
    Drahtheftung, gedruckt auf verschiedenen Papieren
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  • where to begin with an architect as over the top as Ricardo Bofill, notorious since the 1970s for his vast city-like housing estates that look like surreal experiments in crossbreeding desert caves with Star Wars. an architect who has designed over 1000 projects in the space of five decades, from perfume bottles to city plans, and pretty much everything in between. who has worked in a style – or a hundred styles – that is as unique as it is impossible to describe. who founded a leftist collective that would eventually end up building airport terminals. whose life reads somewhat like a fairytale itself, taking us from fascist Spain under Franco’s rule to the celebrity frenzy of our modern times, with the Bofill clan holding a somewhat unique position among Spanish tabloids? To add any more is to inevitably leave out too much. With mono.kultur, Ricardo Bofill talked about fifty years of architecture, the vagaries of ambition and how Modernism killed the city. Visually, the issue offers a disorienting journey of architectural splendour with plenty of previously unpublished images from the archives of Ricardo Bofill (as well as the odd film still of naked bodies). Using partial high gloss varnish throughout, it is a pleasing juxtaposition of the natural and the artificial, the intellectual and the sexual, the disciplined and the decadent.
    Text von der Website.
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monok-39-thaemlitz

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Titel
  • MONO.KULTUR #39 Terre Thaemlitz - The Arrogance of Optimism
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 48 S., 20x15 cm, ISBN/ISSN 18617085
    Drahtheftung, auf verschiedenem Papier gedruckt, von rechts nach links zu lesen
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  • Politics and the dance floor make for uneasy bedfellows, and it is this uneasiness that drives most of the work of Terre Thaemlitz, confronting head-on issues that are usually off limits in electronic music. Thaemlitz is a producer and DJ, also known under their monikers of DJ Sprinkles, Social Material, and K-S.H.E, among others. But they are also a writer, educator and activist of sorts, with very fluid notions of gender, switching continuously between male and female drag. Born in 1968, Terre Thaemlitz left the rigidly conservative and violently homophobic environment of their home state, Missouri, in the mid-1980s for New York. They became involved in the queer and transgender scenes both socially and musically at a time when house music was not a genre but simply the wide open sound of a specific social and political space. As New York’s underground queer music scenes dissolved under gentrification, Thaemlitz eventually relocated to Tokyo at the beginning of the ’00s. In a challenging interview with mono.kultur, Terre Thaemlitz talked about the politics of sexuality, his disillusion with the music industry, and why roller disco was so amazing. Visually, the issue is a dark affair, steeped in a dirty, gritty black. Printed on no less than six different paper stocks and juxtaposing several grids and graphic systems, it creates its own visual logic – only to disturb our most fundamental habits of reading and navigating a magazine by opening backwards, from right to left.
    Text von der Website.
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monok-45-paglen

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Titel
  • MONO.KULTUR #44 Trevor Paglen - The Edge of Tomorrow
Ort Land
Verlag Jahr
Medium
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Angaben
  • 24 S., 20x15 cm, ISBN/ISSN 18617085
    Drahtheftung, sechs Blätter, gefaltet, in Antistatiktasche
ZusatzInfos
  • Best known for his series on clandestine military bases and spy satellites, Trevor Paglen’s practice reaches far beyond museum walls. Instead, it encompasses a variety of disciplines. from image-making and installations to investigative journalism, writing, engineering, geography, and sound design. Along the way, Paglen challenges our traditional notions of fine art. He has published a number of books on the functioning of the US intelligence services, installed a series of Autonomy Cubes that allow access to the entirely anonymous Tor network, and is currently working on his own satellite to be launched into space in summer 2018. In a sweeping conversation with mono.kultur, Trevor Paglen talked about the volatility of truth, the dilemmas of the Anthropocene, and why Artificial Intelligence will not outlast humanity. True to its precious content, the issue comes in a Static Shielding Bag normally used for sensitive electronic products. In loose reference to computer coding as well as archival documents, it contains a main booklet with the text and excerpts from Paglen’s current cycle on machine vision, as well as six ‘attachments’ covering seminal projects from his career to date.
    Text von der Website.
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monok-price-ny

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Titel
  • MONO.KULTUR #45 Richard Price - New York A.M.
Ort Land
Verlag Jahr
Medium
Technische
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  • 52 S., 20x15 cm, ISBN/ISSN 18617085
    Drahtheftung, Titel in Silberprägung auf dem Cover, Text und Fotografien auf verschiedenem Papier gedruckt
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  • When it comes to research, Richard Price adopts a hands-on approach: hanging out in different neighbourhoods, talking to strangers and going for ride-alongs with cops to see a darker side of the city. In many ways, it is this wide-eyed curiosity that allows his books to be read as time capsules of a New York in constant flux, revealing an uncanny understanding for knowing exactly what people want, need, envy and resent about the cities they inhabit. In a conversation peppered with anecdotes and bebop, Richard Price talked to mono.kultur about the need to live in order to write, working for Hollywood, and why hanging out is a professional matter. Visually, the conversation with Richard Price found its perfect sparring partner in a selection of images by cab driver turned photographer Joseph Rodriguez. And, just between us, we are proud to feature our very first ever foil embossed cover, in the honourable tradition of pulp novels.
    Text von der Website.
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tgm-programmbuch-2019--milch-honig-cover

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  • Programmbuch 2019 - Type is changing faces - Tyme is on my side
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  • 160 S., 24x16,2 cm, keine weiteren Angaben vorhanden
    Broschur, beigelegt ein kleines drahtgeheftetes Notizheft und ein Leporello mit dem Jahresprogramm der tgm
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  • ... In the tgm annual yearbook the different aspects of out self-perception are assigned primary colours. The educational programme is presented in blue. The events (conferences, trips, presentation etc.) and the people on and behind the stage are shown in red, and the yellow notebook in the the middle separating the two topics is an invitation to participate. This strict and simplistic composition is not accidental, but an expression of the impression Milch+Honig want to make. furthermore it indicates the (colour) system of the tgm’s soon to be launched new website. These changes in and through our time are taken into account and prepared for the future in the tgm annual theme ...
    ... All diese Aktivitäten sind auch in diesem Jahr wieder in einem Buch dokumentiert: Vorsitzende Christina John visualisierte hier all die Aspekte, die die tgm auszeichnet, in gestalterischen Details: »Das Fortbildungsprogramm ist in blau dargestellt. Events wie Konferenzen, Reisen oder Vorträge sowie die Menschen vor und hinter den Kulissen der tgm sind in Rot getaucht und das gelbe Notizbuch, das die beiden Themen teilt, lädt zum Mitmachen ein«, erzählt uns die Kreative. Die im Jahrbuch erreichte strenge und einfache Kompositionen ist also kein Zufallsprodukt, sondern die visuelle Übersetzung des Eindrucks, den die tgm hinterlassen will. Zugleich ist dieses Schema schon der passenden Link zur neu gestalteten Website der tgm ...
    Texte von Webseiten, Foto Milch+Honig
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romizi-che-spacca

Titel
  • Mail Art Che Spacca
Ort Land
Verlag Jahr
Medium
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Angaben
  • [2] S., 10x14 cm, signiert, keine weiteren Angaben vorhanden
    Postkarte, beidseitig bedruckt, gestempelt, mit persönlichem Gruß
ZusatzInfos
  • Einladung zum Mail Art Call. Deadline 25.06.2019. Pysical exibition in Perugia during L'UMBRIA CHE SPACCA
    and show on line in our website of all the works arrived in time.
    Text von der Website.
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Wegner Jürgen, Hrsg.: The Shadowland newsletter #93, 2019

shadowland-sn-93-wegner_seite_1
shadowland-sn-93-wegner_seite_1
shadowland-sn-93-wegner_seite_1

Wegner Jürgen, Hrsg.: The Shadowland newsletter #93, 2019

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Titel
  • The Shadowland newsletter #93
Verlag Jahr
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  • [50] S., 29,7x21 cm, keine weiteren Angaben vorhanden
    Farblaserkopie nach PDF, Blätter lose ineinandner gelegt,
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  • #93.1. A visit to Archive Artist Publications and its exhibition in Haus der Kunst (München)
    #93.2. The [next] century of the archive
    #93.3. Two Mā.ori learn the printing arts in Wien, 1859/60
    #93.4. Journal für Druckgeschichte, NF 24 (2018) 3
    #93.5. The “Gutenberg Modern”
    #93.6. Newsletter (New Australian Bookplate Society), 51 (2018)
    #93.7. Gollin Graphics on Commercial printing machinery (Out of the Book Ark . 17)
    #93.8. The perils of private printing in Wellington, 1951
    #93.9. A mélange of miscellaneous books (1) (Brandywine ‘boekwinkel’ . 29)
    #93.10. Justifying a realia collection
    #93.11. The incunabula period of Australian and New Zealand private printing
    #93.12. History in the bag (SLV as reported in Graphix)
    #93.13. Mainz, international city of Gutenberg. But there is so much more to see
    #93.14. An early and rare Wimbles ephemeron
    #93.15. Now it’s 25 years of Cheese fog polka!
    #93.16. For our colleagues, who serve (Gebr. Klingspor)
    #93.17. A crop of private press cards, 2018
    #93.18. Andreĭ. Tarkovskiĭ.’s З.е.р.к.а.л.о. (1974)
    #93.19. Yang Zhichao’s Chinese Bible exhibition (AGNSW)
    #93.20. Biblionews and Australian notes & queries, 400 (2019)
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kudla-capitalmocracy-with-ketchup

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  • Capitalmocracy with Ketchup Hold the Onions and Ethnic Tension
Ort Land
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  • [30] S., 30x21,2 cm, numeriert, signiert, keine weiteren Angaben vorhanden
    15 lose Blätter, teilweise beklebt mit original Fotografien, in bedruckter Karton Mappe, persönliches Schreiben an Klaus Groh beiliegend
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  • An International Mail Art Show for our Soviet Friends August 1991 - August 1992.
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akvo-inauguration-pk
akvo-inauguration-pk
akvo-inauguration-pk

Ka Nele, Hrsg.: AKVO – THE INAUGURATION, 2019

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  • AKVO – THE INAUGURATION
Ort Land
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  • [2] S., 9,7x21 cm, keine weiteren Angaben vorhanden
    Einladungskarte
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  • Final Group Performance in der Galerie FOE 29.11.2019, 19:00 Uhr. 13.-28.11.2019 Ort @platformmuc Instagram.
    LIVE SCREENING INAUGURATION 16 DAYS – RESEARCH PREPARING PERFORMANCES 13.-28.11.2019, Every day at 6 pm on Instagram @platformmuc.
    FINAL GROUP PERFORMANCE Saturday, 29.11.2019 7 pm open end
    Music selection by guest artist DJ Gerundio. Galerie Foe, Oberföhringer Str. 156, 81925 Munich.
    16 Days 15 Artists 9 Heritages. Project AKVO aims to build bridges between cultures, traditions and people. This special occasion marks the start of a journey that will take AKVO around the globe. An inauguration so to say, a holy moment which is celebrated in a myriad of ways. Research into these traditions and performative interventions will culminate in our own rituals of inauguration, a transformation of the expected and unexpected into a new experience.
    Text von der Webseite
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alsvo-adriana-lara
alsvo-adriana-lara
alsvo-adriana-lara

Spangl Ezara / Spangl Rainer, Hrsg.: Artist Lecture Series Vienna Opinion - Adriana Lara, 2019

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  • Artist Lecture Series Vienna Opinion - Adriana Lara
Ort Land
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  • 24 S., 21x14,8 cm, ISBN/ISSN 978-3-903288010
    Drahtheftung
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  • The art world is not a perfect one. This text is thus a reflection, triggered by a personal experience that concerns language, politics, and art. Through it, I hope to bring to light another perspective on how the language and terms we use within institutional discourses and beyond shape our experience.
    Text aus dem Heft.
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kabakov-place

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  • Ilya and Emilia Kabakov - Where is our place?
Ort Land
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  • 149 S., 24,2x19,4 cm, ISBN/ISSN 9784473031884
    Hardcover mit Schutzumschlag
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  • Zur Ausstellung 29.05.-19.07.2004
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loewe_7_1976
loewe_7_1976
loewe_7_1976

Lischka Gerhard Johann, Hrsg.: der Löwe - the lion - le lion - il leone Nr. 07, 1976

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  • der Löwe - the lion - le lion - il leone Nr. 07
Ort Land
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  • 64 S., 19x12 cm, keine weiteren Angaben vorhanden
    Broschur. Umschlag Karton. Mit Abbildungen in Schwarz-Weiß. Mit Beschriftung auf Cover in rosa: "Transsex"
ZusatzInfos
  • Inhalt: James Lee Byars: From 1972, G.J. Lischka: Momente, Hermann Nitsch: 26/27.7.'75, Harald Szeemann: Emma Kunz, The angels of the light: Our shows, Herbert Distel: Inszenierungen, Ulay: Renaissance
Sprache
Erworben bei Antiquariat Querido
TitelNummer

enik-the-deapest-space-of-now-2020
enik-the-deapest-space-of-now-2020
enik-the-deapest-space-of-now-2020

Enik: Album #01 - The Deepest Space of Now, 2019

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  • Album #01 - The Deepest Space of Now
Ort Land
Medium
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  • 31x31,4 cm, Auflage: 100, numeriert, keine weiteren Angaben vorhanden
    Schallplatte in schwarzer Papierhülle, 2 Einzelblätter, Umschlag, alles zusammen in bedruckter transparenter Kunststoffhülle mit zwei zwei Papierklebestreifen verschlossen
ZusatzInfos
  • Limited Gold Vinyl Edition of 100 vom 13.12.2019.
    There's not much in the world that is more exciting than a record label's album release number one. If you feel about music like we do, then you will most probably agree. This sets a tone and foundation and we are very excited about this album being our #01. After many collaborations and work as producer, composer for famous artists, this now is ENIK's 4th official solo album and his first solo album in years. The Deepest Space of Now is a truly unique and trippy soundtrack.
    Text von der Webseite
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Ciani Piermario, Hrsg.: When the Saints - il lato spirituale di FUN, 2005

fun2
fun2
fun2

Ciani Piermario, Hrsg.: When the Saints - il lato spirituale di FUN, 2005

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Titel
  • When the Saints - il lato spirituale di FUN
Ort Land
Verlag Jahr
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  • 10,8x7,3 cm, keine weiteren Angaben vorhanden
    weisse Faltschachtel, golden bedruckt, darin ein einfarbig violett gedrucktes 16 seitiges Booklet (drahtgeheftet) und 36 beidseitig farbig bedruckte Karten 10,5x7
ZusatzInfos
  • a colour box set with 36 alternative saints of the FUNtastic Nations by international authors (Giacon, Ruijters, Zattera, Chiarotto, Staffa, King, Echaurren, Biancuzzi, etc.) plus 16 pp booklet.
    F.U.N. (Funtastic United Nations) is an independent and supranational organization that intends to stimulate a cooperation amongst all kinds of imaginary countries and worlds, coordinating meetings, publications, exhibitions and events. We offer our skills and resources to create a bridge between creative and funtastic geographical entities, representing numberless and mutable virtual countries, multiethnical and transgender, where the passports, postage stamps and banknotes are real but not the wars.
    F.U.N.’s vocation to interact in an horizontal “networking” attitude with local and distant, real and imaginary situations, to create unexpected interferences between art and daily life, is a strategy aimed at preserving the biodiversity of cultures and encouraging an eco-friendly, free and open participation to the creative experience. F.U.N. is the logic evolution of over twenty years of networking activities in the fields of mail art, of independent music (The Great Complotto, Le Forbici di Manitù), of collective multimedia projects (Trax), of multiple names (Lieutenant Murnau, Mind Invaders, Luther Blissett), of imaginary worlds and characters (Stickerman-Stickerland) and of counter-cultural documentation (various fanzines, AAA Editions).
    Text von der Webseite
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bau-2
bau-2
bau-2

Baroni Vittore / Bove Antonio / Maffei Marco / Serafini Antonella, Hrsg.: BAU 2 - Contenitore di Cultura Contemporanea, 2006

Titel
  • BAU 2 - Contenitore di Cultura Contemporanea
Ort Land
Medium
Technische
Angaben
  • 31,5x22,5 cm, Auflage: 150, numeriert, signiert, keine weiteren Angaben vorhanden
    Box aus braunem Stülpdeckel Karton, Siebdruck, eingelegt 16-seitiges redaktionelles Schwarz-Weiss Heft, 55 Arbeiten von 65 Künstlern. Diverse Techniken auf Papier, dünnem Karton, Folie, Metall, plus 6 Multimedia Discs. Cover und Layout: Carlo Battisti. Zollinhaltserklärung beigelegt
ZusatzInfos
  • BAU was founded in 2004 in Viareggio, on the coast of Tuscany, by a group of artists and individuals interested in the many-sided aspects of the culture of our times. Thanks to a widespread and constantly expanding network of contacts, every year the project takes the shape of an expressly designed UniA4 sized box: BAU container of contemporary culture. This non-profit box is produced in a limited edition of 150 copies (120 for issue 1 and 200 for issues 9-10) and contains original works, signed and numbered, from a large number of international contributors.
    The BAU container fits in the vast tradition of assembling publications and artists‘ magazines that developed since the early sixties. It intends to experiment with new languages, technologies and materials, operating in a peculiar dimension of group work that is open also to contributions from non-artists: outsiders, travellers, collectors of curiosities, creative gastronomers, anomalous scientists.
    In a relational and non competitive perspective that is responsive to the relationships between art and science, politics and environment, BAU acts as a meeting point in order to stimulate dialogues, interactions and exchanges among the most diverse disciplines: graphics, collage, photography and the visual arts in general, but also poetical and narrative researches, acoustic and performative experiences, documents pertaining the fields of fashion and design, etc. The operative network expresses itself also through the planning of exhibitions, meetings, festivals and events, organized in institutional spaces (libraries, galleries, museums) and in atypic locations.
    Text von der Webseite
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Erworben bei Vittore Baroni
TitelNummer

Knerr Richard / Melin Arthur, Hrsg. : hula-hoop, 1958 ab

hula-hoop-1
hula-hoop-1
hula-hoop-1

Knerr Richard / Melin Arthur, Hrsg. : hula-hoop, 1958 ab

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Titel
  • hula-hoop
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  • 13,9x20,7 cm, keine weiteren Angaben vorhanden
    Einzelblatt gefaltet
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  • Hula Hoop Anleitung und Anregungen der deutschen Niederlassung der kalifornischen Firma Wham-O, Erfinder des Kunststoffreifens. "Verblüffend! Triumph über die Schwerkraft! Kinderleicht! Keine Reibung, Reizung oder Schädigung der Haut!"
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arts-of-the-working-clas-02

Titel
  • Arts of the Working Class No. 02 - May the bridges I burn light the way
Ort Land
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  • 32 S., 35,2x25,8 cm, 2 Stück. keine weiteren Angaben vorhanden
    Zeitungsdruck, Blätter lose ineinander gelegt, handschriftliche Grüße beigelegt
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  • The second issue of this street newspaper attempts to glimpse what social cohesion can be; seen through contemporary art practices coming together in different texts and interventions by our contributors. Dialectical cohesion presents itself in the archives of arts in the 21st century as an accumulation of reactionary movements. The impressionists against academism, surrealists against social standards, post-modernism against modernism, content-based interpretation against formalist interpolation.
    “May the bridges I burn light the way” looks at both ends of the revolutionary act: the will to reach utopias and the urge to provoke dystopia. Artists always situate themselves in history by breaking with what they believed this profession to be before becoming artists. As a title, it implies a certain pessimism; anticipating the worst outcomes of a given situation. However, it also reveals the unfortunate desire to (always) be right.
    “May the bridges I burn light the way” was the title of the summer camp we organized with EXILE gallery for the collateral events of the European Biennial in Palermo, the Manifesta 12. Many of this issue’s contributors intervened in Palermo following the curatorial idea of working together with the community at the Ballarò market and the community kitchen Cre.Zi Plus. Utopia here is not a promise but a joint venture. The group of people was deliberately brought together by invitation, but the summer camp was left to the unpredictable nature of the market vendors’ routines.
    Text von der Webseite
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curt-no-93
curt-no-93
curt-no-93

Lamprecht Reinhard, Hrsg.: curt Stadtmagazin München #093 - NACHHALTIGKEIT IM URBANEN RAUM, 2020

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Titel
  • curt Stadtmagazin München #093 - NACHHALTIGKEIT IM URBANEN RAUM
Ort Land
Verlag Jahr
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  • 100 S., 14,8x21 cm, Auflage: 5000-10000, keine weiteren Angaben vorhanden
    Broschur
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  • 100 Seiten rund ums Thema Nachhaltigkeit im urbanen Raum, u.a. mit einem Interview mit der Münchner Journalistin und Buchautorin Kathrin Hartmann und Thomas von Wittern (Gründer der Wunderbau, einer Gesellschaft für gemeinwohlorientiertes Bauen und Leben, und Mitglied des Cradle-to-Cradle-Vereins), einer Wertstoffhof-Reportage und Fotostrecke zum Thema Good bye Plastik gespickt mit interessanten Infografiken rund um das Thema. Außerdem mit Porträts über die Spatzenfreunde, Edward Sizzerhand und seine Sizzerbees, Extinction-Rebellion-Bewegegung und K.W. Diefenbach, eine Auswahl an nachhaltigen Münchner Institutionen und Projekte, Gastbeitrag von Thomas von Wittern zu Tiny Living, Berichte über nachhaltiges Reisen mit Fotograf Moritz Jendral und das fragile Ökosystem der Berge (im Gespräch mit dem Deutschen Alpenverein und dem Verein Protect Our Winters Germany), DIY-Empfehlungen, Film- und Buchtipps zum Thema, der weinbrandt rät, nachhaltig sterben u.v.m.
    Text von der Website
Sprache
WEB Link
Erworben bei Café Puck
TitelNummer

herms-yoyoyo
herms-yoyoyo
herms-yoyoyo

Herms Roc: , 2015

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Titel

Ort Land
Verlag Jahr
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  • [96] S., 34x23,5 cm, ISBN/ISSN 9788469720493
    Drahtheftung. Vorderseite mit mittig ausgestanztem Loch. Kleineres Blatt im Centerfold.
ZusatzInfos
  • In recent years Valencia has been posting the so-called Campus Party. In this type of social-cultural gatherings, thousands of young adults —software developers, lovers of digital works and robots, hackers and defenders of free software, gamers and simulation fanatics, ciber-apostles and modding artists— come together to exchange archives and share their experiences, living for a week connected to each other.
    For these super-users —digital natives that make computer technology a way of life and who are often classified as the new urban tribe of the geeks— computers are much more than just a device for work, they are an extension of their identity and the digital ecosystem where they decide to live.
    < YO >< YO >< YO > Sets out a journey from the plug into the computer, with the intention of portraying along the way this kind of super-user: an exaggerated reflection of our relation with technology.
    Text von der Website.
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Erworben bei múltiplos
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romagosa-an-abecedary
romagosa-an-abecedary
romagosa-an-abecedary

Fructuoso Carla / Romagosa Albert: An Abecedary of a Certain Time in Digital Media, 2014

Titel
  • An Abecedary of a Certain Time in Digital Media
Ort Land
Verlag Jahr
Medium
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  • [32] S., 14,8x10,5 cm, keine weiteren Angaben vorhanden
    Drahtheftung
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  • Heft mit einem "fotografischen Alphabet" bestehend Schwarz-Weiß Bildern, die bei der Buchstabensuche als erstes Ergebnis bei Google Bildern erschienen sind.
    "Nowadays the alphabet, like other cultural paradigms and communication evolutions, hosts a new series of menaings. The digital era, despite it being liked by some and not by others, has arrived and not only that, but is there to stay. The following document tries to be an object of reflection, and the same time, a file for the posterity, as this precise digital era raises doubts about the sustainability of our culture over time that is to come, and the intangibility of it. With this document we capture the past in order to project it into the future. Based on a series of temporary parameters (pictures uploaded in the last 24 hours) and a format (black and white photography, medium size) we extract the following pictures to create the photographic alphabet of Google Images. This confirms the initial concept; the documentation which is exhibited here never again belonged to the momentary alphabet on the 3th of December in the present year, so we manage to capture the present (already the past as you read these precise words) and we leave it physically alive in the future, making the common belief of printing as old fashioned and didgital as actual lose its sense, finding the way to make contemporary, in other words, tangible or visible today, something which doesn't exist on the web anymore."
    Text aus dem Heft
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Erworben bei múltiplos
TitelNummer

against-forgetting

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Titel
  • Against forgetting
Ort Land
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  • [32] S., 32x22 cm, Auflage: 100, keine weiteren Angaben vorhanden
    Drahtheftung
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  • "For the first thirteen years of my life I lived with my parents in the Auckland suburb of Mt Roskill. Our family home was a modest, two bedroom, flat roofed, weather-board house, which my father had built around 1940. The suburb is known for its volcanic peak, 110 metres in height, one of the many extinct volcanic cones that dot the Auckland isthmus. Mt Roskill has been referred to as the Bible Belt of Auckland with more churches per capita than any other New Zealand suburb. Now, after more years than I care to think about I've gone back to look at my past. Where I grew up. So much has changed. Other things, very little. Here are some photographs. Against forgetting." - Harvey Benge
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jon-cazenave
jon-cazenave
jon-cazenave

Cazenave Jon: Galerna, 2017 ca.

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Titel
  • Galerna
Ort Land
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  • [28] S., 20x15 cm, Auflage: 100, numeriert, keine weiteren Angaben vorhanden
    Fadenheftung, schmaler Karton als Umschlag, rückwärtiger Teil mit Signatur und teil des Impressums abgeschnitten
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  • I was born in the Basque Country in 1978. This land has been inhabited since prehistoric times by the Basques. This continuous presence is explained by the context of the landscape, collected by the mountains and bathed by the Cantabric Sea, that has served as a shelter to a rooted culture and popular customs that are still alive in the 21st century.
    Here, nature, history and legend come together with unusual force and create a land of myths and magic that I explore through photography. A land where nature is praised in old rites learned from our ancestors.
    These intangible concepts are the beginning point to create a visual imaginary which serves me to understand the society and the land I live in, positioning myself in my environment through photography. Trees, waves, animals and black skies build a symbolic world that I turn into a channel to reach the soul of the Basques, an old soul, the soul of the one who pursues its lost paradise.
    Galerna is a tribute to the original identity of this land.
    Text von der Webseite
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the-green-box-2019
the-green-box-2019
the-green-box-2019

Lapp Axel / Lutz Anja, Hrsg.: The Greenbox all our books, 2019

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Titel
  • The Greenbox all our books
Ort Land
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Angaben
  • 21x14,8 cm, keine weiteren Angaben vorhanden
    Verlagsprogramm, Drahtheftung
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Dizco Joe / Mr. Pena: Gated Boyhood, 2020

gated-boyhood-2020-schweiz
gated-boyhood-2020-schweiz
gated-boyhood-2020-schweiz

Dizco Joe / Mr. Pena: Gated Boyhood, 2020

Verfasser
Titel
  • Gated Boyhood
Ort Land
Verlag Jahr
Technische
Angaben
  • 10,8x6,8 cm, Auflage: 80, keine weiteren Angaben vorhanden
    MusikKassette in durchsichtiger Hülle, mit Tattostickern und Downloadcode bei bandcamp.com
ZusatzInfos
  • Wir sind begeistert, die Debüt-EP des Schweizer Duos Gated Boyhood, auch bekannt als Mr. Peña und Dizco Joe, zu präsentieren. Die Musik ist eine Hommage an die alten Tage, als wir zusammen in der Rave-Höhle getanzt haben, übertragen auf die Gegenwart und bereit, dieses Gefühl sowohl alten Kennern als auch der neuen Generation zu vermitteln. Wir hoffen, dass es euch gefällt, denn es ist eines der am tiefsten verwurzelten Projekte unseres Labels, an dem viele liebe Menschen beteiligt sind.
    We are hyped to present the debut EP of the Swiss duo Gated Boyhood, already known as Mr.Peña and Dizco Joe. The music is a tribute to the old days when we used to dance together down in the rave cave, transferred to the present and ready to provide this feeling to both old connoisseurs as well as the new generation. We hope you enjoy this one, it’s one of the most Deeply rooted projects of our label, involving many lovely people.
    Text von der Webseite, Übersetzt mit DeepL
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steinbrecher-yes yes no no-2017-broschur

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Titel
  • YES YES NO NO
Ort Land
Verlag Jahr
Medium
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Angaben
  • [16] S., 19x12 cm, keine weiteren Angaben vorhanden
    Broschur, das letzte Blatt ist auf 19 x 4 cm beschnitten
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  • His mustache looked like it would tickle. That’s probably the only reason why I didn’t want to kiss him.
    He was a weirdo, but not weird enough, if you know what I mean. He certainly had a flair for details. It wasn’t that. I mean, it’s not like he was wearing a mullet, no. Nor like the kind of guy to gift me a Chinatown Gucci bag. He hated scented soaps and he’d drag me out of any decent party if he found scenty sticks near the toilet. That kind of thing drove him nuts. It’s not like he had anything against grapefruit.
    Early on in our friendship, he gave me a box of Gioconda pencils from Koh-I-Noor. He knew how to get me hooked. But that damn mustache. It was so thick, so neatly trimmed. He paid too much attention to the kind of things I didn’t want to pay attention to. The cappuccino foam in it, however, was a kind of turn-on.
    This is no doubt why you are holding this book in your hands. His mustache, right? Admit it. It’s the bowl of bonbons by the register. But then you go undercover, under the sheets to find a lot of nudity, thwarted porn. Ja, ja, ja: bodies. Corporeality. Corporation, cooperation. Protest. Violence. Religion. Collage. A torn sheet at the back. A misbound book? A defect or just vulnerable?
    Selbsthilfe ist auch keine Lösung (even self-help is not a solution) and Protestvorbild Frankreich (protest “role model” in France?) is the only text you can make out other than mine. You’re meant to struggle to read it, or maybe Erik (who has no mustache) was being intentionally casual about the way he cut out these pictures. It’s an awareness of being sloppy that is so aware, it’s no longer sloppy. A man standing with his fist held high. He’s standing in the window frame of an apartment at least one story up from the ground. He is forty and mad and he enjoys his Bud. His form of protest is a form of solidarity from the sofa. A window protest: comfy. So fucking clever. Then there’s the picture abutting it of a woman holding out her bra. We are meant to take it. She’s offering it to us. Go ahead. She wants you to.
    And then there’s the spooning bodies with their tube socks in a wad next to… a bed. A solar bed. You got it? This book is brown sugar. Stinky Swiss cheese. Bad, bad, good, good.
    April von Stauffenberg
    Text von der Verlagsseite
Sprache
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spex-bild-1-2004

Verfasser
Titel
  • spex - 2004 Nr. 274, 275, 278, 279, 281, 282, 283
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 28x23 cm, 7 Teile. keine weiteren Angaben vorhanden
    Klebebindung, Werbeanzeigen enthalten
ZusatzInfos
  • Magazin für Pop-Kultur. 6 Ausgaben pro Jahr.
Sprache
Stichwort / Schlagwort
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TitelNummer

estrea-anna-says-the-kettle

Verfasser
Titel
  • Anna Says Our Kettle Is Minging
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • [20] S., 20,8x14,7 cm, signiert, keine weiteren Angaben vorhanden
    Drahtheftung
ZusatzInfos
  • Illustrierte Geschichte der portugiesischen Künstlerin Joana Estrela in Schwarz-Weiß. Die erste Ausgabe erschien bereits 2011.
Sprache
Erworben bei Stet
TitelNummer

mobile-immobile-paris-2019
mobile-immobile-paris-2019
mobile-immobile-paris-2019

Gay Christophe / Landrieve Sylvie / Kovalevsky Ariane, Hrsg.: Mobile / Immobile, 2019

Titel
  • Mobile / Immobile
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 192 S., 23,5x16,5 cm, Auflage: 120, keine weiteren Angaben vorhanden
    Klappbrochur, Klebebindung
ZusatzInfos
  • Eine Publikation in Verbindung mit der Ausstellung Mobile / Immobile. Artists and Researchers explore our ways of live, im National Archives in Paris vom 16.01.-29.04.2019.
    Künstler und Forscher beschäftigen sich mit dem Thema Mobilität.
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TitelNummer

so-viele-heft-81-olbrich-kretschmer-me-our-cover
so-viele-heft-81-olbrich-kretschmer-me-our-cover
so-viele-heft-81-olbrich-kretschmer-me-our-cover

Kretschmer Hubert / Olbrich Jürgen O.: so-VIELE.de Heft 81 2022 - ME OUR, 2022

Titel
  • so-VIELE.de Heft 81 2022 - ME OUR
Ort Land
Medium
Technische
Angaben
  • 24 S., 14,8x10,5 cm, Auflage: 500, 2 Stück. ISBN/ISSN 978-3-946803-46-1
    Drahtheftung
ZusatzInfos
  • Zusammenarbeit von Jürgen O. Olbrich (Kassel) und Hubert Kretschmer (München). Hänsel und Gretel belauschen Elvis beim Gitarrespielen, ziemlich zugekritzelt alles und schön negativ. Süße Pferdchen grasen neben Geige spielendem Bär, Whiteline auf Blackground und am Ende zappelt im Winterwald das Würstchen vor den Hunden. Die Vorlagen entstammen ausgemalten Malbüchern, die Jürgen Olbrich in Kassel gefunden hat und von Heften aus der umfangreichen Malbuch-Sammlung von Hubert Kretschmer in München
Sprache
TitelNummer

Kretschmer Hubert / ChatGPT: Green Matters: Reflections on Our Vital Connection to Nature, 2023

kretschmer-green-matters-fanzine cover
kretschmer-green-matters-fanzine cover
kretschmer-green-matters-fanzine cover

Kretschmer Hubert / ChatGPT: Green Matters: Reflections on Our Vital Connection to Nature, 2023

Titel
  • Green Matters: Reflections on Our Vital Connection to Nature
Ort Land
Medium
Technische
Angaben
  • 16 S., 14,8x105 cm, Auflage: 10, 2 Stück. keine weiteren Angaben vorhanden
    Inkjetdruck, Minizinefaltung, handschriftliche Notiz auf der letzten Seite mit rotem Faserschreiber: Der Schüler hat sich bemüht!
ZusatzInfos
  • Auftrag an die KI ChatPGT, konzipiere ein Künstlerheft mit 15 Seiten zum Thema GRÜN plus einen intelligenten Titel dazu, München, 30. Januar 2023, 19:00 Uhr.
    Gedacht als Geburtstagsgeschenk für Albert Coers
    Zine-Faltung
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paper-prestel_2018
paper-prestel_2018
paper-prestel_2018

Holt Neil / von Velsen Nicola / Jacobs Stephanie, Hrsg.: Paper. Material, Medium and Magic, 2018

Titel
  • Paper. Material, Medium and Magic
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 240 S., 27x21 cm, ISBN/ISSN 9783791383064
    Hardcover mit Fadenheftung, offener Rücken, Druck: TBB a.s. Banska Bystrica
ZusatzInfos
  • Wide-ranging and multi-faceted this intriguing and beautifully produced book will change the way you relate to paper in an increasingly “paperless” society.

    While sheets of paper are disappearing from our homes and offices, the medium is experiencing a renaissance in the worlds of art, design, and architecture. Suddenly, paper is everywhere— but not only in the old familiar places or forms. This fascinating book looks at every aspect of paper: its history, composition, production, application, and trade. Beginning with the anatomy of paper and its earliest forms, this book looks at paper as a symbol of political and economic importance and as a carrier of ideas, from literature to art, design, and music. It looks at the different surfaces, opacities, weights and volumes of paper and how it is used for printing, typography, graphics, and maps as well as a vehicle for origami, architecture, and fashion. Sumptuously illustrated with photographs and drawings, this book includes a variety of papers for readers to examine and feel, highlighting the sensual aspects of this seemingly ordinary product. Engaging, entertaining, and informative, this book contains a wealth of useful and surprising information on every printed, colored, and textured page.
    Text von der Webseite
    Mit Literaturverzeichnis, mit Liste der Museum, die sich mit Papier/Buch befassen
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Erworben bei art book cologne
TitelNummer

save-our-nhs-the-strikes-can-win

Verfasser
Titel
  • Save our NHS! - The strikes can win!
Verlag Jahr
Medium
Technische
Angaben
  • 29,7x21 cm, keine weiteren Angaben vorhanden
    Beidseitig bedrucktes Papier.
ZusatzInfos
  • Aufruf der Socialist Party in Großbritannien der Partei beizutreten.
    Auf der Vorderseite finden sich die Forderungen der Socialist Party: Eine inflationsausgleichende Gehaltserhöhung für alle Mitarbeitenden des Gesundheits- und Pflegesektors, eine Umkehrung aller Privatisierungen, eine umfassende Finanzierung des NHS, eine Nationalisierung des privaten Gesundheitssektors, Abschaffung der Studiengebühren, ein Aufbau einer neuen Arbeiter:innenpartei, ein sozialistisches Gesundheitssystem und eine sozialistische Planwirtschaft.
    Auf der Rückseite ist eine Kampfschrift zu lesen, welche den Tories die maßgebliche Beteiligung an der fortschreitenden Aushöhlung des öffentlichen Sektors in Großbritannien vorwirft, zu einem 24 stündigen Generalstreik aufruft und die Socialist Party als notwendige Massenpartei für die britische Arbeiter:innenschaft vorschlägt.
    Der Flyer wurde im Rahmen der Proteste gegen die Austeritätspolitik der britischen Regierung im Bereich des Gesundheitssektors am 11.03.2023 in Charing Cross Road, London verteilt.
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premper-boxenbuch-smiles
premper-boxenbuch-smiles
premper-boxenbuch-smiles

Premper Tobias: Boxenbuch - WSASAS - With smiles and smiles and smiles, 2022

Verfasser
Titel
  • Boxenbuch - WSASAS - With smiles and smiles and smiles
Ort Land
Verlag Jahr
Technische
Angaben
  • 58 S., 45x33,5x4 cm, Auflage: 3, numeriert, signiert, 110 Teile. keine weiteren Angaben vorhanden
    Kartonschachtel mit individuell gestalteten Blättern, auf verschiedenen Materialien in verschiedenen Größen und mit div. Techniken, Schallplattenfragment. Schachteldeckel geprägt.
ZusatzInfos
  • Boxenbücher – das sind Text- und Bildeditionen in Form loser Blattsammlungen. In Stülpkartons verpackt, erscheinen die Boxenbücher in signierten und streng limitierten Auflagen. In jeder einzelnen Box befinden sich zwischen fünfzig bis zu über einhundert Seiten, die sowohl handgearbeitet, collagiert, gestempelt, beklebt, gerissen, besprüht sowie gedruckt oder kopiert sind. Jede Box wird damit ein Original mit dem gleichen, leicht variierenden Inhalt.
    Tobias Premper vermengt in seinen Boxenbüchern altgriechische, romantische und postmoderne sowie humorvolle und absurde Aspekte miteinander. Dabei im Mittelpunkt: Die Natur, in all ihren Erscheinungsformen. Das Innenleben in guten und schlechten Zeiten. Gefühl und Mitgefühl, anderen und sich selbst gegenüber. Liebe, Hass und Schmerz. Verlust und Freundschaft. Und Melancholie – aber von der Art, die nicht niederdrückt, sondern aufsteigen lässt, die Schwingen verleiht. Immer mit dabei: die unvergleichliche Freude des Schaffens und Um- und Neusortierens.
    Tobias Premper glaubt an die Heilkraft bild-textlicher Poesie gegen die hässlichen Gesichter der Welt in ihren digitalen und effizienzgetriebenen Hamsterrädern. Bei jedem einzelnen Blatt stellt er sich die Frage: Gilt das bedruckte, beschriebene Papier noch etwas? Oder ist es sogar relevanter als jemals zuvor? Das Material seiner Boxenbücher bietet Betrachtenden die Möglichkeit, selbst herauszufinden, wieweit sie sich darauf einlassen können, welche eigenen Bezüge sie herstellen können, was für sie authentisch ist oder inwieweit sie doch nur seit der Kindheit konditioniert worden sind auf ein ichbezogenenes Dasein, das alles andere gleichgültig abprallen lässt und das unfähig geworden ist zu Liebe, Einsamkeit, Verlangen oder Angst.
    Ausweg oder Game Over? Emilia Bungalo über Tobias Prempers Boxenbücher in „A brief glimpse at our darlings”, 2023, Berlin
    Text von der Webseite
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pittas-our-hands-imbibe-like-roots

Verfasser
Titel
  • Our Hands imbibe like Roots
Verlag Jahr
Medium
Technische
Angaben
  • 162 S., 36x27,3 cm, ISBN/ISSN 9789963861866
    Broschur
ZusatzInfos
  • Künstlerbuch des Fotografen Menelaos Pittas im Verlag Ραβδοσκόπος, das nach seinem Tod 2022 von seinem Umfeld veröffentlicht wurde.
    Er setzt sich mit der Vielfarbigkeit und der Beschaffenheit der zyprischen Flora auseinander.
    Es finden sich in der Veröffentlichung zusätzlich zum Künstlerbuch eine Künstlerbiografie, Nachrufe und Beiträge befreundeter Künstler und Künstlerinnen.
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various-others-2019
various-others-2019
various-others-2019

Geißler Tim / Haugeneder Sarah / Sperling Johannes, Hrsg.: various others 2019, 2019

Titel
  • various others 2019
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 68 S., 14,8x10,6 cm, keine weiteren Angaben vorhanden
    Programmheft
ZusatzInfos
  • Zur Veranstaltung 12.09.-13.10.2019 in München
    VARIOUS OTHERS initiates cooperative and international art projects in galleries, off spaces and museums in Munich. While serving as a content-driven forum for contemporary art that takes place each year in September, our mission is to intensify exchange and dialogue between the art scene in Munich and international partners, guests and media.
    VARIOUS OTHERS is an event hosted by the association VFAMK e.V. We thank all of the supporting members of the association who make this project possible as well as the active members for their unflagging efforts and dedication.
    Text von der Webseite
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TitelNummer

Verfasser
Titel
  • Dresing Our Wounds In Warm Clothes
Verlag Jahr
Medium
Technische
Angaben
  • keine weiteren Angaben vorhanden
Stichwort / Schlagwort
TitelNummer

sonnenzimmer-a-painting

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Titel
  • a painting in 31 marks
Verlag Jahr
Medium
Technische
Angaben
  • [36] S., 17,6x12,6 cm, Auflage: 250, keine weiteren Angaben vorhanden
    Drahtheftung
ZusatzInfos
  • With abstract painting, decisions that lead to a completed work can seem arbitrary or, worst of all, inconsequential. With this project, we've attempted to open up the decision making process, shedding light on both our collaborative approach and the individual choices that lead to the completion of a painting. Two people, two colors, one painting. A painting in 31 marks.
    Text von der Webseite
Stichwort / Schlagwort
WEB Link
Erworben bei The Library Project
TitelNummer

art-is-our-last-hope-pk

Verfasser
Titel
  • Focus Latin America: Art is Our Last Hope / Call for Entries
Verlag Jahr
Medium
Technische
Angaben
  • 21,6x14 cm, keine weiteren Angaben vorhanden
    Karte mit Aufruf zur Teilnahme
ZusatzInfos
  • Abbildung von Paulo Bruscky: Pelos Nossos Desaparecidos, 1977
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TitelNummer

between-the-lines-1

Verfasser
Titel
  • Between the Lines Vol. 1: A Coloring Book of Drawings by Contemporary Artists.
Verlag Jahr
Medium
Technische
Angaben
  • 112 S., 27,1x20,5 cm, keine weiteren Angaben vorhanden
    Malbuch
ZusatzInfos
  • A Coloring Book of Drawings by Contemporary Artists. The coloring book is an integral part of our mission to engage patients through contemporary art. Between the Lines is distributed free of charge to children in RxArt’s participating healthcare facilities and sold to benefit RxArt’s projects. Like the artwork we install, the coloring book is meant to give the children and their families something new and stimulating to think about. It is another tool to take children to an emotionally less stressful place and provides a creative outlet for children confined to the austerity of a hospital room.
    Text von der Webseite
Stichwort / Schlagwort
WEB Link
TitelNummer

esopus-09

Verfasser
Titel
  • Esopus 09
Medium
Technische
Angaben
  • 158 S., 29,3x23 cm, ISBN/ISSN 9780976164197
    Broschur, diverse Papiere, teilweise zum Ausklappen, mit eingelegter CD und eingestecktem Heft von Kay Rosen
ZusatzInfos
  • As usual, the magazine contains a multidisciplinary mix of contemporary artists’ projects, critical writing, creative nonfiction, visual essays, and a themed CD of brand-new music. Some highlights include projects by Kay Rosen, Charlie White, and Sarah Malakoff, and a deconstruction of crossword-puzzle science by New York Times crossword genius David Quarfoot, as well as new installments in the magazine's regular series.
    For our 9th CD, “Dreams,” readers submitted transcripts of their dreams, which were then passed along to musicians, each of whom picked one to serve as the basis for a song. The 11 musical acts, including White Whale, Ida, Dirty Projectors, Califone, and Paavoharju, chose from over 100 submissions. Transcripts of the selected dreams appear in Esopus 9 alongside five illustrations by New York–based artist Daniel Gordon.
    Text von der Webseite
WEB Link
TitelNummer

esopus-22

Verfasser
Titel
  • Esopus 22 Medicine
Medium
Technische
Angaben
  • 230 S., 29,3x23 cm, ISBN/ISSN 9780989911719
    Klappbroschur, diverse eingeklebte, teils gefaltete Blätter oder beigelegte Blätter auf diversen Papieren, eingebundenes Plakat, gestanzte menschliche Figuren, einlegte CD in Schutzhülle,
ZusatzInfos
  • This issue of Esopus—our first annual edition—explores the intersections between the world of medicine and the world of art. Its contributors include artists, physicians, writers, psychiatrists, filmmakers, poets, hospitalists, archivists, medical illustrators, dentists, musicians, interior designers, phlebotomists, photographers, graphic novelists, teachers, and nurses.
    Text von der Webseite
Sprache
WEB Link
TitelNummer

dogfood-issue04_2015

Verfasser
Titel
  • DOGFOOD issue 04
Verlag Jahr
Medium
Technische
Angaben
  • 70 S., 29,5x21,5 cm, keine weiteren Angaben vorhanden
    Blätter lose zusammengelegt, einmal gefaltet
ZusatzInfos
  • DOG FOOD is a photography newspaper born out of the Istanbul photo community that combines mostly archival material mixed with a dash of cynicism. The dog was the symbol of the cynics so we question our practices and have some creative fun doing it.
    Text von der Webseite
Stichwort / Schlagwort
Erworben bei Moufflon Bookshop
TitelNummer

Johnson Phyllis, Hrsg.: Aspen - The Magazine in a Box Vol. 1 No. 01, 1965

aspen-magazine-01
aspen-magazine-01
aspen-magazine-01

Johnson Phyllis, Hrsg.: Aspen - The Magazine in a Box Vol. 1 No. 01, 1965

Verfasser
Titel
  • Aspen - The Magazine in a Box Vol. 1 No. 01
Verlag Jahr
Medium
Technische
Angaben
  • 31x23,6x1,5 cm, signiert, keine weiteren Angaben vorhanden
    Kassette mit losen Einzelblättern, teils ausgeschnitten, beklebt und beschrieben mit Signatur der Herausgeberin, Mappe mit Werbeheften und Einzelblättern ("Our Ad Gallery") und fünf Heften mit Drahtheftung
ZusatzInfos
  • Das zwischen 1965 und 1971 veröffentlichte Multimedia-Magazin in einer Schachtel war eine Initiative der amerikanischen Verlegerin Phyllis Johnson. Von den Herausgebern als "erstes dreidimensionales und multimediales Magazin" bezeichnet, erschienen die zehn Ausgaben in unregelmäßigen Abständen. Jede Ausgabe erschien in einer anderen Schachtel oder Mappe, die mit Materialien in verschiedenen Formaten gefüllt war, darunter Broschüren, Postkarten, Flexidisks, Poster und Super-8-Filme. Zu den Herausgebern, Gestaltern und Autoren gehörten viele Pioniere der zeitgenössischen Kunst in Nordamerika und Europa.
    The subject matter of issue number 1 stayed close to the magazine's namesake ski spa, with features on Aspen's film and music festivals, skiing, mountain wildlife, and local architecture. Themen: "Jazz: A Cool Duel. Three perspectives on jazz, from three active musicians", Vinyl "Two sides of jazz" mit Aufnahmen von Peanuts Hucko, Yank Lawson, Clancy Hayes, Lou Stein, Lou McGarrity und Morey Field und Bill Evans (fehlt), "Ski-Roaming, Lift-Shunning, Mountain-Touring", "Configurations of the New World. Extracts from thirteen papers presented at the 15th annual International Design Conference in Aspen."
    Elektronische Version von Aspen, erhältlich im Internet bei Ubuweb http://www.ubu.com/aspen/
Sprache
Erworben bei M + R Fricke
TitelNummer

davis-the-trip-andy-warhol

Verfasser
Titel
  • The Trip - Andy Warhol's Plastic Fantastic Cross-Country Adventure
Verlag Jahr
Medium
Technische
Angaben
  • 324 S., 24x14 cm, ISBN/ISSN 978-1-476703510
    Hardcover, fadengeheftet, mit Schutzumschlag
ZusatzInfos
  • From the author of Strapless and Guest of Honor, a book about a little-known road trip Andy Warhol took from New York to LA in 1963, and how that journey—and the numerous artists and celebrities he encountered—profoundly influenced his life and art.
    In 1963, up-and-coming artist Andy Warhol took a road trip across America. What began as a madcap, drug-fueled romp became a journey that took Warhol on a kaleidoscopic adventure from New York City, across the vast American heartland, all the way to Hollywood and back.
    With locations ranging from a Texas panhandle truck stop to a Beverly Hills mansion, from the beaches of Santa Monica to a Photomat booth in Albuquerque, The Trip captures Warhol’s interactions with Dennis Hopper, Peter Fonda, Marcel Duchamp, Elizabeth Taylor, Elvis Presley, and Frank Sinatra. Along the way he also met rednecks, beach bums, underground filmmakers, artists, poets, socialites, and newly minted hippies, and they each left an indelible mark on his psyche.
    In The Trip, Andy Warhol’s speeding Ford Falcon is our time machine, transporting us from the last vestiges of the sleepy Eisenhower epoch to the true beginning of the explosive, exciting ’60s. Through in-depth, original research, Deborah Davis sheds new light on one of the most enduring figures in the art world and captures a fascinating moment in 1960s America—with Warhol at its center.
    Text von der Webseite
Sprache
Stichwort / Schlagwort
Erworben bei art book cologne
TitelNummer

offenhuber-waste-is-information-2017

Verfasser
Titel
  • Waste Is Information - Infrastructure Legibility and Governance
Verlag Jahr
Medium
Technische
Angaben
  • 270 S., 23,5x15,8 cm, ISBN/ISSN 9780262036733
    Hardcover mit Schutzumschlag
ZusatzInfos
  • The relationship between infrastructure governance and the ways we read and represent waste systems, examined through three waste tracking and participatory sensing projects.
    Waste is material information. Landfills are detailed records of everyday consumption and behavior. much of what we know about the distant past we know from discarded objects unearthed by archaeologists and interpreted by historians. And yet the systems and infrastructures that process our waste often remain opaque. In this book, Dietmar Offenhuber examines waste from the perspective of information, considering emerging practices and technologies for making waste systems legible and how the resulting datasets and visualizations shape infrastructure governance. He does so by looking at three waste tracking and participatory sensing projects in Seattle, São Paulo, and Boston.
    Text von der Webseite
    Mit einem Beitrag über Paper Police von Jürgen O. Olbrich, Kassel.
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Erworben bei B.H. Blackwell London
TitelNummer

data-centers-grand

Verfasser
Titel
  • Data Centers Grand Tour (This Data Belongs Here)- commissioned by e-PERMANENT
Verlag Jahr
Medium
Technische
Angaben
  • 44 S., 17,5x10,8 cm, Auflage: Print on Demand, ISBN/ISSN 978-1-300680338
    Broschur
ZusatzInfos
  • Being accustomed to the freewheeling flow of information on the Internet and the immaterial quality of the digital age there is a tendency to overlook the physical embodiment of data. Silvio Lorussoʼ.s work seeks to demonstrate that data has a material reality. When Google published images of its numerous data centres last year they revealed that it is a vast physical network that allows for 20 billion web pages to be indexed per day by its search engine. By creating websites which refer only to the site at which the data of the image you are looking at is stored Lorusso brings a transparency to the experience of being online. He also draws our attention to the implications of these storage sites in terms of the vulnerability of private documents and files and their hidden impact in terms of energy consumption. ʻ.Data Centers Grand Tour (This Data Belongs Here)ʼ. creates a direct connection between the physicality of data and its digital representation.
    Text von der Webseite
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TitelNummer

american_psycho

Verfasser
Titel
  • American Psycho
Verlag Jahr
Medium
Technische
Angaben
  • 416 S., 22,86x15,24 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • This book was made by sending the entire text of Bret Easton Ellis' American Psycho between two GMail accounts page by page. We saved the relational ads for each page and added them back into the text as footnotes. In total, we collected over 800 relevant ads for the book. The constellations of footnoted ads throughout these pages retell the story of American Psycho in absence of the original text. This retelling reveals GMail's unpredictable insensitivity to violence, racism, and sex. It serves as a blurry portrait of an algorithm that exists in our everyday communication simultaneously forming a new portrait of the lead character, Patrick Bateman.
    Text von der Webseite
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Erworben bei Lulu.com
TitelNummer

goldsmith_wasting_time

Verfasser
Titel
  • Wasting Time on the Internet
Verlag Jahr
Medium
Technische
Angaben
  • 256 S., 18,1x12,4 cm, ISBN/ISSN 9780062416476
    Broschur
ZusatzInfos
  • Kenneth Goldsmith wants you to rethink the internet. Many people feel guilty after spending hours watching cat videos or clicking link after link after link. But Goldsmith sees that “wasted” time differently. Unlike old media, the internet demands active engagement—and it’s actually making us more social, more creative, even more productive. When Goldsmith, a renowned conceptual artist and poet, introduced a class at the University of Pennsylvania called “Wasting Time on the Internet”, he nearly broke the internet. The New Yorker, the Atlantic, the Washington Post, Slate, Vice, Time, CNN, the Telegraph, and many more, ran articles expressing their shock, dismay, and, ultimately, their curiosity. Goldsmith’s ideas struck a nerve, because they are brilliantly subversive—and endlessly shareable. In Wasting Time on the Internet, Goldsmith expands upon his provocative insights, contending that our digital lives are remaking human experience. When we’re “wasting time,” we’re actually creating a culture of collaboration. We’re reading and writing more—and quite differently. And we’re turning concepts of authority and authenticity upside-down. The internet puts us in a state between deep focus and subconscious flow, a state that Goldsmith argues is ideal for creativity. Where that creativity takes us will be one of the stories of the twenty-first century. Wide-ranging, counterintuitive, engrossing, unpredictable—like the internet itself—Wasting Time on the Internet is the manifesto you didn’t know you needed.
    Text von der Webseite
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signal01-dunn

Verfasser
Titel
  • signal 01
Verlag Jahr
Medium
Technische
Angaben
  • 146 S., 17,8x12,8 cm, ISBN/ISSN 978-1-604860917
    Broschur
ZusatzInfos
  • Signal is an ongoing book series dedicated to documenting and sharing compelling graphics, art projects, and cultural movements of international resistance and liberation struggles. Artists and cultural workers have been at the center of upheavals and revolts the world over, from the painters and poets in the Paris Commune to the poster makers and street theatre performers of the recent Occupy movement. Signal will bring these artists and their work to a new audience, digging deep through our common history to unearth their images and stories. Signal 01 includes: The Future of Xicana Printmaking: Alec Dunn and Josh MacPhee interview the Taller Tupac Amaru (Favianna Rodriguez, Melanie Cervantes, and Jesus Barraza), The Adventures of Red Rat: Alec Dunn interviews Johannes van de Weert, Hard Travelin’: A photo essay with IMPEACH, Early 20th-Century Anarchist Imprints, Mexico 68: The Graphic Production of a Movement: Santiago Armengod interviews Felipe Hernandez Moreno, Adventure Playgrounds: A photo essay, Designing Anarchy: Dan Poyner interviews Rufus Segar.
    Text von der Website.
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TitelNummer

paper-politics-mcphee

Verfasser
Titel
  • Paper Politics - Socially Engaged Printmaking Today
Verlag Jahr
Medium
Technische
Angaben
  • 164 S., 22,8x15,3 cm, ISBN/ISSN 978-1-604860900
    Broschur
ZusatzInfos
  • Paper Politics: Socially Engaged Printmaking Today is a major collection of contemporary politically and socially engaged printmaking. This full-color book showcases print art that uses themes of social justice and global equity to engage community members in political conversation. Based on an art exhibition that has traveled to a dozen cities in North America, Paper Politics features artwork by over 200 international artists. an eclectic collection of work by both activist and non-activist printmakers who have felt the need to respond to the monumental trends and events of our times.
    Text von der Website.
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Personen
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heimel-when-your-phone

Verfasser
Titel
  • When your phone doesn't ring, it'll be me
Medium
Technische
Angaben
  • 182 S., 20,8x13,9 cm, ISBN/ISSN 0871136341
    Broschur, Taschenbuch, Cover mit geprägter Schrift
ZusatzInfos
  • In When Your Phone Doesn't Ring, It'll Be Me, which critics say is her best yet, Heimel reveals her secrets - which turn out to be our own. She croons over sweatpants. She finds the secret cause of romantic obsession. She hates Rush Limbaugh. She finds the hilarity in feminism. She shops for a new city for us to live in, away from Bible-thumping homophobes but near some trees. She finds romantic tranquility and gets bored. And her love affair with dogs gets to the point where we may have to perform an intervention.
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Stichwort / Schlagwort
Erworben bei Better World Books
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modern-greetings
modern-greetings
modern-greetings

Shortt Paul: Modern Greetings - New Ways of Saying Hello, 2019

Verfasser
Titel
  • Modern Greetings - New Ways of Saying Hello
Verlag Jahr
Medium
Technische
Angaben
  • [32] S., 21,7x14 cm, keine weiteren Angaben vorhanden
    Drahtheftung, Farbdruck
ZusatzInfos
  • This handbook presents a collection of modern ways of greeting one another. Addressing today’s technology, daily rituals, and the potential awkwardness of our social encounters, these greetings encourage physical interaction beyond just shaking hands. Whether familiar or bizarre, each greeting asks us to reconsider the simple act of saying hello. Text von der Webseite.
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Stichwort / Schlagwort
Geschenk von
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life-63-kennedy

Verfasser
Titel
  • LIFE - John F. Kennedy Memorial Edition
Verlag Jahr
Medium
Technische
Angaben
  • [42] S., 34,8x26,8 cm, keine weiteren Angaben vorhanden
    Drahtheftung
ZusatzInfos
  • Gedenkausgabe John F. Kennedy, 29. Nov. 1963, "Including His Biography and His Most enduring Words, All of LIFE's Pictures and Text on the Most Shocking Event of Our Time"
Weitere
Personen
Sprache
Geschenk von
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duchamp-fountain-homage-naumann-new-york-2017
duchamp-fountain-homage-naumann-new-york-2017
duchamp-fountain-homage-naumann-new-york-2017

Naumann Francis M., Hrsg.: Marcel Duchamp Fountain An Homage, 2017

Verfasser
Titel
  • Marcel Duchamp Fountain An Homage
Medium
Technische
Angaben
  • 76 S., 25,5x20 cm, ISBN/ISSN 9780989549462
    Broschur
ZusatzInfos
  • Katalog erschienen im Rahmen der Ausstellung "Marcel Duchamp Fountain: An Homage" vom 10.04.-26.05.2017 in der Galerie des Kunsthändlers Francis Naumann in New York.

    Etwa 40 Variationen - jeweils eine von einem Künstler - des Urinals, des ready made Kunstwerkes "Fountain", von Marcel Duchamp.
    "Der beginn der Ausstellung markiert den 100. Geburtstag, Jahrestag, der Eröffnung der ersten Ausstellung der Society of Independent Artists in New York City. Gemäß den Regeln der Organisation - die keine Preise und keine Jury vorsah - sollten alle für die Ausstellung eingereichten Werke gezeigt werden, doch ein glitzerndes weißes Porzellanurinal, das von einem Mann eingereicht worden war, der sich nur als Richard Mutt zu erkennen gab, wurde kurzerhand von der Ausstellung ausgeschlossen, da das Hängekomitee seinen Status als Kunstwerk beanstandet hatte. Schließlich stellte sich heraus, dass es sich bei R. Mutt um ein von Marcel Duchamp erfundenes Pseudonym handelte, der mit der Einreichung dieses Werks die Definition von Kunst änderte - eine explosive Störung der Philosophie der Ästhetik, die bis heute in der zeitgenössischen Kunstwelt nachhallt." (Text von Bradley Bailey - übersetzt mit DeepL.com)

    Rudolf Herz hat mit Hans Döring das Urinal fotografiert, verzerrt und als Fotografie vervielfältigt, so dass ein gleichförmiges Muster auf der Fotografie zu sehen ist. Bei genauem Hinsehen erkennt man das Urinal.
    Je eine Katalogseite beschreibt den Künstler und seine Herangehensweise, die gegenüberliegende Seite zeigt das Werk.
    2019 wurde die Galerie geschlossen. Naumann ist von da an aus seinem Appartement an der Upper East Side aktiv und nennt es: "... Duchampian air: “Since my wife’s name is Terry, we’re calling it our pied-à-Terry.”
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allerslev-booklyn-education-manual-abridged
allerslev-booklyn-education-manual-abridged
allerslev-booklyn-education-manual-abridged

Allerslev Kurt, Hrsg.: Booklyn Education Manual Abridged, 2023

Verfasser
Titel
  • Booklyn Education Manual Abridged
Verlag Jahr
Medium
Technische
Angaben
  • [24] S., 13,9x10,9 cm, keine weiteren Angaben vorhanden
    Drahtheftung, rote Farbe auf gelbem Papier
ZusatzInfos
  • Booklyns gekürztes Lehrbuch ist neu und verbessert. Die Kurzfassung ist voll von Anleitungen, die in die Buchherstellung einführen oder die bereits bestehende Buchherstellung ergänzen sollen. Als Medium und Botschaft fördert das Büchermachen die Entwicklung der eigenen Stimme, die Fähigkeit, sie zu artikulieren, und die Mittel, ihr Gehör zu verschaffen. Das Bildungsprogramm von Booklyn zielt darauf ab, Lernenden aller Altersgruppen und Erfahrungsstufen den grundlegenden Hintergrund, die Fähigkeiten und Techniken zu vermitteln, um ihre Ideen auszudrücken und ihre eigenen Medien herzustellen.
    Text von der Webseite, übersetzt mithilfe von DeepL.
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Stichwort / Schlagwort
Erworben bei Booklyn
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Copyrighthinweis: Das Copyright für die abgebildeten Publikationen bleibt bei den jeweiligen Rechteinhabern (Künstlern, Fotografen, Gestaltern, Publizisten). Die Abbildungen und Textzitate dienen der künstlerischen und wissenschaftlichen Recherche. Hier werden Werke dokumentiert, die sonst nur schwer oder gar nicht zugänglich wären. Wer nicht damit einverstanden ist, dass sein Werk auf dieser Webseite gezeigt wird, kann die Abbildung umgehend durch mich löschen lassen. Für wissenschaftliche Recherchen können die großen Abbildungen auf Antrag freigeschaltet werden.
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