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Hinweise zum Copyright und ServiceAAP Archive Artist Publications - Munich - www.artistbooks.de
TRANS>, a multilingual journal, chronicles contemporary art and culture from around the world. The multidisciplinary publication is divided into three sections - Project Sites, Telesymposium, and Overviews, Views and Reviews - and includes theoretical, critical, art historical and fictional texts by leading thinkers and critics.
185 Blatt S., 28x21,5 cm, Auflage: 1.000, keine weiteren Angaben vorhanden Offsetdruck nach original Fotokopierarbeiten, je Künstler 25 Seiten, First Edition
Siegelaub in einem Interview: The Xerox book - I now would prefer to call it thePhotocopy book, so that no one gets the mistaken impression that theproject has something to do with Xerox – was perhaps one of the most interesting because it was the first where I proposed a series of requirements for theproject, concerning the use of a standard size paper and theamount of pages the container within which theartist was asked to work.
Das Buch ist/war die Ausstellung
292 S., 21,4x15,2 cm, Auflage: 550, ISBN/ISSN 3865880940 Fadenheftung mit flexiblem Plastikeinband
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First this was was a series of ephemeral situations inpublic space inNew York 2002–2003. They become comprehensible through thepublication of a book. TheNew York Garbage Flag Profile presents Berlin-based artist Michalis Pichler’s six month long project in which he collected and documented discarded paper cups, plastic bags, pizza boxes, newspapers and other mass-produced materials emblazoned with theAmerican Flag. Photographed inthepublic waste baskets, gutters and snow drifts of New York where he found them, the individual items are catalogued ona facing page with uniformly formatted informationabout their location, the date of their collection, number of flags depicted, number of stars, number of stripes, etc. Each record also includes a full transcription of the text found onthe item. Thenearly three hundred color photographs inthe book are organized into forensic pairs showing the collection site before and after theartist’s intervention. This clinical presentation however belies theartist’s gentle, almost reverent approach to his material-garbage, after all. (Rachel Bers)
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Published withinthe framework of Untrue stories, an exibition that took place at MediaArt Farm inNovember 2004. The exhibition was apart of the Swedish-Georgian collaborative project Absolute Mythologies, EKEA
44 S., 29x22,5 cm, ISBN/ISSN 9781935202592 Drahtheftung
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Brought to you by theaberrant, animated mind of Italian-bornprovocateur, mischief-maker, and macabre witness to our times Maurizio Cattelan, Toilet Paper 2 follows closely onthe heels of the inaugural issue of Cattelan's most recent print extravaganza. "The magazine springs from apassion/obsession that Maurizio and I have in common," collaborator photographer Pierpaolo Ferrari said inan interview in Vogue Italia. "Each picture springs from an idea, evena simple one, and then becomes a complex orchestration of people who build tableaux vivants. This project is also a sort of mental outburst." Published by Deste, this part magazine, part artist's book blends commercial photography with warped narratives and surrealistic imagery, creating a series of powerful images that are as appropriate for the coffee table as they are for the WC
The Bloomberg website says of theproject:
For Comma 38, artist and publisher Arnaud Desjardin will exhibit new, old, rare, and popular books while running anactive printing press in Bloomberg Space. His COMMA commission, part of an ongoing project titled The Book on Books onArtists' Books, is intended to create anactive and participatory review of current and historical practice. This exhibition is about both the display of books onartists' books and theproduction of a book about the books displayed. He intends to print a first edition, a book of books, a critical anthology and source book, alongside which a large range of books onartists' books will be displayed ina series of vitrines. Artists' books have normally been sold and distributed through small networks of bookshops and galleries that oftenproduce lists of available titles inprinted form. Theadvent of the Internet has meant that information online has changed thenature of this documentary evidence. Desjardin's unique and extraordinary combination of display and production makes an exhibition that actively engages in both the making and disseminating in real time. The books themselves become both vehicles for informationand documents that testify for artistic activity in its own right
80 S., 26x21 cm, ISBN/ISSN 9783863350857 Katalog zur Ausstellung im MAK Wien, MGLC Ljubljana und UPM Prag, Klappumschlag
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Vorwort von Helena Koenigsmarková, Nevenka Sivavec & Christoph Thun-Hohenstein. Beiträge von Jianping He, Martina Kandeler-Fritsch, KathrinPokorny-Nagel, FlorianPumhösl, Lucie Vlcková, Lawrence Weiner & Maria White.
Um das vielschichtige Genre des Künstlerbuchs einer breiteren Öffentlichkeit näherzubringen, hat das MAK Wien in Kooperation mit dem UPM Prag und dem MGLC Ljubljana das EU-geförderte Projekt "Artists' Books on Tour. Artist Competitionand Mobile Museum" initiiert. Im Rahmen des damit verbundenen europaweiten Wettbewerbs wurden Künstler dazu aufgefordert, sich mit der Thematik des Künstlerbuchs und seinen vielfältigen ästhetischenAusdrucksformenauseinanderzusetzen. Die vorliegende Publikation stellt die fünf prämierten sowie 45 weitere ausgewählte Projekte vor.
To familiarize a broader public with the multi-faceted genre of artists' books, the MAK - Austrian Museum of Applied Arts, Contemporary Art in Vienna, the UPM - Museum of Decorative Arts based inPrague and Ljubljana's MGLC - International Centre of Graphic Arts have launched the EU-funded project "Artists' Books on Tour. Artist Competitionand Mobile Museum". Inapan-European competition, artists were invited to deal with the subject of artists' books and their multiple forms of aesthetic expression. Thepresent catalogue features the five winning projects and 45 other selected works.
112 S., 20,5x13,6 cm, Auflage: 40, numeriert, keine weiteren Angaben vorhanden zweifarbiger Risographie
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Thepublication is the catalogue to a subjective image archive that was collected from thepeople of BerlinPankow. Edition Taube was invited to take part at the HomeBase residency program in Berlin in September 2010. The book is part of the Edition Taube room installation. Topografisches Bildarchiv Pankow is aproject by Edition Taube
56 S., 30,5x21,5 cm, ISBN/ISSN 9788896501610 mit Kunststoffumschlag, geklammert
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This publication documents the monumental collaborative work which Liam Gillick and Lawrence Weiner produced for theAntwerp museum of contemporary art MuHKA inthe spring of 2011. Tellingly titled A Syntax of Dependency:, theproject could be viewed as the outcome of a twenty-year dialogue betweenartists, artistic practices, generations. This giant floor piece, consisting of anabstract linoleum pattern containing anarray of phrases, took upthe museum's entire first floor - its site-specifity meaning that the end of the exhibitionalso entailed the work's irreversible destruction. This photo novella - complete with fragments of a conversation between both artists and a short text by exhibition curator Dieter Roelstraete - captures the work in its unique desolate splendor
13x13 cm, keine weiteren Angaben vorhanden Musik-CD inPapphülle und transparenter Kunststoffhülle, cover art: Stephane Leonard
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recorded in 2007 at the Leo Mars studio.
´Lightears´ is the long awaited debut album by Berlin duo Leo Mars. After a year of trial and error, a lot of sessions, sound collecting and analysation of possibilities aprecisely crafted, yet astonishingly free floating album came to life. In times of almost infinite sounds, instruments and styles it took the duo some time to come up with the basic material, form a language and then of course learn to speak it. Hours were spent inthe studio and their favourite lebanese restaurant discussing the world of sound.
´Lightears´ intelligently smudges the borders betweena classic drone, an underground noise, aplayful improvisationand an old fashion musique concrete record. All the genres fall into place rather unpretentious with pure sound excitingly assembled to challenge ones listening habits.
It is a rather harsh productionalways bouncing back and forth between digital, crisp electronics and field recordings pushed way over the edge.
With minimal gear and set up Leo Mars managed to manoveur themselves somewhere inbetweena bedroom thrashing noise keyboard project and atheoratical paper score composer duo. Performing ina trance - allowing things to happen - awaken - making a conscious decision - slipping back into space
13x13 cm, keine weiteren Angaben vorhanden Musik-CD in KlappPapphülle, transparenter Kunststoff, mit Infoblatt in transparenter Kunststoffhülle, cover art: Stephane Leonard
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1 - 26 performed and recorded live by Plastic Doll. Plastik Doll is Stephane Leonard, Claudio Pfeifer. additional sounds by Lars Trimborn
mixed by Stephane Leonard in Bremen, Germany.
26 Secret Codes to Brainwash your Neighbour is a lofi noisy impro album. Wild loops, crackling electronics, analog hiss and glitch, small and quiet, loud and noisy... a record as diverse as the members of this project. The sound is fresh and direct and completely produced without overdubs
44 S., 29x22,5 cm, ISBN/ISSN 9781935202783 Softcover Drahtheftung
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Specially created by Maurizio Cattelan in collaboration with fellow countrymanPierpaolo Ferrari for Cattelan's major retrospective at the Guggenheim Museum inNew York City, Toilet Paper 4 is a brilliant new creation from theaberrant, animated mind of the Italian-bornprovocateur, mischief-maker and macabre witness to our times. Published by Deste, this part artist's book, part magazine contains no text. only full spreads of color photographs with imagery that oftenappropriates the slick production values of commercial photography to deliver dreamlike (or nightmarish) images that are as appropriate for the coffee table as they are for the WC. Inan interview with Vogue Italia, Ferrari said that "the magazine springs from apassion/obsession that Maurizio and I have in common. Each picture springs from an idea, evena simple one, and then becomes a complex orchestration of people who build tableaux vivants. This project is also a sort of mental outburst."
44 S., 29x22,5 cm, ISBN/ISSN 9781935202608 Drahtheftung
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Brought to you by theaberrant, animated mind of Italian-bornprovocateur, mischief-maker, and macabre witness to our times Maurizio Cattelan, Toilet Paper 2 follows closely onthe heels of the inaugural issue of Cattelan's most recent print extravaganza. "The magazine springs from apassion/obsession that Maurizio and I have in common," collaborator photographer Pierpaolo Ferrari said inan interview in Vogue Italia. "Each picture springs from an idea, evena simple one, and then becomes a complex orchestration of people who build tableaux vivants. This project is also a sort of mental outburst." Published by Deste, this part magazine, part artist's book blends commercial photography with warped narratives and surrealistic imagery, creating a series of powerful images that are as appropriate for the coffee table as they are for the WC
this book is a book project published by Viaindustriae that involves contemporary artists inthematic exhibitions and side vents. There are studies and researches by operators, curators, publishers, and specific artist's interventions inthepages. The discussionpanels opened withina series of workshops are included inthepublication that treats thearchiving criteria intheartist's book practice. The operation focuses on three sections: INbook (filing and actions), OUTbook (multiplicationand digression), IFbook (artist's book and infinite hypothesis). There are texts by Emanuele de Donno, Giorgio Maffei, and specific pages projects by Celine Comporelli, Imvermomuto, Dubbin/Davidson, Amedeo Marteghni, M+M, Daniela Comani, Banu Cennetoglu, Markus Miessen, Daniel Eatcock, Helen Sommer, Edamimomda/Cramer, and Documentation Celine Duval.
from thepublisher
Atem Books is an independent publishing house based in Catalunya focused onphotography & illustration, contemporary drawing and thinking created by emerging artists from around the world. Our aims are: to help emerging artists to get their work more known, create a collection of contemporary works, to gather illustrators, photographers & art lovers. Atem Books has beenpublishing Carpaccio Magazine since April 2009. Atem Books is anon-profit organization, so all the money earnt is always invested innew publications.
Why ‘Atem’?
‘Atem’ stands for “wind, breath” in german. This word is inspired by an illustrated poetry book published by Paul Celan (poet) and Gisèle Celan (illustrator) called Atemkristall.
Who we are Atem Books curators are María Cerezo and Emma Llensa. We both do all the works involved with mantaining Atem Books.
What we can do
We’re also offering our services to help you self-publish your book (both digital -pdf, epub, mobipocket-, Ipad and Iphone apps and print). Whether if you need advise on how to start self publishing a book or you need our services as curators, designers, layouters and image retouchers, just ask us what we can do for you.
We’re also offering our services to help you create your own website and, if you need one, how to create an e-commerce to sell your own goods. And, of course, we can give you marketing and self-promotionadvises and guidelines. Atem Books is 100% independent!
We don’t receive any external money. This project survives with the earns we do selling our publications.
Von der Webseite
40 S., 29,7x21 cm, keine weiteren Angaben vorhanden Lose Blätter ineinander gelegt, Farbkopiennach PDF
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A simple and straightforward layout, anawesome format, no advertising, 500 hand numbered copies and a free and selected distribution. Unpublished is a democratic and exchange place where photography meets thepublic, without any filter. Unpublished gathers the best unpublished images of young photographers from all over the world, selected not only for their aesthetic value, but through a careful analysis of the cultural context, theartistic and humanpaths. A large project that ends each edition of Unpublished with a group exhibition in which it will be possible to buy at affordable prices the original and signed prints of thepublished works, donated and assessed by theauthors themselves. No art dealers, no galleries and outside the market logic. Unpublished is a "call for freedom", apure and direct line that connects theartist and his work with the outside world. And vice versa.
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120 S., 21x19,3 cm, Auflage: 500, ISBN/ISSN 9783000361722 eingelegt, Karte mit handgeschriebenem Text
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»Mensch Münzesheim« ist einpersönliches Fotoprojekt, das ich zusammen mit meinem Vater Dieter Hassler realisiert habe. Aus dem Projekt resultiert jetzt ein Bildband, der ab sofort in einer Auflage von 500 Exemplaren zum Verkauf steht. Das Buch portraitiert mein Heimatdorf Münzesheim in Süddeutschland indem es die Menschenportratiert, die darin wohnen. Es ist eine Suche nach dem Speziellen im Alltäglichen, dennan den Menschen, die wir fotografiert haben, ist auf den ersten Blick nichts besonderes. Doch bei genauerem Hinsehen sind sie alle so einzigartig, wie mannur sein kann.Text von der Webseite
Hundert Jahre nach Marcel Duchamps dreimonatigem Besuch in München (1912) wird ... eine ... Lücke ("le mystère") im kunsthistorischen Wissen zu füllen versucht. ... mit einer Ausstellung, gut organisiert vom Lenbachhaus, zwei beachtlichenPublikationen, einem Duchamp Journal und einem seltsam gekippten Wohnungsmodell neben der AltenPinakothek, das dem Betrachter mit 'kalten' Wänden in etwa Duchamps ehemalige Wohnsituation in der (später ausgebombten) Barerstr. 65 vorführt. Dieses Modell ist das Werk des Bildhauers und promovierten Kunsthistorikers Rudolf Herz, der auch eines der beiden Veröffentlichungen und das Journal verantwortet ...
Text von der Webseite: www.sehepunkte.de
On June 21, 2012, precisely one hundred years will have passed since Marcel Duchamparrived in Munich. He spent three months inthe city, three months that were to radically change his art and turn him into one of the most influential artist of modernism. He is regarded as pioneer of conceptual art influencing numerous artists from Sol LeWitt to Ai Weiwei and still today continuously inspires new generations of artists.
Ontheanniversary of the French artist’s arrival, Munich’s Architecture Museum is presenting Rudolf Herz’s latest art project “Marcel Duchamp – Le mystère de Munich”, in which theartist investigates the background story of his predecessor’s stay inthe Bavarian capital. Theproject includes a sculpture as well as anew book.
Text von der Webseite duchamp-munich.org
42 S., 22x16,5 cm, keine weiteren Angaben vorhanden eingelegt eine Rubbelkarte und ein Verzeichnis der Läden, Cover mit geschäumter Farbe
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Agentur: Wieden+Kennedy Amsterdam
Originaly call “Let the bitch out” No more miss nice guy is a 42 pages book capturing thetheme of the rebel aspect of women in sports, pictured ina colorful and funny way, it catch the subtil attitude of sometime mad girl practicing sports. The idea of book/catalogue was firts adopte to suit better the fashionaspect of the whole project thannormal press ads and created a collectable factor. Thephotography playing a big role,in this sens, it was given to star photographer Elaine Constentine. No More Miss Nice Guy was first made in english and specificaly adapted to the 7 main languages to fit the europeen market.
Text von www.cargocollective.com
LINE IS AN ENTITY BORN FROM RESTLESS MOVEMENT, THENECESSARY CONSECRATION OF THEPASSAGE FROM STILLNESS TO MOVEMENT DUE TO THEACTION OF SEVERAL FORCES ONTHE SAME POINT.
ITS ASSUMPTION IS TO TRACE APATH THROUGH THE DIFFERENT CREATIVE AND EXPRESSIVE FIELDS OF HUMANKIND (FASHION, MUSIC, ART, PHOTOGRAPHY, CINEMA, AMONG OTHERS) AND TO ANALYZE THE INTERSECTIONS WHERE THESE DIFFERENT EXPERIENCES ARE FOUND TO HAVE A MOMENT THEY SHARE, AS A SOURCE WHOSE WATERS SCATTER IN DIFFERENT DIRECTIONS.
LINE IS ANEW MAGAZINE ABOUT ART, MUSIC AND FASHION. IT WILL BE A BIANNUAL PUBLICATION SUPPORTING YOUNG TALENTS WITH A STRONG IDENTITY. THEPRODUCTION WILL SUPPORT EVERY FORM OF CREATIVE EXPRESSION THAT MAY REFLECT THE UNICITY OF THE INDIVIDUAL CREATOR AND THAT IS, THEREFORE, ORIGINAL.
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500 ca. S., 31x22 cm, ISBN/ISSN 9783905509977 Irisierendes Softcover, EditionPatrick Frey N° 97, mit einem Text von Martin Jaeggi in Englisch
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For two and a half years Rico Scagliolaand Michael Meier took pictures and filmed teenagers, creating anarchive of photographs and videos. Neue Menschen (New Human Beings) provides a glimpse into this project.
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Karaoke – spokennot sung!
Speech Karaoke – as thename suggests – works ina similar way as a traditional karaoke. Instead of choosing between songs from a booklet, the user chooses between speeches. Withina relaxed atmosphere one can listen to speeches delivered by other karaoke bar guests – or try out how it feels to interpret someone´s speech.
Speech Karaoke is a constantly expanding project by The Speech Karaoke Action Group. Whenthe Speech Karaoke-project arrives to anew city, local speeches are added to the Karaoke archive. Theproject was created in Finland, thepromised land of karaoke bars.
Karaoke - gesprochen, nicht gesungen!
Speech Karaoke - wie der Name schon sagt - funktioniert ähnlich wie eine traditionelle Karaoke. Anstatt zwischen Liedernaus einem Booklet zu wählen, wählt der Benutzer zwischen Reden. In entspannter Atmosphäre kann man sich die Redenanderer Karaoke-Bar-Gäste anhören - oder ausprobieren, wie es sich anfühlt, die Rede eines anderen zu interpretieren.
Speech Karaoke ist ein ständig wachsendes Projekt vonThe Speech Karaoke Action Group. Wenn das Speech Karaoke-Projekt in einer neuen Stadt ankommt, werden die dortigen Reden dem Karaoke-Archiv hinzugefügt.
Das Projekt wurde in Finnland ins Leben gerufen, dem gelobten Land der Karaoke-Bars.
Übersetzt mit DeepL, Text von der Webseite
This is an innovating project with personality..!
Box1466 concept is directly related to new tendencies, being music and visual arts in general the leitmotiv of each issue. Photography, music, fashion, illustration, drawing, words and fantasies…!
Seeing, looking, reading, watching, listening..
Thanks to all those QR codes you will find inthe magazine, you will be directly guided to more information online..! Thenew concept of Box1466 is in its interactivity, that made it totally fresh and different to any other publication. Anew endless way to discover, to learn, to find out.. Theaim of Box1466 is to transmit and divulge from an original point of view, its contents of interviews and visual proposal of fashion.
Box1466 is anArty numbered deluxe limited edition independent publication.
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32 S., 23x11 cm, Auflage: 20, numeriert, signiert, keine weiteren Angaben vorhanden Heft aus rosaPapier, signierter Karton, (vermutlich Linolschnitt auf) Japanpapier, alles zusammen in transparenter Kunststoffhülle
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Finally finished the first personal project of the year. It's a zine and print package about apretend statistical analysis I did to kill some time in 2010. It's taken me a couple of years to get round to collecting all the raw material I collected into this 32 page zine. I limited the run to 20 and I tried to make it as nice as possible. I'm pleased with it. In some ways it's the most complex personal project I've made inthe real world...
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[132] S., 28x21 cm, Auflage: 1.000, ISBN/ISSN 9781908806017 Drahtheftung, eingelegt ein Werbeflyer
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Estate Of is thenew publication series from Antenne Publishing. Published twice a year ina magazine-like stapled format, each edition is given to a single artist working with photographs as a space to realise projects. Estate Of aims to become a meeting point betweenan informal physical object, and a substantial body of work from an individual artist.
Kronos by Victor Boullet is the first publication inthe Estate Of series.
Victor Boullet’s title refers to the Greek god Kronos, a deity known for its doublesidedness, a concept closely connected to his project The Institute of Social Hypocrisy. Thepublication Kronos is a means to carry his work forward into anewer form of expression, whilst maintaining a constant sense of dichotomy.
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[20] S., 30,8x41,4 cm, Auflage: 1.000, keine weiteren Angaben vorhanden Blätter lose zusammengelegt, einmal gefaltet, Schwarz-weiß Druck auf Zeitungspapier, Vorderseite gesprüht, Rückseite vom Verlag gestempelt
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journal documenting a groupproject by the class of Olaf Metzel for theannual exhibition of theAcademy of Fine Arts, Munich.
Text von der Verlagswebseite
80 S., 27,4x21,2 cm, Auflage: 150, numeriert, keine weiteren Angaben vorhanden japanische Bindung, Vorder- und Rückseite ausklappbar, Vorderseite lackiert, Rückseite vom Verlag gestempelt, innenangeklammert eine Stanzarbeit auf anderem Papier und Farbfotos,
[24] S., 26,5x26,5 cm, Auflage: 1.000, numeriert, keine weiteren Angaben vorhanden Drahtheftung, Heft inPappschuber mit Aufkleber
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Edition 09 inthe ongoing Artist Music Journals series features the work of the Montreal based artists and musicians Chloe Lum and Yannick Desranleau, knownas Seripop. Known for their original illustrationand design work, as well as their longstanding tenure as founders and members of the musical outfit Aids Wolf, Seripop have a broad following around the globe. For their AMJ, Seripop compiled years of original gig poster work, the first collection of its kind for the studio, which has made thousands of prints over the years. About Seripop: Yannick Desranleau and Chloe Lum are visual artists and musicians who started collaborating in 2002 under thenom de guerre Seripop. Based in Montreal, Seripop has earned international attention for its stylistically distinct, silkscreened street posters. In 2005, Lum and Desranleau began experimenting with sculptural print installations which merge notions of city politics and visual perception. The duo has been speaking and exhibiting their work at various art institutions including Baltic Centre for Contemporary Art in Gateshead, England, Peacock Visual Arts inAberdeen, Scotland, and the University of North Texas, Denton, USA. Inaddition to Seripop, Lum and Desranleau play inAIDS Wolf, anoise-rock band and Hamborghinni, a drums and electronics project.
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[24] S., 26,5x26,5 cm, Auflage: 1.000, numeriert, keine weiteren Angaben vorhanden Drahtheftung, Heft inPappschuber mit Aufkleber
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This is the twelfth and final edition of Soundscreen Design's Artist Music Journals series, featuring the work of Eye, knownprimarily as the vocalist for the Japanese band Boredoms and also for his prolific visual art portfolio. He used this project as an opportunity to design for dozens of imaginary bands, including original album art and vinyl details.
Eye lives and works in Japan, and is knownprimarily as the vocalist of the Boredoms (Voredoms), but has also worked with artists such as Nam June Paik and John Zorn, and has recently started performing solo as DJ PikaPikaPika. Inaddition to his musical activities, Eye is anaccomplished visual artist - his work includes collaborations with Shinro Otake (as Puzzle Punks), and he has designed many record covers, including the jacket of the Beck album Midnight Vultures
Girlcore is anall-female collective based in London. Originally founded ona desire to promote international female talent in creative industries - Girlcore's resume has grown far and beyond anything originally hoped for. Be it showcasing new DJ's alongside the likes of veterans such as Peaches and Annie Mac, to creating a website dedicated to promoting recent flair inthe visual arts. All the work done by the group is a labour of love, each member of the collective having their own careers inthe creative industries. This side-project is a way of celebrating theamazing work we encounter along the way.
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Students of the Eindhoven DesignAcademy, Faculty of Manand Communication, have worked onaproject about the representation of terrorism under the guidance of designer and teacher Annelys de Vet. In collaboration with Freek Lomme, director of Eindhoven based presentation-institutionand publishing company Onomatopee, a book and exposition became the result of this.
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Thepublication I'm On Your Side is the fourth part of aproject conceived by Heman Chong for Kunstverein (Milano). After the three-fold project of the same name, presented in Milan inNovember 2010 thepublication is understood as a compendium of the entire enterprise.
I'm On Your Side developed out of a series of conversations with theartist onthe formation of Kunstverein (Milano). Upon invitation of theartist AlessandraPoggianti, KatiaAnguelovaand Andrea Wiarda, co-directors and founders of Kunstverein (Milano), contributed individual toughts and reflections onthe introduction of anode into the cultural landscape of Milan.
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16,5x12,5 cm, keine weiteren Angaben vorhanden 71 beidseitig bedruckte Karten, 17 davon gefaltet, verschiedenfarbige Papiere, lose zusammengelegt, eingeschlagen in Umschlag, gestanzt, mit Gummbiband umbunden
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Katalog zur Buchmesse mit Einzeldarstellungen der Aussteller.
Raíña Lupa was born inParis in 1994 as an editorial project specialised inartists books and original graphic work. In 1998 Raíña Lupa’s art gallery
opened inthe same city, orienting its work towards a relationshipamong art and literature. From 2002 theproject continues in Barcelona, with anew editorial line in which photography and thenew digital tehcniques take apredominant place.
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536 S., 29,8x21 cm, Auflage: 500, numeriert, signiert, ISBN/ISSN 9789630872256 Schmutztitelseite gestempelt, mit Widmung und Aufkleber, Vorwort von Kristine Stiles
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Using authentic documents, numerous photographs and illustrations Artpool’s chronological volume containing a brief presentation of events and exhibitions, a detailed bibliography and references follows the history of theArtpool art project – launched more than forty years ago by fine artist György Galántai and later jointly realized with Júlia Klaniczay – from the exhibitions of the Chapel Studio active in Balatonboglár between 1970 and 1973, through the establishment of theArtpool archive in 1979 to the opening of theArtpool Art Research Center in Budapest in 1992 and its becoming an esteemed research facility by the 2010s.
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[36] S., 17,6x12,6 cm, Auflage: 250, keine weiteren Angaben vorhanden Drahtheftung
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With abstract painting, decisions that lead to a completed work can seem arbitrary or, worst of all, inconsequential. With this project, we've attempted to open upthe decision making process, shedding light on both our collaborative approach and the individual choices that lead to the completion of apainting. Two people, two colors, one painting. Apainting in 31 marks.
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[24] S., 21x14,7 cm, Auflage: 30, numeriert, signiert, keine weiteren Angaben vorhanden Drahtheftung, zwei verschiedene Papiere, inPergaminhülle
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'say cheese', 'please laugh', 'show your smile' - this is what people usually say, whenthey take aprivate picture of their friends or family. These pictures normally remain intheprivate sphere of thephotographer and are only shown to a selected audience. For this conceptual and experimental photo-series such private images have been forcefully appropriated: individual prints have been taken randomly from drug stores and photo developers, thepictures where selected and then set in relation to others. Thenegatives of these images were not taken. Unlike the concept of the objet trouvé, where found objects and materials are the basis for creative work, the images used in this project are objets appropriés, they have beenactively taken rather than found. They are documents of other peoples memories, memento mori of their existence, beautiful intheir own right. By blurring and distorting them, the concept of remembering and forgetting, documentationand memory is questioned.
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Blue SevenPhenomenon is the result of the Sant Andreu Contemporani (SAC) order to the jury members of Miquel Casablancas prize: the organization of an exhibition with the selection of several artists who signed upat the last 2012 call. Blue SevenPhenomenon is the result of the collaboration between hablarenarte: and Sonia Fernández Panand presents thepublications by: Paco Chanivet, "Mi reino no es de este mundo"
Raúl Díaz Reyes, "Sasquatch"
Cristian Herrera Dalmau, "Rescatar un elefante"
Marla Jacarilla, "Sacchoaromyces Cerevisae"
Samuel Labadie, "The flying skull fragment"
Martín Llavaneras, "Esto no es alpinismo" Pep Vidal, "Movimiento 44". Theproject don't seek to work with artists who have a wide experience directly working with this medium, but working with those their production is focused on other artistic formats, emphasizing theability to generate explicit or remembered storys more thanan experience and knowledge onthe formats of the book as a medium of artistic production
40 S., 20,3x12,7 cm, 2 Stück. keine weiteren Angaben vorhanden Hardcover, Broschur
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According to popular belief, there were no urinals in museums and art galleries before 1917. Allegedly, Marcel Duchamp was the first to introduce one of these useful objects into an exhibition space. Nearly a century later they are ubiquitous. Captured during a six month sojourn through Europe, this book presents a selection of the finest art museum urinals onthe continent. Published in 2012 as a contribution to ABCED, anABC Artists’ Books Cooperative project in celebration of Ed Ruscha’s seventy-fifth birthday. The book was taken out of circulation onthe occasion of Ed Ruscha’s seventy-sixth birthday on December 16th, 2013.
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Auflage: 100, 5 Teile. keine weiteren Angaben vorhanden transparenter bedruckter Kunststoffschuber mit 3 Heften und 2 gefaltetenPlakaten
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WHAT THE SHOP is anart project that first took place in Vienna 2012. WHAT THE SHOP was foundet by Mirjam Schweiger in collaboration with Michael Bäckström and Judith Rohrmoser. WHAT THE SHOP does not stay at one place for long. WHAT THE SHOP speaks several languages. WHAT THE SHOP is run by people who have worked with each other before and trust each other. WHAT THE SHOPalways ends with apublication. WHAT THE SHOP is an investigation of artistic practice and the city. WHAT THE SHOP is not about selling things but about everything else. WHAT THE SHOP is open for change. WHAT THE SHOP is always up for tasty food. WHAT THE SHOP is a social sculpture and anartwork. WHAT THE SHOP what the fuck haters?!
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324 S., 19,8x12,8 cm, Auflage: 500, ISBN/ISSN 9781907468216 Softcover, Taschenbuch
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Getting Inside Simon Morris’ Head is aperformative retyping of Simon Morris’ conceptual bookwork Getting Inside Jack Kerouac’s Head. Like Morris’ original performance of retyping the scroll edition of Jack Kerouac’s Onthe Road, Joe Hale’s project first appeared as a blog. At the rate of one page per day, like Morris retyping Kerouac before him, Hale retyped Morris’ entire book and in doing so re-retraces Kerouac’s famous adventure. Morris gave us all of Kerouac’s pages in reverse order: each blog post presented one page and the default settings of the blog platform organised his posts in reverse order, from thenewest to the oldest. Now inverted again, as a double negative, Hale has restored the direction of travel to the story and produced a wholly (un)original new text. This first printed edition takes the imitative gesture to anew extreme. It features an introductory essay by poet Kenneth Goldsmith and reuses Morris’ paratext. From the cover design to the choice of paper, Hale tests the limits of conceptual extension.
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Morris’ new bookwork, Getting Inside Jack Kerouac’s Head, is aperformative retyping of the recently published original scroll edition of Jack Kerouac’s beat classic, Onthe Road. Morris’ project first appeared as an ongoing journey through the book, read and re-typed ona WordPress blog one page per day. This newly published codex versionpours the content of that performative retyping back into the format of thepaperback source book. It follows the default logic of a blog archive to put the last post, page at the start and stores the rest of the entries in reverse order. In other words, whereas Kerouac traveled from the East coast to the West coast, Morris crosses America from West to East.
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144 S., 30x22 cm, Auflage: 350, ISBN/ISSN 9781907468209 Broschur mit Klappeinband
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TheNabokov Paper is an experiment innovel-reading. Theproject takes as its starting point anow famous class taught during the 1950s by Vladimir Nabokov at Cornell University, New York State, entitled Literature 311-312: Masters of European Fiction. Nabokov’s approach to teaching literary reading was notoriously idiosyncratic. Convinced that one must teach the books themselves, not ideas or generalities, Nabokov would make diagrams of the floor plans of fictional buildings, mapthe routes taken by characters through the spaces of thenovel, and draw items of clothing or furniture, he would also propose to track the course of a single letter, offer a visual representation of a stylistic device, and uncover what he called the mysteries of literary structures. His methods are striking for the range of gestures they call for inthename of good reading. Thepublished Lectures on Literature (New York: Harcourt, 1980) concludes with anappendix of sample exam questions. Responding to those questions some sixty years after the fact offers a means to explore what Nabokov’s take on how to read might have to teach us today: about thenovel, about how reading works across practices and disciplines, and about thepast, present and future forms of literary criticism.
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40 S., 27.2x19.7 cm, Auflage: 150, keine weiteren Angaben vorhanden Blätter gefaltet, lose ineinander gelegt
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Micronaut is an editorial project initiated in 2011 with a critical and singular approach to publishing and artist book. In three years of activity, the book serie took several different forms, engaging a dialogue between disciplines and blurring the boundaries betweenactors involved ina book process. An independent editor and photographer based in Switzerland, Julien Gremaud runs Micronaut as an interface to produce and publish books but also as anartistic practice through collaborations whether it is anartist, a gallery, a museum or anartists collective.
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Produced to accompany the exhibition To Dust We Will Return by Christine Borland in Galleri Enkehuset, Stockholm as part of theproject SAWN-OFF organised by Maria Lind March 9th - April 14th, 1996.
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ThePerfect Picture is aproject on CD-ROM. It is anattempt to make aperfect picture of a formerly impassible part of the town of Utrecht: the military barracks The Kromhoutkazerne. The goal of ThePerfect Picture is not to formulate a representative photographic vision of the subject. It seeks rather to present a method whereby the subject can be experienced - experienced ina manner that verges onthe way we do that in reality: one that is complex, abundant, and not always equally clear and unambiguous.
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CD-Rom zum Projekt Arte/Cidade der Grupo de Intervencao Urbana. Arte/Cidade is aproject of urban interventions realized in São Paulo, Brazil, since 1994. It seeks interventions that relate to the vast territory of megacities and the global reconfigurations of economy, power and art. It seeks to trigger our perception of situations that no longer reveal themselves solely to visual scrutiny, through interventions that consider the great scales of global and metropolitan restructuring processes.
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The Face inthe Desert (1999) was apublic art project commissioned by and realized in collaboration with theNational Museum of Photography, Film and Television, Bradford. Theproject consisted of both an installation in Bradford city center and anewspaper. The images used for this project were found inthe museum’s vast Daily Herald newspaper archive.
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Inthe book project ANarrow Scene of Hypothetical Circumstances we access a visual universe revolving around dismembered pieces of familiar objects. Sketches, pictures and materials are united into a steady flow of everyday examination, in which apparent contradictions — painstaking exactitude and violence, empathy and calculation — bubble away beneath the surface. Rearrangement, representationand repression melt together onthe border between constructionand collapse, with an elegant sense of seriousness.
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Die Arbeit ist Teil des "Equilibrium Projects": Equilibrium is a collaborative initiative to develop creative contexts for women in towns and cities to explore practices that stay immersed in everyday. Theproject gave aplatform for artists from Europe and Asia to come together, interact and work with the women members of self-help groups from Partapur and nearby villages. Theartists and women members worked together as equals through sharing their experiences, skills, stories, and recipes through several creative projects. Now these creative projects are going to be displayed inan interactive exhibitionat Walpodenakademie Mainz from May 08, 2015.Equilibrium is aproject of Walpodenakademie (Mainz), Sandarbh (Partapur/ New Delhi), and Beneshwer Lok Vikas Sansthan (Partapur), curated by Shilpa Upadhyay and h.i.s.(Tanja Roolfs and Stefan Brand).
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[12] S., 19,7x14,2 cm, Auflage: 100, numeriert, keine weiteren Angaben vorhanden Drahtheftung
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Erste Auflage 07.2014. EinProjekt von Hermes Villena, Worte von Jenny Dirksen, Design von Hugo Hoppmann.
(Intestine) is a small zine-series, dealing with the ideas of a Happening. It was iniated inthe beginning of my studies at KHM (Cologne) as aproject for the "Rundgang" and it is planned to resume.
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80 S., 20,8x14,8 cm, keine weiteren Angaben vorhanden Broschur, Softcover, Druck auf hellblauem Papier
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Modul-dance was a multi-annual cooperationproject with theparticipation of 20 European dance houses from 16 countries.
Its mainaim was to support development, mobility and exchange for dance artists.
Led by Mercat de les Flors in Barcelona, theproject operated under the umbrella of the European Dancehouse Network (EDN) and was funded by the European Commission through its Culture Programme.
Modul-dance lasted from June 2010 to December 2014 and it was one of the most important sponsored EU cultural projects.
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This publication is the result of a book-residency of 14 days Mari Kanstad Johnsen did at Knust, Extrapool. It’s part of Art Prison, an ongoing project in which anartist gets invited to come and make a stencilprinted book at Knust, Extrapool. Blue Cabin contains detailed pencil and ink drawings of extraordinary sceneries and characters. It tells the story of a hermit man who is discovering a whole new world.
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[40] S., 27,5x19,5 cm, Auflage: 330, keine weiteren Angaben vorhanden Fadengeheftet. Mehrfarbiger Risographie und Ricoh
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This publication is the result of a book-residency of 14 days Anne Vagt did at Knust, Extrapool. It’s part of Art Prison, an ongoing project in which anartist gets invited to come and make a stencilprinted book at Knust, Extrapool. Beginners is filled with light coloured abstract drawings and notes, interspersed with small and funny figurative, suggestive elements. The general feel is subtle yet very intriguing.
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[44] S., 27,6x19,6 cm, Auflage: 330, keine weiteren Angaben vorhanden Fadengeheftet. Mehrfarbiger Risographie und Ricoh
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This publication is the result of a book-residency of 14 days Gijs Deddens did at Knust, Extrapool. It’s part of Art Prison, an ongoing project in which anartist gets invited to come and make a stencilprinted book at Knust, Extrapool. Som is filled with very detailed and hatched drawings of animals, structures/patterns, landscapes and other nature subjects with a hazy, yet a bit dark and pleasant feel.
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21x14,9 cm, 2 Stück. keine weiteren Angaben vorhanden Drahtheftung, Softcover mit Prägung
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Modul-dance was a multi-annual cooperationproject with theparticipation of 20 European dance houses from 16 countries. Its mainaim was to support development, mobility and exchange for dance artists.
Led by Mercat de les Flors in Barcelona, theproject operated under the umbrella of the European Dancehouse Network (EDN) and was funded by the European Commission through its Culture Programme. Modul-dance lasted from June 2010 to December 2014 and it was one of the most important sponsored EU cultural projects.
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20,8x14,8x4 cm, 2 Stück. keine weiteren Angaben vorhanden 10 Hefte, Broschur und Drahtheftung, Softcover, mit Gummiband zusammen gehalten, Druck auf farbige Papiere
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One of the modul-dance project key elements is thepromotion of mobility, so that artists receiving its support follow itineraries across Europe to developtheir creative work and present it to different audiences.
Modul-dance presents a collection of modul-dance city guides. Each of the guides in this collection shows a city from the viewpoint of a local artist, who proposes his or her ownparticular route to artists in transit, seeking to put them in connection with their host city. While these city routes share some basic features, each one is different and intheir differences lies a wealth of gazes, aesthetics, approximations to the local and much more. Ina word, they form a mirror of the diversity that modul-dance has always fostered. Athens, Barcelona, Bassano del Grappa, Dresden, London, Stockholm, Vienna, Toulouse, Paris and Poznań, ready to be discovered.
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226 S., 23,8x16,7x2 cm, 2 Stück. keine weiteren Angaben vorhanden Broschur, Softcover, schwarzer Rundumfarbschnitt
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Modul-dance was a multi-annual cooperationproject with theparticipation of 20 European dance houses from 16 countries.
Its mainaim was to support development, mobility and exchange for dance artists. Led by Mercat de les Flors in Barcelona, theproject operated under the umbrella of the European Dancehouse Network (EDN) and was funded by the European Commission through its Culture Programme. Modul-dance lasted from June 2010 to December 2014 and it was one of the most important sponsored EU cultural projects.
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36 S., 30x25,5 cm, Auflage: 2.500, keine weiteren Angaben vorhanden Gedruckt mit Extrapool Ricoh priport JP8500 auf 150 gr MunkenArtic White mit 12 Farben, in bedruckter Papiertüte
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The daily magazine of the international arts festival Wereld Van Witte De With. De With is the daily paper full of news, interviews, reviews and secret tips. An exciting cooperation between dutch art blog Trendbeheer.com and the Letterproeftuin. Editing, writing, designing, printing and distributing from the festival floor, theproject became a self-sustaining magazine
[32] S., 14,8x10,5 cm, Auflage: 1.000, 2 Stück. keine weiteren Angaben vorhanden Drahtheftung, beigelegt ein Sticker
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Die erste Printausgabe des seit 2008 bestehenden online-Magazins mit Musik-Neuigkeiten. Interviews mit Das Weiße Pferd, Hobos, BELP feat, Kreisky, dAS bAND, Xiao Xiao MenthaProject, Julia Fortuny, Karaba u. a
16 S., 29,7x21 cm, keine weiteren Angaben vorhanden Drahtheftung, ein Sticker eingelegt. Cover mit Prägedruck. Risographie. In braunem Papierumschlag mit Aufkleber
OWK is an independent visual library for words and images that create linear or abstract stories providing a structure for publishing and archiving projects. We focus on graphic design, illustration, photography, art and creative writing.
OWK is a Riso print project, meaning that color will fail to present photographs in its purest form. Registration too will fail and colors will be imperfect. It is what it is. An experimental electronic single drum screenprint with its own unique aesthetic and feel.
Zur Ausstellung in der Hatton Gallery, Newcastle Upon Tyne vom 27.09.-27.10.1974 und bei Annely Juda Fine Art, London, 12.11.-21.12.1974
Zeichnungen, Fotos und Konstruktionspläne: 242,945 Ölfässer. Höhe: 25 Meter. Breite: 63,2. Meter. Tiefe: 52,4 Meter
Erschienen zur Ausstellung vom 16.01.-15.03.2015 in der Galleri Susanne Ottensen Kobenhagen. (Anm. Im Katalog werden drei verschiedene Daten für die Dauer der Ausstellung angegeben).
Text von Magnus Thorø Clausen. Interviews von Hans Ulrich Obrist. Per Kirkeby and Lawrence Weiner have known each other for many years. The idea of making a collaborative work and an exhibition together already evolved inthe mid eighties, but due to practical reasons theproject was not realized back then. Last year during the fall, the idea returned to us inanew form, and we decided together with theartists that now was the time to make it happen. Per Kirkeby shows two brick works built directly withinthe gallery space. One work is a tall stele with a deepniche, a black line or a "metaphysical shadow" running vertically through it. The other piece is a monumental quadrangular block, an open/closed building or, if you will, a hollow slightly rotten tree. This new installation is made in collaboration with Lawrence Weiner, who has contributed with texts across the inner and outer brick walls, so that words, matter and space overlapand transform the whole. Lawrence Weiner is also showing two other textbased sculptures made site specifically for the gallery space.
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As time doesn't stop, we are proud to devote this second edition of BEK to EVIL's newest project: his alter-ego SUPER A. EVIL will be in Langenhagen (Germany) in March and April to give us guys an insight into his personal well being. SUPER A of course, is just one little facet, but as you will hopefully discover, a more than eye-popping one. Therefore we are especially happy to feature both an extensive interview with EVIL KNIEVEL on his alter-ego and a mind-blowing photo story of SUPER A himself. Also we are introducing anew columnat the end of the mag that tries to show a wider perspective of our so beloved EVIL KNIEVEL." (Peter Hush)
Mit Textbeiträgen vonPeter Hush und Andy Reid sowie einem Interview mit Evil Knievel von Ken T. Evans.
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128 S., 26,9x20,5 cm, Auflage: 12.000, 2 Stück. keine weiteren Angaben vorhanden KlappBroschur
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Ausstellung vom 14.10.2015-10.01.2016 im Stadtmuseum München im Rahmen des Festivals Fotodoks und der Wanderausstellung 2016/17 durch die Länder des ehemaligen Jugoslawiens, in Kooperation mit dem Goethe Institut.
Fotodoks ist einanspruchsvolles und familiäres Festival für aktuelle Dokumentarfotografie, das alle zwei Jahre im Oktober in München stattfindet. Den Blick auf ein jeweils anderes Partnerland und Thema gerichtet, versteht sich das Festival als Forum, um unabhängig von den Reglements der Printmedien und des Kunstbetriebs offennach den Beweggründen der Fotografen, denProduktionsbedingungen und den Interessen vonAuftraggebern und Konsumenten zu fragen.
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14 S., 29,7x21 cm, Auflage: 1, signiert, keine weiteren Angaben vorhanden geklammert, Auflistung der Schenkung vom 01.12.2015 (Schallplatten), bedrucktes weißes Normalkopierpapier, auf letzter Seite handschriftlicher Gruß mit Unterschrift
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Beginning of 2014 the German label Psych.KG started a series of LP or MC releases by active fluxus artists and outsider artists, theproject is curated by Kommissar Hjuler und Frau and by Matthias Horn.
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Infoflyer zum Mailart-Project, ausgestellt in der Skuc Gallery, Ljubljana, 11.03.-13.04.2015 und im MMSU, Rijeka, 23.04.-14.05.2015. Mit einem Artikel von Vittore Baroni: cronicle of a mail art project
22x14 cm, Auflage: 9, numeriert, keine weiteren Angaben vorhanden VHS-Schachtel mit eingeschobenem Cover, innere linke Seite: schwarze Farbspritzer, Teelöffel, kleine Spritze, verschlossenes Glsröhrchen. Rechte Seite: Zwei zusammengeklebte Bilder, aufgeklebter Stoff mit Musikkassette (1h 26 min)
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Beiträge von:
Hate Poem - Blood InThePark
Hate Poem - ChildrenPlay With Corpses I
Hate Poem - ChildrenPlay With Corpses II
Hate Poem - ChildrenPlay With Corpses III
Hate Poem - Murder Minds
Hate Poem - Lullaby By Three Drowned Children
Kommissar Hjuler Und Frau - GretchenPart 1
Kommissar Hjuler Und Frau - GretchenPart 2 TheNew Movement (2) - Rejection
Split tape betweenthe relatively new Swedish project Hate Poem and theprolific German duo Kommissar Hjuler Und Frau. ANTi-X.x..x...-Mas Edition
Unterstützung durch Bandcamp
184 S., 29,3x23 cm, ISBN/ISSN 9780981574547 Broschur, verschiedene Papiere, mit eingelegten und angeklammerten Teilenauf diversenPapieren, einlegte CD in Schutzhülle mit Musik und Film,
The 15th issue of ESOPUS is devoted entirely to television. Contents include artists' projects by Alex Bag, Dara Birnbaum, and Johan Grimonprez, as well as an interview with Lisa Kudrow and Michael Patrick King. Norman Lear's hand-notated script notes from an episode of "Mary Hartman, Mary Hartman." 100 frames from Rainer Werner Fassbinder's "World ona Wire,". Keith Arnatt's "Self-Burial: Television Interference Project," 1969. materials from the MoMAarchives related to Alfred Barr. The issue closes with anaudio CD featuring new songs inspired by specific TV shows. participants include Stephin Merritt ("Meerkat Manor"), Cloud Nothings ("Golden Girls"), and Freelance Whales (My So-Called Life).
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254 S., 29x23 cm, ISBN/ISSN 9780989911726 Klappbroschur, verbautes Fach mit eingelegtem Heft, diverse eingelegte, teils gefaltete Blätter auf verschiedenenPapieren, eingebundenes Plakat, gestanzte menschliche Figuren, eingeklebte Audio-CD in Schutzhülle,
Esopus 23 includes stunning artists’ projects by Marilyn Minter (a brand-new series of work—including a removable insert—incorporating metallic and translucent specialty papers.), Mickalene Thomas (a mesmerizing collection of collaged images created for the issue including die-cuts, embossing, and specialty varnishes—and another detachable insert). Karo Akpokiere (a beautiful series of drawings, perforated for easy removal by readers, by the Lagos- and Berlin-based artist dealing with the challenges related to moving between two distinctly different cultures). Jody Wood (an in-depth look at theartist’s most recent iteration of her “Beauty in Transition” project, in which she provides hair-care and therapeutic services to homeless-shelter residents and their caregivers). Chuck Kelton (the master printer for photographers such as Mary Ellen Mark and Danny Lyon creates his own series of dramatic photogram “landscapes,” including a stand-alone, frameable print). and Stefan Kürten (an exquisite series of drawings incorporating complex folds related to mirrored elements withinthe images themselves).
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2 S., 9,3x14 cm, keine weiteren Angaben vorhanden Beidseitig bedruckter Flyer
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STET – livros & fotografias is book shop in Lisbon, specialized inPhoto books, artist books and author editions. This project was bornas a critival platform for the debate and presentation of photo editions, promoting the circulation of Portuguese artist and importing international publishers. We have independent and classical editions, artist books, author editions, cheapand expensive, weird and special.
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