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WhiteWalls #13 - a magazine of writings by artists - Drawing in the 80s
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96 S., 21,7x14 cm, ISBN/ISSN 01909835
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A Magazine of Writing by Artists.
Founded in 1978 in Chicago by artist Buzz Spector and writers Reagan and Roberta Upshaw, Whitewalls began as a publication for artists working with language. For the most part Whitewalls is a straight-up sampler of artists' experimental projects for the page: each issue contains from half a dozen to several dozen artists employing text, image, and other notations in various combinations. While Whitewalls featured an international cast of emerging and established artists, it also provided a showcase for the Chicago area's experimental art community, including artists such as Jeane Dunning, Joseph Nechvatal, and Christopher Wool. Text von der Website
Mit Texten u. a. von Richard Artschwager, Andrea Blum, Christo, Mike Kelly, Lawrence Weiner, Mark Staff Brandl, Rosemary Mayer, Paolo Colombo, Joel Hubaut
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Working with Computer Type 4 Experimental Typography
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160 S., 26,5x19,2 cm, ISBN/ISSN 2880462797
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Working Drawings and Other Visible Things on Paper Not Necessarily Meant To Be Viewed
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194 S., 29,7x21,8 cm, Auflage: 600, ISBN/ISSN 2912483573
Xerox Schwarz-weiß, Spiralbindung, Deckblätter aus transparenter Folie
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Eine konzeptionelle Sammlung von Xeroxen von Zeichnungen, Notizen und anderem Material von Künstlern und anderen Personen, zusammengestellt von Michalis Pichler. Der Titel ist eine Paraphrase von Mel Bochners wegweisendem Projekt aus dem Jahr 1966, das in Zusammenarbeit mit der SVA organisiert wurde und heute als die erste Ausstellung konzeptueller Kunst gilt. Die letzten beiden Worte "As Art" wurden im Originaltitel weggelassen. Produziert während eines Aufenthalts in der maison flottante, Chatou, auf den Fotokopierern des CNEAI, nämlich einem Toshiba e-studio 210c, einem Konica 2223 und einem Toshiba e-studio 120.
Die gesamte Ausgabe mit ihren mehr als 100.000 Fotokopien dient auch als Enzyklopädie der gelegentlich auftretenden Xerox-Fehler (Papierstaus, Hitzeflecken, verschmierte Tinte usw.).
Text von der Webseite, übersetzt mit DeepL
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remind me - Working manual for young artist A.P.
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15x21 cm, keine weiteren Angaben vorhanden
Drahtheftung
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28 S., 18x11,5 cm, Auflage: 50, numeriert, keine weiteren Angaben vorhanden
Drahtheftung, Risographie auf gelben Karton
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Drawings and text in german and english including an illustrated short story about apes in leather suits.
Willehad EIlers (1981, Peine) lives and works in Amsterdam. He is tirelessly working in all kinds of media including film and sculpture always looking for obscure situations inside incomplete stories. Great Tales of Moral was released accompanying to the exhibition with the same title at
self service open art space stuttgart
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13x13 cm, keine weiteren Angaben vorhanden
Musik-CD in Papphülle und transparenter Kunststoffhülle, cover art: Stephane Leonard
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recorded at the Electronic Church in 2007.
Saxophon recorded at the Electronic Church in 2007. No overdubs, no manipulations.
When we (naivsuper) met Antoine in november 2007 to record his saxophone drones we didn´t really know what to expect because Antoine´s drones are perfect in a live situation. We weren´t sure if we could capture the richness of his sound, his working with the accoustics of a room and the strange almost discomforting breathing noises he makes when circular breathing on a CD. We basically wanted to hear him moving in the room, we wanted to see with our ears.
For the recording we chose the Electronic Church in Berlin because we have seen him perform there earlier the same year and it was absolutely fantastic.
The day of the recording was an incredible cold day in Berlin and due to the fact that the Church has no heating we could see our breath and feel the unbelievable cold humidity of a groundfloor room that hasn´t been aired in some time crawling up our pants.
It took Antoine almost an hour to warm up the saxophone and to get a satisfying tone. When he was finally ready to record the first take he was already a little bit out of breath. After 5 minutes of circular breathing his nose and lung started to freeze. We then tried a few more times but after another hour we were all coughing and sneezing and the saxophone was frozen so that we decided to postpone this session.
When we listened to the material at home we discovered that there was almost everything we wanted. We recorded how Antoine is fighting the cold and the exhaustion. There is the room, the breathing and movement. There is sound - almost an evolution of sounds - they are born slowly, grow up and then slowly disappear or extinguish.
We highly recommend you to listen with headphones. A follow up to this great document is planned, too
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13x13 cm, keine weiteren Angaben vorhanden
Musik-CD in gefalteter Papphülle mit Beiblatt in transparenter Kunststoffhülle, cover art: Stephane Leonard
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music by Daniel Lopatin aka Dania Shapes.
Soundsystem Pastoral was recorded by Daniel Lopatin aka Dania Shapes during the winter of 2004 using synthesizers, a first generation digital sequencer, and a freeware sound editor. It was remixed in 2006 for the release on naivsuper.
Celebrating the potential of amateurishness, decadence and romance in the realm of digital audio arts, Lopatin looks to marry the aesthetic sensibilities of experimental electronics with his allegiance to the classic 'beauty' in music. 'Glitch' is less a process for Lopatin -- rather it is an aesthetic impression which Lopatin emulates by hand. Pairing the residual effects of romantic, heart string melodies with steroidal, detailed, maximalist noise, Dania Shapes' audible bricolage is a tribute to both the beautiful and the broken all at once.
Working with simple tools such as handheld tape recorders, retro synthesizers, and a personal computer, Lopatin creates conceptual systems and processes to create a solo music that's beautiful and inventive, with interesting textures and unexpected sonic interventions. The music has a lush, ambient quality, but an edge as well. Throughout the CD, one finds a subtle use of repetition. The pieces are formally well-conceived and never contrived. The music is clearly indebted to heroes of electronica such as Christian Fennesz, William Basinski, and Brian Eno. and it has links to classic experimentalists such as David Tudor and David Behrman. Yet Lopatin maintains a more song-based musical position that results in an accessible product that will attract fans of ambient, post-rock, and experimental music
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ARTISTS’ BOOK NOT ARTISTS’ BOOK
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17,6x13,8 cm, Auflage: 500, ISBN/ISSN 9780982969427
Buch zu einer Ausstellung in der Boo-Hooray Gallery New York, eingesteckt in ein mehrfach gefaltetes A2-Format-Blatt mit den Farbabbildungen der im Buch beschriebenen Bücher
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"Artists' book" is a troublesome term. There seems to be no single well-understood or generally-accepted working definition. Say "artists' book" in general conversation and you'll likely get a blank look, if not outright confusion. even with a specialized audience of bibliophiles, or art world cognoscenti, it may be necessary to clarify exactly what you mean...
Artists' Book Not Artists' Book is an exhibition co-curated by Johan Kugelberg and Jeremy Sanders. In it are about one hundred books and of course all of them either are, or are not, artists’ books, but whether it is even possible to say which ones fall into which category is a matter that's not entirely clear. And in any case, it's likely no two viewers would draw exactly the same conclusions.
Artists' Book Not Artists' Book.
Von der Webseite des Verlages
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Scenes from Zagreb: Artists' Publications of the New Art Practice
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40 S., 29,7x21 cm, keine weiteren Angaben vorhanden
Farbkopien nach PDF, lose ineinander gelegt
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The New Art Practice was a term created for a generation of artists in the former Yugoslavia active in the late 1960s and throughout the 1970s. These artists shifted their practice to spaces outside the traditional studio, onto city streets, into artist-run spaces, and in multimedia performances and experimental publications. Focusing on artists working in the city of Zagreb, this exhibition documents aspects of this shift and highlights the ability of artists' publications to record these often ephemeral gestures and ideas. While artists such as Goran Trbuljak, Braco Dimitrijević, Sanja Iveković, Mladen Stilinović, and Vlado Martek, among others, worked in a variety of mediums, they shared a common impulse to produce publications. These artists questioned and played with ideas about the place of an artist within this particular political and socioeconomic context. Their work often involved public participation and blurred traditional notions of authorship through collective activities, chance operations, and the appropriation of language and imagery from the state and commercial media. The materials in this installation resonate with other contemporaneous scenes in Eastern and Central Europe and with broader international trends, while also providing an insight into very local networks of experimental artists and writers in Zagreb. All materials are drawn from the collection of the Museum of Modern Art Library.
Text von der Webseite
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Mailart Call, Arbeitswelten / Working worlds
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4 S., 29,7x21 cm, keine weiteren Angaben vorhanden
Mailart Aufruf zu Ehren von Harry Martinson
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[40] S., 32x22 cm, 2 Stück. ISBN/ISSN 7629999015104
Drahtheftung. Verschiedene farbige Papiere. Eingelegt ein gefaltetes Poster
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The publication Spheres is the creative documentation of a close collaboration between an artist and the editor, graphic designer Philippe Karrer. Every issue is dedicated to a young artist and their work, in each case exploring character, surroundings, every-day life, inspirations and ideas using unconventional innovative formats so as to create a different, more visual approach and understanding of the artist and his or her work. The focus lies on what is important to the artist during the time period of working together for the publication, hereby capturing a certain essence of the artists work at the moment. Not only can the reader dive in to the artist‘s world, receiving li ttle personal snippets of the life in and around his or her art, but also (and perhaps even more importantly) — how the artist chooses to present things in the publication gives the reader an idea of his or her whole artistic sphere.
Melanie Bonajo explores the relationship of the individual to its surroundings in a commodified, globalised culture. In her work, she uncovers how our ideas of identity, genre, value and such structures formed by conventions are ever shift ing to feelings of uncertainty and instability. She approaches these issues by trying to newly create, to turn around overpowering views and conditions that are today so influenced by our consumer society and tries to get nearer to traits that are rooted in human nature.
Text von der Webseite
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[132] S., 28x21 cm, Auflage: 1.000, ISBN/ISSN 9781908806017
Drahtheftung, eingelegt ein Werbeflyer
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Estate Of is the new publication series from Antenne Publishing. Published twice a year in a magazine-like stapled format, each edition is given to a single artist working with photographs as a space to realise projects. Estate Of aims to become a meeting point between an informal physical object, and a substantial body of work from an individual artist.
Kronos by Victor Boullet is the first publication in the Estate Of series.
Victor Boullet’s title refers to the Greek god Kronos, a deity known for its doublesidedness, a concept closely connected to his project The Institute of Social Hypocrisy. The publication Kronos is a means to carry his work forward into a newer form of expression, whilst maintaining a constant sense of dichotomy.
Text von der Webseite
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Blue Seven Phenomenon - hablar en arte
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21x14,8 cm, Auflage: 1.000, keine weiteren Angaben vorhanden
8 Hefte, Drahtheftung, mit Gummiband zusammen gebunden
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Blue Seven Phenomenon is the result of the Sant Andreu Contemporani (SAC) order to the jury members of Miquel Casablancas prize: the organization of an exhibition with the selection of several artists who signed up at the last 2012 call. Blue Seven Phenomenon is the result of the collaboration between hablarenarte: and Sonia Fernández Pan and presents the publications by:
Paco Chanivet, "Mi reino no es de este mundo"
Raúl Díaz Reyes, "Sasquatch"
Cristian Herrera Dalmau, "Rescatar un elefante"
Marla Jacarilla, "Sacchoaromyces Cerevisae"
Samuel Labadie, "The flying skull fragment"
Martín Llavaneras, "Esto no es alpinismo"
Pep Vidal, "Movimiento 44".
The project don't seek to work with artists who have a wide experience directly working with this medium, but working with those their production is focused on other artistic formats, emphasizing the ability to generate explicit or remembered storys more than an experience and knowledge on the formats of the book as a medium of artistic production
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32 S., 22,6x16 cm, ISBN/ISSN 9783905714685
Broschur, first Edition, von Vitsoe Bookswap München
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Blueberry Express is a collection of images from New York based, Japanese artist Misaki Kawai. The book features Kawai's larger scale paintings, sculptural installations and snapshots of her working in her New York studio over the past two years.
Text von der Webseite
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Die Chronologie der Zelle
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[106] S., 31x22 cm, Auflage: 200, numeriert, signiert, 2 Stück. keine weiteren Angaben vorhanden
Hartpappeeinband mit Siebdruck, Text von Leo Lencsés und Matthias Glas, eingelegt eine Originalzeichnung. Ein Exemplar mit beigelegtem Anschreibener Version des Textes, einmal ein
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Erschienen zur Debütantenausstellung in der Akademie der Bildenden Künste in München am 8.04.2014
The artist‘s book “Die Chronologie der Zelle“ shows and analyzes the cyclic working process of sculptor Matthias Glas. 80 pages covering a photo spread of art works are completed by a text section which takes up the preceding flow of images based on a chain of the artist`s thoughts. Additional meta text passages structure the workflow into chapters and give further information on the artistic practice. Each book has an individual screen-printed cover and includes an original drawing by Matthias Glas
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28 S., 20x13 cm, keine weiteren Angaben vorhanden
Broschur, mit Schwarz-weiß Fotografien
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Unpacking My Library is a series of photographs made from my studio at Morton Street where I have been living and working for many years. The book is dedicated to Walter Benjamin from whose essay “Unpacking My Library, A Talk about Collecting” its title comes from.
Text von Website
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[144] S., 19,7x12,8 cm, ISBN/ISSN 1846147425
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Working On My Novel is a book which is based on a twitter feed that re-tweets the best posts featuring the phrase "working on my novel."
What does it feel like to try and create something new? How is it possible to find a space for the demands of writing a novel in a world of instant communication?
Text von der Webseite
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42x29,7 cm, keine weiteren Angaben vorhanden
Plakat mit Risographie
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FAK (Feministisches Arbeits-Kollektiv) engagiert sich für die Chancengleichheit der Geschlechter. Anlass zur Gründung des FAK war der geringe Anteil der Frauen im Lehrstuhl der Hochschule für Gestaltung Karlsruhe. In unserer Arbeit vereinen sich verschiedene Disziplinen: Wir sind junge Künstler*innen, Philosoph*innen, Designer*innen und Kunstwissenschaftler*innen. Über zahlreiche Aktivitä,ten wie Plakataktionen, Konzeptbars, Symposien und Vorträge versuchen wir seit 2012, Sichtbarkeit für unser politisches und gesellschaftliches Anliegen zu schaffen. FAK fordert neue Ordnungen, durchlässige Strukturen, Blickverschiebungen und die Umsetzung bisher ungedachter Möglichkeiten.
Text von der Website
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Cinenova - never done anything like it before
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1 S., 42x29,6 cm, keine weiteren Angaben vorhanden
Flyer, einmal gefaltet, beidseitig bedruckt
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Ankündigung diverser Filmreihen und Ausstellungen, im Rahmen des Workshops der Cinenova Working Group, anlässlich der Sommerakademie Group Affinity, veranstaltet vom Kunstverein München. Beteiligte Institutionen und Gruppen: Lothringer13 Laden, Bimovie, Salong, Cinenova, Daneben
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300 S., 23x16,7 cm, ISBN/ISSN 9788480264990
Klappbroschur,
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Ausstellungskatalog anlässlich der gleichnamigen Ausstellung im Museum Reina Sofia, Madrid vom 28.10.2014-09.02.2015.
This catalogue investigates the notion of “really useful knowledge” and its origins. In the 1820s and 1830s, working class organisations in the UK introduced this phrase to describe a body of knowledge that encompassed various “unpractical” disciplines such as politics, economics and philosophy, as opposed to the “useful knowledge” proclaimed by business owners who had previously begun to invest more heavily in their companies’ progress through financing workers’ education in “applicable” disciplines like engineering, physics, chemistry and mathematics. The publication presents texts and conversations that analyse these themes, including philosophy, art, politics and technology.
Mit Texten von u. a.: What, How & for Whom, Marina Garcés, Raqs Media Collective, Luis Camnitzer, Trevor Paglen, Jacob Appelbaum, Fred Moten & Stefano Harney und G.M.Tamás.
Text von Website
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2 S., 18x13 cm, keine weiteren Angaben vorhanden
Postkarte, beidseitig bedruckt,
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Einladung zur Ausstellung Cloud Diagram in Nikosia vom 23.09.-04.11.2016.
Alison Turnbull transforms readymade information – plans, diagrams, blueprints, charts – into abstract paintings. The found source material is reimagined and made vivid through colour and through the intensity of the worked picture surface. She is presently working on paintings that derive from a composite astronomical image created by data from the Hubble Space Telescope.
Text von der Website
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1 S., 10,8x22 cm, keine weiteren Angaben vorhanden
Briefumschlag mit drei Künstlerbriefmarken beklebt, gestempelt
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I wanna give you devotion
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2 S., 10,5x21 cm, 2 Stück. keine weiteren Angaben vorhanden
Beidseitig bedruckter Flyer
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Anlässlich der gleichnamigen Posterausstellung in der PLATFORM München, 06.09.-04.10.2017, von Philipp Gufler mit dem Archiv Forum Homosexualität München e.V.
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Arts of the Working Class No. 07
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keine weiteren Angaben vorhanden
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Arts of the Working Class No. 03 - Restless Togetherness
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48 S., 35x26 cm, Auflage: 10.000, 2 Stück. keine weiteren Angaben vorhanden
Zeitungsdruck, Blätter lose ineinander gelegt
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Keep calm and abolish imperial pride, racial purity and class harmony
Aus dem Booklyn-Archiv
This third issue of our newspaper is dedicated to this year’s overwhelming number of anniversaries and its abysms. With curiosity we notice their paradoxical relationship with the present. It’s been ten years since the financial crash, but monetary values are not more balanced and speculation bubbles are bigger than ever. It’s been 50 years since LSD came into popular use, opening the doors of perception, but perception seems to be even narrower today than it was back then. It’s been 80 years since Austria’s annexation to Germany, and yet ‚The Sound of Music‘ is still remembered as a classic, sweetened depiction of resistance towards fascism’s expansion in Europe, rather than the fall of aristocracy, what it really was. It’s been 100 years since the end of the First World War and yet the struggle between Conservatism and Socialism has never been so prevalent. It’s been 200 years since Marx was born, and his work still remains a historical ideal rather than a reality.
Text von er Webseite
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I wanna give you devotion
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1 S., 29,7x42 cm, keine weiteren Angaben vorhanden
Einseitig bedrucktes Blatt mit den Angaben zu den Plakaten, Risographie
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Anlässlich der gleichnamigen Posterausstellung in der PLATFORM München, 06.09.-04.10.2017, von Philipp Gufler mit dem Archiv Forum Homosexualität München e.V.
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I wanna give you devotion
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112 S., 24x17 cm, Auflage: 600, 2 Stück. keine weiteren Angaben vorhanden
Broschur mit transparentem Aufkleber auf dem Cover und beigelegtem, mehrfach gefaltetem Ausstellungsplan (Siebdruck)
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Künstlerbuch zur gleichnamigen Ausstellung in der PLATFORM, 06.09.-04.10.2017, einer Posterausstellung von Philipp Gufler in Zusammenarbeit mit dem forum homosexualität münchen e.V.. Buch mit neuen Posterbeiträgen von 29 Künstler_innen und Kollektiven, Texten von Mitgliedern des forums, Kerstin Stakemeier, Philipp Gufler und Laura Lang.
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[28] S., 29x23 cm, keine weiteren Angaben vorhanden
Broschur, mit schwarzweissen Abbildungen
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Buch erschienen anlässlich der Ausstellung "working drawings" von Sol LeWitt, in der John Weber Gallery, New York, 25.03-22.04.1995, und in der Rhona Hoffman Gallery, Chicago, 28.04-09.06.1995.
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1 S., 21x29,7 cm, signiert, keine weiteren Angaben vorhanden
Ein Bogen mit 21 Künstlerbriefmarken
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Arts of the Working Class No. 01 - A city is a stateless mind
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40 S., 35,2x25,8 cm, 2 Stück. keine weiteren Angaben vorhanden
Lose ineinander gelegte Blätter, Druck auf Zeitungspapier.
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„Arts of the Working Class“ ist eine Straßenzeitung für Armut, Reichtum und Kunst. Sie erscheint alle zwei Monate und enthält Beiträge von Künstlern und Denkern aus verschiedenen Feldern und in verschiedenen Sprachen. Sie richtet sich an die Arbeiterklasse, also an alle, und es geht um alles, das allen gehört. Jeder, der sie verkauft, verdient mit. Jeder Künstler, dessen Arbeit beworben wird, gestaltet mit.
„Arts of the Working Class“ wird vom Künstler Paul Sochacki und der Kuratorin Maria Ines Plaza Lazo entwickelt und erscheint bei Reflektor M. Die Straßenzeitung erscheint am 26. April 2018 im Rahmen von Paul Sochackis Ausstellung „Self-reflection“. Sie wird unter anderem in der Galerie Exile und auf der Straße vertrieben. Verkäufer erhalten Kontingente zum halben Preis.
Text von der Webseite.
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curt Stadtmagazin München #089 - Zusammen weniger allein
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100 S., 14,8x21 cm, Auflage: 6000 ab, 2 Stück. keine weiteren Angaben vorhanden
Broschur
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Am 12. April erscheint unsere 89. Ausgabe: 100 Seiten zum Thema Zusammen ist weniger allein. Im Gespräch mit Experten zum Thema Einsamkeit und Gruppenzwang, zu Besuch bei den Münchner Leihomas, Stammtischen, Vorstellung von Projekten wie Surfing Wolfratshausen, Green City e.V., Zuflucht Kultur, Fußball-Fanclubs in München, Co-Workings Spaces, BarCamps, ein Porträt über LARP, Behind the Green Door u.v.m.
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256 S., 29,8x24,6 cm, ISBN/ISSN 9780061995118
Hardcover mit Schutzumschlag.
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Organized so as to encourage creativity, serendipitous discovery, and inspiration, Layout Look Book 2 is an essential guide to layout design for both amateur and professional designers. The book includes techniques that can be used to enhance any layout, as well as insights into the factors that helped make each layout an effective piece. The styles covered in the volume range from traditional to cutting edge, and will enable any designer to become a more creative thinker and produce fantastic work. Layout Look Book 2 showcases outstanding work by more than fifty of the world's best design studios and professionals working in print design today.
Text von der Webseite.
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Sutere Soven Musicfestival
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[2] S., 21x14,8 cm, keine weiteren Angaben vorhanden
Postkarte
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17.-19.08.2018.
Suture means sewing. This is the idea we will be following on each and every level of our festival. Suture Soven Music Festival emerged out of the wish and the need to bring musicians and their audience together in a way that enhances deep listening and watching musical appearances that provide the potential for creating something new in a cheerful and caring atmosphere. We will watch and hear the beautifully radical positions and ideas of international musicians. In terms of musical style, we are situated at the intersection of jazz, free improvised music, classical modernism and new music.
The first Suture Soven Music Festival will take place in an old farm house in the countryside. the concerts will be held in the barn and in the attic of an old stable. By locating the genre defying music in the beautiful countryside of Lower Saxony (Wendland) we invite local people from the area as well as from the cities to make the connection between different worlds and points of views for three days in Suture Soven. We are striving to shape the surrounding area of the festival and make it as sustainable as possible, while working with local farmers and craftsmen. We offer a space and time that taps on an urge to create a sensual narrative. The music we listen to, the words we hear and speak, the food and drink we are provided with, in a setting that will be home to us for three summer days offer us the possibility of making sense.
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Outsiders - American Photography and Film 1950-1980s
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194 S., ISBN/ISSN 9780847849550
Hardcover, fadengeheftet
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Outsiders, a special exhibition of unforgettable images opening at the AGO March 2016, highlights photographers and filmmakers working in the United States from the late 1950s to the mid-1980s in a time of intense political and cultural turmoil. It's no accident that artists at the time turned to photography and film - mass media then largely "outside" the realm of mainstream art and its focus on painting and sculpture- to express a broader range of human experience. Photographs by some of the greatest artists of the period depict musicians, cross-dressers, biker gangs, protests, press conferences, and even animals, bringing to light the complex social realities and the yearning for greater collective and individual equality. As part of the exhibition, the AGO will be presenting films by artists Kenneth Anger, Marie Menken, Robert Frank, Shirley Clarke, and others.
Text von der Website.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
Broschur
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Schwarz-Weiß-Drucke, Nr. 022 aus der Reihe 100for10.
Living in Paris, Étienne Hervy is art director of Chaumont design graphique where he has in charge the programmation of the Festival and prefigures a permanent center related to graphic design. He is also freelance curator and writer, some other times teacher or workshop animator. In a way, he loves to be involved in various projects working together with graphic designers and clever people. He is convinced that graphic design has no interest but he’s quiet interested in its effects. Before this, he has been chief editor of étapes: magazine.
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You will have everything you need
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
Broschur
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Schwarz-Weiß-Drucke, Nr. 026 der Reihe 100for10.
Christopher is a graphic designer living and working in Atlanta. In 2014, he established Christowerks as a studio for graphic design. Before opening Christowerks, he worked at the studios of Laurie Rosenwald, Young Professionals and completed major work for Sony Music Entertainment. He has taught design at PI Art Center in Manhattan and his work has been featured in Print Magazine and The New York Art Book Fair 2014. He graduated in 2012 from The Creative Circus in Atlanta.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
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Schwarz-Weiß-Drucke, Nr. 028 aus der Reohe 100for10.
Christopher is a graphic designer living and working in Atlanta. In 2014, he established Christowerks as a studio for graphic design. Before opening Christowerks, he worked at the studios of Laurie Rosenwald, Young Professionals and completed major work for Sony Music Entertainment. He has taught design at PI Art Center in Manhattan and his work has been featured in Print Magazine and The New York Art Book Fair 2014. He graduated in 2012 from The Creative Circus in Atlanta.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
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Schwarz-Weiß-Drucke, Nr. 030 aus der Reihe 100for10.
Eduardo Sarmiento is an artist working in the mediums of painting, drawing, design & illustration. His work is in the permanent collection of various museums and it has been shown in Miami, New York, Los Angeles, Oaxaca, Londres, Kiev, Munich, Santo Domingo, Quito, San Jose and Havana. Sarmiento’s work has been published in The New York Times, Texas Monthly, ESPN, Slanted, El Nuevo Herald, Miami New Times & ArteCubano Magazine among others.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
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Schwarz-Weiß-Drucke, Nr. 027 aus der Reihe 100for10.
„Hate it or love it – the underdog’s on top.“ This basically says everything about Eva. Born and raised in the bavarian desert she made her way up north to study graphics and end up in Berlin. Being everything and nothing. Graphics, drawing, painting and writing was always part of her social media lifestyle.
FABIAN MAIER-BODE is a graphic designer currently working in Berlin. The starting point and main engine of his practice is a significant interest in type and content. That’s why he develops straight-forward and methodically design solutions that aim to be conceptually strong, contextually innovative and personally challenging.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
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Schwarz-Weiß-Drucke, Nr. 032 aus der Reihe 100for10.
I’m a young illustrator currently moored on the Thames in my houseboat. Working from my home studio I like to draw in a variety of mediums, more recently focusing on vector graphics. I enjoy the fast paced nature of vectors, which allows me to capture vivid ideas in a hopefully bold, interesting and thought provoking manner. Working regardless of brief I like to continue to produce a body of work to satisfy my creative habits. This has led to sharing daily drawings online via Instagram, which is a great platform to discover and meet other creatives. I have had the honour of working with some fantastic individuals over the past year, which I try to share online via my website. This September I plan to go to Central Saint Martins to further my studies, devote my time to and produce more art! I’m looking forward to all that this opportunity has to offer.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
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Schwarz-Weiß-Drucke, Nr 038 aus der Reihe 100for10.
75 g/m² started as a black and white photocopy exhibition. The project was initiated by Maycec, a photographer, self-publisher and graphic designer who draws inspiration from alternative culture and her personal life. She is co-founder of Vesselroom Project and Atelier29. The first 75 g/m² exhibition took place in Berlin in 2014 with Maycec alongside Vonverhille and Damien Sayer whom both grew up in the suburbs of Paris. Vonverhille started in the graffiti scene in the 90s. He diversified his means of expression and explored photography and experimental electronic music. He now lives in Berlin where he founded Erratum galerie. Damien Sayer has photographed his family, friends and encounters over the course of five years. His small format pictures remain simple documentary pages, simple facts or portraits recorded on a sheet of paper. Alizee Lenox joined the exhibitions 75 g/m2 part II and part III. She is a poet DeepLy influenced by Pop Culture mostly because you cannot not be influenced by a soft machine that creates so many idols you can hate and worship at the same time. She is currently working on her first chapbook manuscript.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
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Schwarz-Weiß-Drucke, Nr. 040 aus der Reihe 100for10.
Lukas Schönthal‘s alter ego is LUKI. An alter ego is „another self“ — a second personality within a person. It is also called leading a double life or could be described as„a second self, a trusted friend“. Schönthal is doing classical graphic design jobs such as corporate designs. Alter ego LUKI stands for art and illustration. He is working on various personal projects as well as commissioned ones. Born, raised and currently living in germany‘s most livable city, Karlsruhe.
Text von der Webseite.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
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Schwarz-Weiß-Drucke, Nr.050 aus der Reihe 100for10
GhalamDAR (“the writer” in Farsi) born in 1994, is an UK based Emerging artist working primarily as a graffiti artist and illustrator since 2006. He is an active member of Calligraffiti ambassadors’ community and one of the artists who’s playing a key role in the graffiti scene of his country, Iran. He is counted between the four major and most recognized Iranian street artists by “Art Radar Journal” in 2015.
Text von der Webseite.
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The unbearable perfection of life
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
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Schwarz-Weiß-Drucke
Carolin Hirt is born in Vienna, Austria, studied Marketing Communications and is currently working as a lifestyle Public Relations Manager in Berlin. The analog photographs show the spectrum of her life with no contrived situations, but real moments. She tries to catch the longings and feelings of her generation to escape the ideals of youth and beauty forced by social media these days.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
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Schwarz-Weiß-Drucke
Thomas Böcker studied Communication Design and Exhibition Design at Düsseldorf University of Applied Sciences. In his conceptional photography he is focused on people, their behavior, their impressions and the traces they leave in their environment. He is an observer and a collector of photographic flotsam. He is driven by the belief that there is nothing more interesting for people than the human being. After working for ten years as a freelance photographer and graphic designer Thomas Böcker is based in Munich where he works as a photo journalist for a daily newspaper.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
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Schwarz-Weiß-Drucke
Stijn Jonckheere (°1989) recieved his MA in explorative architectural development in 2012. While working as an architect his personal work gained traction, sparking his career as a visual artist. Monochrome yet visually tense, his work revolves around the themes of memory and alternative reality. Contrasting their minimalistic composition, his drawings often contain a more complex message, presenting a critical look at social behaviour within our built environment. Exhibited throughout Europe and featured in publications worldwide, Jonckheere subsequently ventured into teaching by means of his digital design masterclass and lectures given across architecture universities. He has lent his creative vision to a wide spectrum of projects, ranging from architecture to advertisement for both start-ups and high-profile clients. Jonckheere currently resides in Munich, where he is Art Director at a leading brand activation agency.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
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Schwarz-Weiß-Drucke
Dave the Chimp has been riding skateboards since the mid 1980’s, painting on found wood and making fanzines since the mid 1990’s, and working in the streets since 1998. He still does all these things, as well as exhibiting his art in galleries and museums world wide, working as an illustrator for a variety of clients, directing pop videos, compiling books, and curating exhibitions. Dave has exhibited alongside the leading names in the urban art scene, including Banksy, Blu, Miss Van, Swoon, Os Gemeos, Shepard Fairey, Space Invader, and Zevs. He was the first UK artist to have his own artist model shoe created by Vans, and a book of his work (Part Of Rebellion 2 – Dave the Chimp) was published by Publikat in 2009. In 2011 he built his first concrete skateable sculpture “Papa und Ich” outside of the Bethanien, Berlin, and the wooden “friendship bowl” in the Awanganda Gallery, Wroclaw, Poland. He has since built the “Papa und Ich Speilplatz” skatepark in Milan, and the “Troll Bridge Ramp” at La Condition Publique, Roubaix, France. He is currently focused on change, encouraging exploration, protest culture and positive vibrations, with his “Human Bean” characters as the medium through which to go on this adventure.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
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Schwarz-Weiß-Drucke
Sebastian Schels, born 1981, is a freelance photographer based in Munich since 2008. His photographic work is concerned with the documentation of architecture, urbanism and art. In addition, cycling plays an important role. Sebastian studied architecture and photography at the University of Applied Siences in Munich. Under the collaboration “The PK Odessa Co” Sebastian is working with his brother Simon Jüttner and Markus Lanz on joint projects.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
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Schwarz-Weiß-Drucke
Hallow, we are bungalow, providing visual art for brands, companys and cultural projects. In 2012 the six of us — Alex, Markus, Niklas, Laura, Tim and Yvonne — started to study Communication Design at FH Würzburg. 4 years later we established bungalow kreativbüro. Our naming, inspired by architecture, symbolizes our flat hierarchy and creative working all together.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
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Schwarz-Weiß-Drucke, Nr. 099 aus der Reihe 100for10.
Olaf Unverzart studied fine art photography at Hochschule für Grafik und Buchkunst Leipzig, has taught photography at the Akadmie der Bildenden Künste Nürnberg. Currently he is teaching at the Mozarteum in Salzburg and HM in Munich. He shoots portraits, reportage, empty landscapes, as a kind of visual biography. Mainly he is working on free long time projects and calls himself then as the best if nobody is teeling him what to shoot.
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